from Guilanata-Guitar. Giuliani M Guitar. Giuliani M

from Koma Rapid-Eye-Movement-Clarinet. Oehring H

For Flute and Oboe or any two melodic instruments. For Flute and Oboe or any two melodic instruments.

Incorporating Were You There?- Didn't I See My Lord? arranged for SATB. Words and Music by Mark Hayes.

World Music junior-The sound of spanish guitars at Christmas! Richard Graf has selected some of the most beautiful Christmas songs from around the world and presented them in player-friendly easy arrangements. The lyrics to the songs are included for singing along. Each piece also has information about its origins and the Christmas customs in the land from which it was derived. The songs are a contrasting mix – some we know and some less familiar. The sound of spanish guitars at Christmas! Richard Graf has selected some of the most beautiful Christmas songs from around the world and presented them in player-friendly easy arrangements. The lyrics to the songs are included for singing along. Each piece also has information about its origins and the Christmas customs in the land from which it was derived. The songs are a contrasting mix - some we know and some less familiar.

A selection of original piano music exactly as written by the master composers of three centuries. The music provides the pianist with a repertoire which is enjoyable for player and listener alike. Compiled and edited by Denes Agay. Suitable for pianists from grade 6 standard. A selection of original piano music exactly as written by the master composers of three centuries. The music provides the pianist with a repertoire which is enjoyable for player and listener alike. Compiled and edited by Denes Agay. Suitable for pianists from grade 6 standard.

Programme Note During the composition of my tenth string quartet a flower-name høst-tidløs came to my mind - and it would not me leave again. [høsttidløs is actually autumn crocus in English but the composer prefers harvest-timeless to maintain some of the associations of the Danish flower-name red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time and I decided to tentatively stick to that title for the work-in-progress and now having finished the piece I can say that is is still a fitting title - and it stands. Enough about the title I will go on to describe themusic a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed: melodically - and in sound - it employs the naturally based overtones and undertones (perceived at major and minor respectively) and rhythmically it is based on growth on the principles of the Golden Section and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However Melos melody is definitely the dominating aspect of my STRING QUARTET NO. 10: behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet. Programme Note During the composition of my tenth string quartet a flower-name høst-tidløs came to my mind - and it would not me leave again. [høsttidløs is actually autumn crocus in English but the composer prefers harvest-timeless to maintain some of the associations of the Danish flower-name red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time and I decided to tentatively stick to that title for the work-in-progress and now having finished the piece I can say that is is still a fitting title - and it stands. Enough about the title I will go onto describe the music a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed; melodically - and in sound - it employs the naturally based overtones and undertones* (perceived at major and minor respectively) and rhythmically it is based on growth on the principles of the Golden Section and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However Melos melody is definitely the dominating aspect of my STRING QUARTET NO. 10; behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet.

J.S. Bach's 6 Suites BWV 1007-1012 for Cello.

Twenty five carefuly graded sightreading arrangements of folk tunes from Scotland to Africa Paraguay to Finland! Grade: 2

Early Piano Music-The tonal language of the young Richard Strauss is still characterized by the traditions of the 19th Century; indeed the musical content of the composer’s early piano works is determined to a large extent by his response to the examples of Schubert Mendelssohn and Schumann.These previously unpublished piano pieces appear for the first time in this edition. The “Sonatinas” in several movements and a “Fantasie” from the year 1874 - whose level of difficulty is comparable with the Sonatinas by Kuhlau and Clementi and with early pieces by Mozart - are versatile pieces suitable for teaching purposes.

A suite of two lullabies for two female voices and Piano by Arvo Part written in 2002.

For mixed voices a cappella Lyrics: Ellen Heiberg For mixed voices a cappella Lyrics: Ellen Heiberg

Open Strings To Grade 1- Easy Latin String Orchestra offers players of an elementary level experience their first taste in ensemble performance with seven great pieces suitable for open strings to grade 1 standard. These super pieces all feature and addictive Latin flavour and are ideal repertoire for the early String ensemble.

Best loved songs nursery rhymes play tunes and singing games. Easy piano arrangements with words and chord names by Denes Agay. These familiar tunes provide easy and enjoyable material for the beginning pianist (grade one plus). Best loved songs nursery rhymes play tunes and singing games. Easy piano arrangements with words and chord names by Denes Agay. These familiar tunes provide easy and enjoyable material for the beginning pianist (grade one plus).

Flute String Quartet (Full Score). Yun I

Two solos in jazz idiom for pedal or non-pedal harp-Two solos in jazz idiom for Pedal or Non-Pedal Harp. New to the Trinity College Syllabus in 2015. Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green . Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart 's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House . Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

Georg Benda was born on 30. Juni 1722 in Bohemia and 1997 was the 275. anniversary of his birth. He is the most celebrated member of the musical Benda family and besides works for the stage he wrote chiefly piano compositions. Zelter wrote to Goethe of Georg Benda: A true musician; I have never since met his like. The grade is similar to easy Haydn sonatas. Georg Benda was born on 30. Juni 1722 in Bohemia and 1997 was the 275. anniversary of his birth. He is the most celebrated member of the musical Benda family and besides works for the stage he wrote chiefly piano compositions. Zelter wrote to Goethe of Georg Benda: A true musician; I have never since met his like. The grade is similar to easy Haydn sonatas.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

John Frandsen: REQUIEMStrumenti2 fl. grande1 fl. picc.2 oboi1 c. ingl.2 cl. in Bb1 cl. basso in Bb2 fagotti1 contrafag.4 corni in F3 trombe3 tromboni1 tubaarpapercussione (4 musici)Tubular bells4 chinese temple bellsTamtamCrotalesTuned gongsMarimbaGran cassaGlockenspielSnare drumLarge church bell in AThunder plateCymbals - 2Suspended cymbal2 x 5 tom-toms (in left & right side of the stage)CelestaXylophoneTringletimpaniarchiorgano Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloists (SATB) Chorus (SATB) Girl's Chorus (SSAA) and Orchestra (2010). Latin Texts and texts by Simon Grotrian. 'In memory of the victims from the Utoya massacre 22 July 2011' Commissioned by The Danish National Symphony Orchestra / DR The texts by Simon Grotrian are sung by a Rock Singer accompanied by Organ. Parts are available on hire: hire@ewh.dk Score: WH31253

Harp. Hartmann R Harp. Hartmann R