Five movements well contrasted in style. A splendid addition to the library... should prove to be most useful to reasonably advanced players'. Making Music. Recorded by Beyer Breuer (FSM). Grade: Medium

An exciting and varied collection of 35 traditional tunes from around the world arranged for easy fiddle (violin). All tunes are written clearly in standard notation along with bow directions. An accompanying CD contains all the tunes played at a manageable speed accompanied by a backing band of guitars bass mandolin and percussion. The tunes come from Africa North and South America Europe The Middle East Asia and Australia and are specially arranged by the author with the beginning/intermediate fiddle player in mind. On the CD the tunes are played 2 or 3 times so you can really get into the feel of the tune when playing along. The speed of the tunes isquite slow but not so slow as to take away from the essential feel of the music. There is a mine of great music to be discovered from around the world a sample of which can be found in this unusual and stimulating selection which may well prove to be a springboard to further studies of traditional styles.

Concerto For Violin Accordion And Orchestra was composed by Anders Koppel in 2001-2002/rev.2007 Concerto For Violin Accordion And Orchestra was composed by Anders Koppel in 2001-2002/rev.2007.

Trinity Performance Edition showcases previously unpublished pieces by contemporary composers with each edition dedicated to one composer and instrument. Many pieces from across the series have been selected for Trinity syllabuses while others make great transition pieces between grades. All are perfect for concert performance and you’ll find a range of playing standards in each book. Performance notes written by the composer are available online along with further digital resources at trinitycollege.com/music-books.Trinity Performance Editions showcase new works by contemporary composers. Each edition is dedicated to one composer and instrument. Many pieces from the series are featured on Trinity’s exam syllabuses whilst others are simply enjoyable to learn and play and provide great transition pieces between grades. All are excellent recital pieces and performance notes written by the composer are available online along with further digital resources.

von Bertolt Brecht-High Voice Piano. Dessau P High Voice Piano. Dessau P

Karel Van Steenhoven's 7 Minimal Preludes for Alto or Tenor Recorder.

Lysning (2006)- Passage for String Orchestra.

Sonata for piano with a duration time of approx. 13 minutes.

Per Nørgård 's It's All His Fancy That for Trumpet Trombone and Piano. Score and parts. Per Nørgård 's It's All His Fancy That for Trumpet Trombone and Piano. Score and parts.

Eulenburg's authoritative miniature score of Haydn's celebrated Quartet In D Minor . Ideal for performance preparation academic study or simply for personal reference.

Flute teaching material-Easy arrangements of Traditional Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. The solo flute part is also included on a separate insert.

A fantastic arrangement of Walock's famous piece from his Capriol Suite.

Frederic Mompou's Suite Compostelana written for guitarist Andre Segovia in 1962 (Segovia revised the piece in 1963) is one of only a handful of instrumental works he wrote for instruments other than the Piano. Frederic Mompou's Suite Compostelana written for guitarist Andre Segovia in 1962 (Segovia revised the piece in 1963) is one of only a handful of instrumental works he wrote for instruments other than the Piano.

These attractive variations on the 'Happy Birthday' - theme are written in the style of various masters and are suitably flavoured with additional quotes the 'congratulations' are meant to be by the following composers: Bach Mozart Beethoven Schubert Chopin Liszt Wagner J. Strauss Dvorák and Joplin. German birthday poems in imitation of Busch Goethe Mörike Morgenstern Schiller and Storm complement the music adding up to a perfect birthday present for the amateur pianist.

Flexible Brass Ensemble-Five jazz pieces including potential for audience participation! Grade: 4 - 5

Taken from Saint-Saens third symphony this lovely melody has been wonderfully arranged for intermediate level pianists.

17 Famous Musical Favourites: You'll Never Walk Alone; We Are The Champions; Aquarius; Get Me To The Church On Time; Hello Dolly; I am What I am; I Could Have Danced All Night; If I Where a Rich Man; Ol' Man River; Send in The Clowns; Summer Nights; And All That Jazz; Wandrin' Star; I Get a Kick Out of You; Memory; Cabaret; Chim Chim Cher-ee

BWV997-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello. It may also serve as a way for cellists to get close to Bach through works other than the six solo suites and the three gamba sonatas. I first came across the Partita by Johann Sebastian Bach in a version for flute and strings beautifully recorded by Kurt Redel. Since my early teens it has been on my list of special pieces. The four movements show extraordinary variation. In the hands of Bach the key of C minor becomes particularly powerful of limitless weight sometimes even stern. Is there an opening of a movement from the baroque era which compares withpower of the first movement here? It is a magni-ficent example of musical temperament. Three 18th century manuscripts survive. One found among the papers of C.Ph.E.Bach and two by Johann Philipp Kirnberger a student of J.S.Bach. All three are in the form of a keyboard sonata. Because of the choice of register however one may ask whether they are in turn arrangements of an original composition for solo flute or solo violin. The Double is very pianistic and may therefore have been added later. For all movements except the Fugue I have supplied a piano part for the right hand. The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello. It may also serve as a way for cellists to get close to Bach through works other than the six solo suites and the three gamba sonatas. I first came across the Partita by Johann Sebastian Bach in a version for flute and strings beautifully recorded by Kurt Redel. Since my early teens it has been on my list of special pieces. The four movements show extraordinary variation. In the hands of Bach the key of C minor becomes particularly powerful of limitless weight sometimes even stern. Is there an opening of a movement from the baroqueera which compares with power of the first movement here? It is a magni-ficent example of musical temperament. Three 18th century manuscripts survive. One found among the papers of C.Ph.E.Bach and two by Johann Philipp Kirnberger a student of J.S.Bach. All three are in the form of a keyboard sonata. Because of the choice of register however one may ask whether they are in turn arrangements of an original composition for solo flute or solo violin. The Double is very pianistic and may therefore have been added later. For all movements except the Fugue I have supplied a piano part for the right hand.

Nostalgie Op.78 for Guitar solo by the Danish composer Poul Rovsing Olsen (1922-1982). Composer's programme note: Nostalgie was composed in December 1976. In the four movements of the work the listener is confronted with music which flirts with recollections of not far distant albeit bygone times. The lyrically dramatic introduction is followed by a toccata a Spanish dance then a waltz. At times we are close to the past then we are suddenly drawn away from it. The music is infatuated ironic nostalgic. Nostalgie is dedicated to Erling Møldrup. Poul Rovsing Olsen (Lerchenborg Music Days 1978) Nostalgie Op.78 for Guitar solo by the Danish composer Poul Rovsing Olsen (1922-1982). Composer's programme note: Nostalgie was composed in December 1976. In the four movements of the work the listener is confronted with music which flirts with recollections of not far distant albeit bygone times. The lyrically dramatic introduction is followed by a toccata a Spanish dance then a waltz. At times we are close to the past then we are suddenly drawn away from it. The music is infatuated ironic nostalgic. Nostalgie is dedicated to Erling Møldrup. Poul Rovsing Olsen(Lerchenborg Music Days 1978)

A graded collection of effective solos and duets in the easy to intermediate levels with original miniatures from Baroque to Jazz tasteful arrangements of popular themes and pieces ideally suited for the beginner's first recital. A graded collection of effective solos and duets in the easy to intermediate levels with original miniatures from Baroque to Jazz tasteful arrangements of popular themes and pieces ideally suited for the beginner's first recital.