Kinderlieder- High Voice Piano (German English). Reger M

In three movements for saxophone quartet. Composed in 1992 Quartet No.1 Op.44 - in three movements for Saxophone Quartet by Andy Pape (1992). Commissioned by and dedicated to the New Danish Saxophone Quartet. Parts are available: WH31737A

Contents: Chopin Preludes Mozart's Sonatina in C (1st movt.) Tchaikovsky's 'Chanson Triste' and other indispensable teaching pieces. Grade: 4 - 5

Piano-The Viennese composer Franz Schubert (1797-1828) became one of the originators of the Romantic style and the greatest of the post classicists bridging the gap between the 'Classical' and 'Romantic' periods. Grade: 5 - 6

Five fairy-tales of Hans Christian Andersen.

1. ”The Native Land of Light” (for mixed chorus SATB) 2. ”Come lift me up” (for mixed chorus SATB -) -) the second movement may be performed by a children’s chorus or by the female voices (SSA) from a mixed chorus Programme Note From my very first aquaintance with these Andersen poems I was deeply moved by the simple almost naive yet evocative imagery with which Andersen realized his visions images like: “The Melody of the Heart” “The Poem of Beauty” “A Spiritual Hindustan” “Fly Death over the Sea of Time fly to Eternal Summer”. Along with this “childishness” Hans Christian Andersen’s poetry encompasses enormous – almost Willim Blake-ish – cosmic visions in theinterpolations between e.g. “reaching the Heaven” as opposed to “you’ll find it in a Rosebud” or the juxtaposition of “Everyday Life” and “Eternal Poetry” - which become one. Thus the music came to life in my immediate encounter with these words which almost sang themselves into my Musical Furnace – if you will. Per Nørgård To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to music by Per Norgard for SATB choir and SSA choir. 1. Lysets faerdreland / The Native Land of Light (for mixed chorus SATB) 2. Loft mig kun bort / Come lift me up (for mixed chorus SSA*) *) the second movement may be performed by a children's chorus or by the female voices (SSA) from a mixed chorus Programme note From my very first aquaintance with these Andersen poems I was deeply moved by the simple almost naive yet evocative imagery with which Andersenrealized his visions images like: The Melody of the Heart The Poem of Beauty A Spiritual Hindustan Fly Death over the Sea of Time fly to Eternal Summer. Along with this childishness Hans Christian Andersen's poetry encompasses enormous - almost Willim Blake-ish - cosmic visions in the interpolations between e.g. reaching the Heaven as opposed to you'll find it in a Rosebud or the juxtaposition of Everyday Life and Eternal Poetry - which become one. Thus the music came to life in my immediate encounter with these words which almost sang themselves into my Musical Furnace - if you will. Per Norgard

Piano. Tschaikowsky Pi

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

aus In terra pax- Frank Martin's Notre Père for mixed choir (SATB) and piano/organ. Adapted from Martin's 'in terra pax'. Frank Martin was born in Geneva Switzerland on 15 September 1890. He was the tenth and youngest child of a clergyman's family. He played and improvised on the Piano even before he went to school.

First movement of Beethoven's 5th carefully and imaginatively arranged. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Concertos Nos. 9-12-The concertos and capriccios of the collection 'L'Arte del Violino' make great technical demands on the performers which were quite unusual for that time: extremely high registers complicated chord positions and individual bowing.The study score is based on the Locatelli Complete Edition which makes the works of the Italian master accessible on the basis of the latest musicological editorial methods.With a preface in various languages and Critical Report! The concertos and capriccios of the collection 'L'Arte del Violino' make great technical demands on the performers which were quite unusual for that time: extremely high registers complicated chord positions and individual bowing.The study score is based on the Locatelli Complete Edition which makes the works of the Italian master accessible on the basis of the latest musicological editorial methods.With a preface in various languages and Critical Report!

Excerpts from Symphony No. 1-A series of famous works abridged and unlocked for easy piano while retaining the essence of each great work. Usually all movements are represented. Excerpts from each movement of the inspirational Symphony No 1. A series of famous works abridged and 'unlocked' for easy Piano while retaining the essence of each great work. Usually all movements are represented. This volume contains excerpts from each movement of Mahler 's inspirational Symphony No 1 .

Ausgewählte Sätze-These technically approachable arrangements for the piano of some of Mahler's most significant works invite us to explore the sound world of their creator. These technically approachable arrangements for the piano of some of Mahler's most significant works invite us to explore the sound world of their creator.

A collection of Easy flexible saxophone duets by John Widger for any combination with optional piano support. Grade 2 onwards. This set combines with a version for treble clef woodwind instruments (SP311) which would then provide simple duets for any saxophone and any treble clef woodwind instrument. Grade: 2 onwards A collection of Easy flexible saxophone duets by John Widger for any combination with optional piano support. Grade 2 onwards. This set combines with a version for treble clef woodwind instruments (SP311) which would then provide simple duets for any saxophone and any treble clef woodwind instrument. Grade: 2 onwards

Organ. Brandmueller T

Media Comments:(...)A publication that is relevant and enjoyable to use on your own as it is in a tutorial setting is a rare thing indeed but wonderfully achieved here by Richard Graf in his book of duos Guitar for Two. Entertaining titles of original works include Mission Possible (an entertaining spoof version of Mission Impossible) and Reggae for Carmen (an amusing mix of Stevie Wonder’s Masterblaster and the Habañera from Carmen) as well as other more traditional arrangement of tunes such as Danny Boy and House of the Rising Sun. The relatively simple top line combined with the more detailed accompaniment offers a range of challenges which will make this book of usethroughout the easy to intermediate stages of learning the guitar. A CD included allowing accompanied performance of the pieces at home. Although the CD is performed on steel-strung guitars this book is nevertheless also perfectly relevant for classical guitarists. Graf has pitched his writing to provide challenging yet idiosyncratic pieces within a framework of highly entertaining styles.(...)(Music Teacher 6/03)Contents: Graf Richard: RichBlues · Bonfa Luiz: Manha de Carneval (Black Orpheus) · Graf Richard: Rain in Spain · Scarborough Fair · Graf Richard: Mission Possible · Russian Tango (Dark Eyes) · Graf Richard: Whatz up · Reggae for Carmen (Habanera) · Graf Richard: Sad Tango · Graf Richard: Flip Flap · House of the Rising Sun · Graf Richard: Bolero · Danny Boy · Oh Happy Day · Graf Richard: Zeit vergeht

Like the Littlemore Tractus Pärt's setting of the Salve Regina has an extended hymn-like feel to it. Typically it builds very gradually to a late majestic climax - unison vocal lines at the outset broader harmonies later some intriguing eccentricities in the organ part along the way. It was the wish of Hubert Luthe Bishup of Essen Cathedral that this particular text be set in honour of the building's priceless golden Madonna. The premiere was in May 2002 to mark both the Bishop's seventy-fifth birthday and Essen's own 1150th anniversary.

Eric Whitacre's I Hide Myself for SATB choir.

Light Overture - A Symphonic Entertainment was composed by Poul Ruders in 2006. Commissioned by the Alabama Symphony Orchestra and Music Director and Principal Conductor Justin Brown for Alabama Power Company's 100 Year Anniversary Concert. Light Overture subtitled A Symphonic Entertainment is a short piece for symphony orchestra lasting approximately eight minutes. Light Overture is focusing on two interpretations of the word light: light as in the absence of darkness and light as in easily comprehensible in other words a piece with few or no metaphysical connotations. It is just a piece setting a festive mood as is often thecase with this sort of short concert opener . However the journey through Light Overture is not entirely happy-go-lucky. Once in a while slightly darker colours are introduced for the sake of variety and contrast. And formally the composition is quite strict: an outright Prelude and Fugue the former sliding seamlessly into the latter. The Fugue juggles not only its own tune but also picks up stuff from the Prelude. Poul Ruders May 2006 Light Overture - A Symphonic Entertainment was composed by Poul Ruders in 2006. Commissioned by the Alabama Symphony Orchestra and Music Director and Principal Conductor Justin Brown for Alabama Power Company's 100 Year Anniversary Concert. Light Overture subtitled A Symphonic Entertainment is a short piece for symphony orchestra lasting approximately eight minutes. Light Overture is focusing on two interpretations of the word light: light as in the absence of darkness and light as in easily comprehensible; in other words a piece with few or no metaphysicalconnotations. It is just a piece setting a festive mood as is often the case with this sort of short concert opener. However the journey through Light Overture is not entirely happy-go-lucky. Once in a while slightly darker colours are introduced for the sake of variety and contrast. And formally the composition is quite strict: an outright Prelude and Fugue the former sliding seamlessly into the latter. The Fugue juggles not only its own tune but also picks up stuff from the Prelude. Poul Ruders May 2006