This popular Marc Cohn classic recently covered by the group Lonestar pays homage to the rich musical culture of the Mississippi Delta and translates perfectly to the choral setting! For SATB Chorus. This popular Marc Cohn classic recently covered by the group Lonestar pays homage to the rich musical culture of the Mississippi Delta and translates perfectly to the choral setting. For SATB Chorus.

This powerhouse arrangement of the Beatles' 1971 #1 hit will bring your audiences to their feet. Inspirational! Available: SATB SAB 2-Part ShowTrax Cassette. Performance Time: Approx. 3:40. This powerhouse arrangement of the Beatles' 1971 #1 hit will bring your audiences to their feet. Inspirational! Available: SATB SAB 2-Part ShowTrax Cassette. Performance Time: Approx. 3:40.

Nicolai Mass- The name of the “Missa Sancti Nicolai” refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas. It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work. As with the “Great Organ Mass” these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed. Urtextfrom the Haydn Complete Edition Performable in both versions Full score performance material (BA4645) vocal score (BA4645-90) available for sale

Treatise of Harmony - Bass and Voices is an absolute must-have volume on harmonies by Théodore Dubois . Written in the last century (1921) this book includes the two parts of the treatise: Part 1 - Basses and Part 2 - Voices. This volume is quite complex requires some strong theory knowledge and would be playable by upper-advanced players and professionals. It also features numerous examples. The two parts contains the following sub-sections: Part 1 - Basses: - Consonant harmonies - Dissonant harmonies - Alterations - Delays - Pedals - Appendix Part 2 - Voices: - Consonant harmonies - Dissonant harmonies - Alterations - Delays Pedals… - Appendix

York Bowen's Sonata Op.121 for Recorder and Piano. Formerly 'Sonatina'.

Many of the greatest pieces of 20th Century music particularly orchestral works are available in recorded or score form only. It is our pleasure therefore to bring you these piano duet arrangements of some of this century's beloved themes.As well as providing an opportunity to get to know these outstanding composers and their music in a more direct way this exciting collection contains some effective short concert items.Roger Brison has provided sympathetic and pianistic duet arrangements which we are sure will be useful for many years to come.Piano 4 Hands. Twentieth

Unpublished songs

Arranged Alain Marion.

from Breakfast at Tiffany's- Moon River Cha Cha was arranged to be part of Cory Band's winning set from Brass in Concert 2016 which was entitled; 'The Remarkable Life of Roald Dahl'. The centenary of Dahl's birth in Wales was celebrated in 2016 and this piece comes from the 1961 film Breakfast at Tiffany's which starred Dahl's first wife Patricia Neal. The easy-listening style of the music portrays the glamour and glitz of Roald Dahl's immediate post-war life in the USA. Moon River Cha Cha was arranged to be part of Cory Band's winning set from Brass in Concert 2016 which was entitled; 'The Remarkable Life of Roald Dahl'. The centenary of Dahl's birth in Wales was celebrated in 2016 and this piece comes from the 1961 film Breakfast at Tiffany's which starred Dahl's first wife Patricia Neal. The easy-listening style of the music portrays the glamour and glitz of Roald Dahl's immediate post-war life in the USA.

Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnificat in 1749 at the age of 35. It bears all the earmarks of audition music i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety which makes the work a rewarding and colorful challenge for all church choirs. Special attractions are the work's contrapuntal passages which are very similiar in sound and structure to those of J. S. Bach's B minor Mass. The present arrangement for soloists chorus and organ is intended as a self contained version accessible to a widerange of choirs even those with limited financial means. - Self contained version for soloists (SATB) chorus (SATB) and organ - Ideal for use in church and concert hall - Clear and well presented organ part - Duration: ca. 40 minutes The Bärenreiter CHOIR&ORGAN Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into straight-forward organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ version by the composer has been used. The Organ parts are presented on three staves. The choir and solo parts always remain true to the original. One edition can be used by soloists singers and Organist alike.

Pastoreles De Noël by André Jolivet is a piece for Flute Bassoon and the Harp lasting nearly 13 minutes. This piece is really gentle and restrained which demonstrates the quality of Jolivet 's work but also reflects that period of WWII when France was under occupation. These scores are of medium level of ability. Pastoreles De Noël features four sections: L'étoile (the Star) Les Mages (the Wisemen) La Vierge et l'Enfant (the Virgin and the Child) and Entrée et Danse des Bergers (the Shepherds' dance). Each of these parts describes a part of theChristmas story starting with the Flute and the Bassoon in a duet followed by the entrance of the Harp to settle the first part. The second section is quieter expressing the walk in the desert. The Virgin and the Child is like a lullaby and the piece finishes on a joyful dance to express happiness and devotion. André Jolivet is a French composer who was really inspired by the Antiquity and had a strong interest for atonality. He also wrote many chamber music pieces eleven concertos some orchestral and some vocal music.

Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn 's compositions are possibly not as well-known as they ought to be. Portraits De Peintres for Piano however is one of many compositions that shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was amagical art and his compositions often contain expressions of his otherwise hidden emotions and moods. Portraits De Peintres is made up of four movements based on the poems of Marcel Proust depicting four different artists. Hahn 's Portraits De Peintres contains a variety of different features making for a pleasant and evocative work for intermediate pianists.

6 Pièces (for harp or celtic harp)

The Chorus Part for Charles-Marie Widor's Messe Pour Deux Choeurs Op.36 . Choir 1: 2 Baritones Choir 2: SATB Voices.

Pour Trompette Et Piano- The Trumpet's powers of expression are not limited to the pompous accents and ringing tones of the Triumphal March of Verdi's Aida. To all doubters we strongly recommend opening Volume 2 of Mélodies Et Pièces Diverses by Gabriel Fauré transcribed for Trumpet and Piano by internationally acclaimed soloist Guy Touvron. In this volume gentleness and express­iveness prevail. With its slow tempo and dolce opening indication the well-known melody Après un rêve floats a legato song that goes straight to the heart as does Tristesse with its fluid subtle melodic gesture. While Le Papillon et la Fleur still bow to the aesthetics of the romance the Absent (also based on Hugo's verse) erects a vast dramatic narrative with very simple means. Au Cimetière completes this selection of melodies that is enhanced by two originally instrumental pieces the Berceuse Op. 16 for Violin and Piano and the Romance sans paroles No. 3 for Piano. Faithful to the Faurian spirit as defined by Jankelevitch these transcriptions whisper into the ear of those who deserve to hear.

Nine pieces covering many different technical problems within a short time span and overall musical structure.

1.La Séparation; 2.Le Chant du Veilleur; 3.Chant de Délivrance; 4.Berceuse; 5.Gloire à Dieu; 6.Chant hassidique

Dedicated to Willem's son Jean.

50 Duets that Can Be Played by Any Combination of Wind Instruments-Building on the successful line of Compatible Duets for Winds Compatible Trios for Winds Compatible Duets for Strings and Compatible Trios for Strings Doris Gazda and Larry Clark have now compiled 50 new duets perfect for the holidays. All titles can be performed by any combination of winds any combination of strings or any combination of any instruments for amazing flexibility. The complete table of contents can be found here: http://www.carlfischer.com/fischer/spotlite/wf148.htm The intention of Compatible Christmas Duets For Winds is to provide instrument players the opportunity to play fifty popular Christmas carols in arrangements for two instruments. These duets will work with any combination of any two instruments so you can play carols with your friends no matter what instrument they play. There are endless possibilities for using duet combinations for fun and entertainment around the holidays. You can play for family friends or in a concert setting. Compatible Christmas Duets For Winds provides you with interesting and playable arrangements. It can also help to make practice time fun around theholidays and can be used with friends and teachers as well. One of the best ways to improve as a player is to play in small chamber groups and duets are the easiest way to get started. Playing duets with others of similar ability levels or even of greater ability will help to stimulate the growth of your playing.

A song from Andrew Lloyd Webber's hit musical 'Sunset Boulevard.' Arranged for piano vocals and guitar.