Music to the little ones - This book appeals to anyone who wants to give the young ones a musical good start in life: parents grandparents childminders nursery and kindergarten teachers music teachers and other adults. The musical interaction can range from small spontaneous improvised melodies and bedtime songs till more consciously musical stimulation and focused professional music lessons. Regardless of what level and in what context the musical interaction takes place most will need ideas and inspiration - and perhaps refreshment of the repertoire oneself sang as a child. In addition to singing with the child at home it can be nice and fun to sing play andmake music with others - in large or small groups. The music's impact on the child's social development is well known and well documented. The main musical upbringing of the new little baby takes place at home. 'Music to the little ones' - This book appeals to anyone who wants to give the young ones a musical good start in life: parents grandparents childminders nursery and kindergarten teachers music teachers and other adults. The musical interaction can range from small spontaneous improvised melodies and bedtime songs till more consciously musical stimulation and focused professional music lessons. Regardless of what level and in what context the musical interaction takes place most will need ideas and inspiration - and perhaps refreshment of the repertoire oneself sang as a child. In addition to singing with the child at home it can be nice and fun to sing play andmake music with others - in large or small groups. The music's impact on the child's social development is well known and well documented. The main musical upbringing of the new little baby takes place at home.

Written for SATB choir cello harp and keyboard. Written for SATB choir cello harp and keyboard.

Harp Solo-Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Nørgård (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word 'Maria' is also associated - in sound - with the Latin word for the sea mare and she thus become the Star of the Sea Maris Stella. In my 3rd Symphony the Maria motif is used in a hymn section in the second and last part of the work. The choral song Flos ut rosa floruit was composed directly in the context of the symphony and themelody had a 'stamina' that carried it over into many later vocal and choral compositions for instance the Concerto for Harp No. 2 - through thorns (2003) and the present Consolazione for harp solo both works dedicated to Tine Rehling. Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Norgard (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word Maria is also associated - in sound - with the Latin word for the sea mare and she thus become the Star of the Sea Maris Stella. In my 3rd Symphony the Maria motif is used in a hymn section in the second and last part of the work. Thechoral song Flos ut rosa floruit was composed directly in the context of the symphony and the melody had a stamina that carried it over into many later vocal and choral compositions for instance the Concerto for Harp No. 2 - through thorns (2003) and the present Consolazione for harp solo both works dedicated to Tine Rehling.

Flute Cello Guitar Percussion (Playing-Score). Koch-raphael E

Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra) the latter of which the soloist in a simple accompanying role but after a turning point in the middle of the movement the soloist assumes adominating role. In the final movement a balance is finally achieved with the soloist at last being on equal terms with the orchestra. Per Nørgård Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra) the latter of which the soloist in a simple accompanyingrole but after a turning point in the middle of the movement the soloist assumes a dominating role. In the final movement a balance is finally achieved with the soloist at last being on equal terms with the orchestra. Per Nørgård

Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Tributes - Album For Strings (1994-95) by Per Norgard . Parts are available on hire: hire@ewh.dk I: FOUR OBSERVATIONS - FROM AN INFINTE RAPPORT - hommage a Bartok (1995) II: OUT OF THIS WORLD - hommage a Lutoslawski (1994) III: VOYAGE INTO THE BROKEN SCREEN - hommage a Sibelius (1995). Programme note TRIBUTES - album for strings (1994-95) includes three hommages which might also be performed separately.The shared point of departure was the hommage to three major composers of the 20th century - Bartok Lutoslawski and Sibelius. In FOUR OBSERVATIONS the hommage is to Bartok (on the occasion of the 50th anniversary of his death 1995). Hungarian Radio asked me to write a piece in his honor but apart from the very last unison string figure which is - I think - very Bartokian the work in no way intends to evoke even less to imitate the musical style of the great Hungarian master. This would be an act of impudence against a composer who was such an exceptionally integrated personality and who has himself shown (in 'Mikrokosmos') the worthy way to pay a personal tribute to highly respected colleagues: In 'Hommage a J.S.B.' and 'Hommage à R. Sch.' Bela Bartok composes in his own manner but lets the music reflect some qualities of the said composers as perceived in Bartok's mind. In a similar way my 'Observations from an infinite Rapport' reflects as well the timeless proportions of the 'golden section' - which seem to have inspired Bartok so much - in his great respect for perceptive structural patterns. 'OUT OF THIS WORLD' was composed at the request of a group of Lutoslawski's friends as a symbol of parting to a great composer and a noble man. The title quotes a poem by Yunus Emre the Turkish 14th century poet. The opening line of the poem 'Biz dunyadan' reads as follows in English translation: 'We are on the way out of this world we

Easy Jazzy Tudes for Clarinet.

Trio Op.42 was composed by Andy Pape in 1989-91. Scored for Violin Piano and Percussion. Trio Op.42 was composed by Andy Pape in 1989-91. Scored for Violin Piano and Percussion.

Flexible String Orchestra-Seven well known songs from around the world jazzed up by Richard Kershaw. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

A wonderful arrangement of this famous piece for pianists of an intermediate standard.

Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Kings' Parade was written for a woodwind competition in Cambridge hence the title - one of my favourite spots in that wonderful city. The music reflects both the hustle and bustle of the place and the sense of grandeur that one feels walking past those imposing buildings of learning and purpose. It should be played with an animated and energetic feel for the rhythm and a broad and resonant legato in the lyrical passages. Kings' Parade was written for a woodwind competition in Cambridge hence the title - one of my favourite spots in that wonderful city. The music reflects both the hustle and bustle of the place and the sense of grandeur that one feels walking past those imposing buildings of learning and purpose. It should be played with an animated and energetic feel for the rhythm and a broad and resonant legato in the lyrical passages.

Bass Flute. Koch-raphael E

Festouverture is a Festival Ouverture by Anders Koppel composed for Aalborg Symphony Orchestra in 2009/10. Festouverture is a Festival Overture by Anders Koppel composed for Aalborg Symphony Orchestra in 2009/10.

Robert de Visée (c.1655 – 1732) was a French lutenist guitarist and Court musician for both Louis XIV and Louis XV. Suite H-Moll is also known as Suite No. 11 in B Minor . It is written in 5 movements: Prélude – Allemande – Sarabande – Gigue – Passacaille . First published in the 1680s it was almost certainly written when de Visée was already a respected musician at Versailles and was probably performed in front of the Kings on many occasions. De Visée would have used a 5 string Baroque Guitar. It has been arranged for the modern 6 string instrument by the noted Guitar arranger and virtuoso Karl Scheit .

Set of parts for String Quartet No.2 'Quartetto Facile' by Pelle Gudmundsen-Holmgreen (1959). Manuscript copy. Set of parts for String Quartet No.2 'Quartetto Facile' by Pelle Gudmundsen-Holmgreen (1959). Manuscript copy.

Flexible Brass Ensemble-The Lloyds Bank T.V. theme otherwise known as 'Wachet Auf' from Bach's 'Schubler' chorale preludes. Grade: 5

Sigrid's Cantata was composed by Bent Sørensen in 2011. First performance at Ojai Festival June 2012 by Leif Ove Andsnes. Sigrid's Cantata was composed by Bent Sorensen in 2011. First performance at Ojai Music Festival June 2012 by Leif Ove Andsnes.

An irresistible romp for four saxophones of the same persuasion (4 altos or 4 sopranos). Exciting cross rhythms and strong yet distinctively tonal harmonies.