for unaccompanied SATBB or SSATB Alleluia. I Heard A Voice is a beautiful setting of words from Revelations 5:12-13. It is arranged here for SATBB or SSATB and Organ Accompaniment.

The 10 pieces contained in this book exemplify the breadth of musical styles that can be played on the Classical Guitar. Each piece has extensive performance notes and covers the works of composers such as J.S. Bach John Dowland Robert Johnson Fernando Sor Mauro Giuliani Matteo Carcassi Francisco Tarrega Chaz Hart and Claude Debussy. The arrangements are in both standard notation and tablature. The accompanying CD features performances of all of the pieces in the book.

This is an artfully crafted setting of a beautiful poem by Matthew Meiklejohn. It is rich in contrasting material and many of the text's images are apparent in the music. The violin part contributes much to the setting and has moments of virtuosity amidst the energetic piano writing and expansive choral textures.

E - Parts-Short Cuts was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos one tenor and one baritone. This new version however asks for a different scoring of three Bb Clarinets and one bass Clarinet. The work's main purpose is to play with two possible meanings for short cuts. That is both with the idea of sharp and cutting musical gestures and the idea of taking a different shorter path to reach a specific destination. But most of all it was written thinking of the wonderful sonority and the rare qualities of the ASQ to whom the work was dedicated. Short Cuts was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos one tenor and one baritone. This new version however asks for a different scoring of three Bb Clarinets and one bass Clarinet. The work's main purpose is to play with two possible meanings for 'short cuts'. That is both with the idea of sharp and cutting musical gestures and the idea of taking a different shorter path to reach a specific destination. But most of all it was written thinking of the wonderful sonority and the rare qualities of the ASQ to whom the work was dedicated.

For Baritone and String Quartet. Commissioned by Jo Boosey in memory of her husband Simon. First performance: 17th March 2012 at St. Mary's Church Pembridge Herefordshire by Marcus Farnsworth (Baritone) and the Alberni String Quartet.

Includes a Piano score and a separate Violin part also. Includes a Piano score and a separate Violin part also.

7 Negro Spirituals-for mezzo-soprano solo mixed choir and orchestra or chamber ensemble Feel the Spirit is a cycle of seven familiar spirituals equally suitable for concert school or church use. These vivid and expressive arrangements can be performed individually or as a complete cycle that showcases the rich heritage of the spiritual. John Rutter 's Feel The Spirit for Mezzo-Soprano solo Mixed Choir and Orchestra or Chamber Ensemble is a cycle of seven familiar spirituals equally suitable for concert school or church use. These vivid and expressive arrangements can be performed individually or as a complete cycle that showcases the rich heritage of the spiritual.

Dedicated to Vincent Edwards and the Choristers of Saint Paul’s Church Fairfield USA.

Even more than Schoenberg’s or Webern’s Berg’s music made an enormous impact on me during the late 1950s and early 1960s when studying with Alexander Goehr. Work on this little piece was commenced on the 25th anniversary of Berg’s death and to commemorate the first performance of his Piano Sonata in April 1911 it was first performed in April 1961 by the pianist and composer Madeleine Coates Russell at a our own ‘society for private performances’ in London. Its shape is simple - a stage-by-stage progression from slow and gentle to a dense climax at double speed then a return to the spirit if not the material of the opening. Its public première the first of any of mycompositions was given by Susan Bradshaw at a Macnaghten Concert in November 1961. It was awarded Morley College’s Fricker Composition Prize. - Anthony Gilbert Recorded on Prima Facie PFCD007 'Piano Music' by Richard Casey/Ian Buckle. Duration: 2'30 ' Even more than Schoenberg’s or Webern’s Berg’s music made an enormous impact on me during the late 1950s and early 1960s when studying with Alexander Goehr. Work on this little piece was commenced on the 25th anniversary of Berg’s death and to commemorate the first performance of his Piano Sonata in April 1911 it was first performed in April 1961 by the pianist and composer Madeleine Coates Russell at a our own ‘society for private performances’ in London. Its shape is simple - a stage-by-stage progression from slow and gentle to a dense climax at double speed then a return to the spirit if not the material of the opening. Its public première the first of any of mycompositions was given by Susan Bradshaw at a Macnaghten Concert in November 1961. It was awarded Morley College’s Fricker Composition Prize. ' - Anthony Gilbert Recorded on Prima Facie PFCD007 'Piano Music' by Richard Casey/Ian Buckle. Duration: 2'30'

James Weeks ' Sacred Muses for Trumpet and Organ. 2 x performing scores. Sacred Muses is a transcription of Byrd’s elegy for Tallis Ye Sacred Muses in which the original has undergone a process of erosion into a new form. It was written at the request of Alison Balsom. James Weeks ' Sacred Muses for Trumpet and Organ. 2 x performing scores. Sacred Muses is a transcription of Byrd’s elegy for Tallis Ye Sacred Muses in which the original has undergone a process of erosion into a new form. It was written at the request of Alison Balsom.

This is a revised and substantially rewritten version of work for chorus and orchestra. Text: George Herbert and Andrew Marvell

Five classic Abba songs also featured in the West End hit show Mamma Mia! have been skilfully arranged for SSA choir with piano accompaniment by Ralph Allwood and Lora Sansun. Includes Mamma Mia Chiquitita and Dancing Queen .

Percy Turnbull's Where Go The Boats? for SSA and Piano accompaniment. Based on a text by Robert Louis Stevenson.

Vagn Holmboe Vagn Holmboe (1909-1996) was a 20th century composer in the neo-classical style widely recognised as the most important Danish composer since Nielsen. He is best known for his symphonic works solo concertos and chamber music but his choral a cappella compositions are worthy of the same merit. Generatio Praeterit Op 54b is from the first volume of his famous choral collection Liber Canticorum.

Set of parts for the brass accompaniment to John Rutter's popular setting of the Te Deum: a hymn of praise that is appropriate for choral concerts as well as for use in sacred settings. The music is jubilant straightforward and appealing with extrovert writing.

Sleep On takes pride of place on Hayley Westenra's album Hushabye (Decca cat no: 4810351) written by Paul Mealor and dedicated to the Royal Baby. This Vocal Score for Sleep On includes the Soprano Vocal line and Piano accompaniment. Sleep On takes pride of place on Hayley Westenra's album Hushabye (Decca cat no: 4810351) written by Paul Mealor and dedicated to the Royal Baby. This Vocal Score for Sleep On includes the Soprano Vocal line and Piano accompaniment.

An exciting and entertaining collection of contemporary pop songs arranged especially for mixed chorus. Each song includes a full piano accompaniment with songs by Phil Collins Robbie Williams and others.

The Novello Barbershop series offers unaccompanied arrangements of a variety of well-loved songs from the 1940s to the 1970s. Arranger Nicholas Hare has endeavoured to share the interest among all the voice parts but each singer should be aware at all times of who has the melody so that it is allowed to stand out. A discreet use of soloists is often appropriate. Blend and balance of the harmony is another vital element in successful performance of this music and vibrato should be kept in check so that the chords are clean and perfectly in tune. The various vocalisations (ah ooh mm etc.) may be considered as suggestions only and variedaccording to the performance conditions. Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir) the songs are notated on two staves for easy Piano rehearsal.

A set of five classic songs by successful seventies Swedish superstars Abba! They have been wonderfully arranged here for SATB choir with Piano accompaniment. This is a terrific set suitable for youth choirs and more experienced groups looking for light material. These perfect pop pieces by Benny Andersson and Bjorn Ulvaeus are as popular today as ever and will delight audiences and excite singers making them ideal for performances large and small formal and informal! The Piano accompaniment also includes chord symbols to add Guitar.

Alice In Wonderland is a score in three main sections inspired by a short film of the same name from 1903 by Hepworth and Stow. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 9' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from The RVW Trust and Arts Council England. Premiere: Rowland Sutherland (Flute) Fiona Cross (Clarinet) Katie Stillman (Violin) Michael Atkinson (Cello) Richard Casey (Piano) University of Sussex 24th September 2015. Alice In Wonderland is a score in three main sections inspired by a short film of the same name from 1903 by Hepworth and Stow. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 9' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from The RVW Trust and Arts Council England. Premiere: Rowland Sutherland (Flute) Fiona Cross (Clarinet) Katie Stillman (Violin) Michael Atkinson (Cello) Richard Casey (Piano) University of Sussex 24th September 2015.