Edited Bruno Turner. For SATB and Variations.

All the best-loved songs from this Jerome Kern masterpiece. Arranged for piano and voice complete with lyrics.

This antiphon was written in 1997 and was given its premiere by the Eric Ericson Chamber Choir - the ensemble to which it was dedicated - conducted by Eric Ericson winner of the so-called 'Music Nobel Prize': Polar Music Prize in the concert hall of the F. Chopin Academy of Music In Warsaw on 23 August 1997. For unaccompanied SATB chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

SA (Upper Voices) and Piano arrangement by J. Michael Diack with apologies to Handel.

John Stainer's I Saw The Lord is a beautiful Anthem for Double SATB Choir and organ. This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work. John Stainer's I Saw The Lord is a beautiful Anthem for Double SATB Choir and organ. This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

Vaughan Williams' Six Studies In English Folk-Song is a simple yet effective work which has been adapted here for E flat Alto Saxophone by Robert Stanton. This is the solo part only. Also suitable for ABRSM examinations for Alto Sax.

The edition is part of the Trinity syllabus 2007 (grade 6)

A New Anthology (Including La Valse d'Amelie)-23 piano works from the French musician and composer Yann Tiersen (b. 1970). Includes 6 songs from Amelie (Comptine d´été no. 2 La dispute Sur le fil La Valse dAmélie Comptine d´un autre eté: l´apres-midi Le Moulin). This superb songbook includes 23 pieces by Yann Tiersen written between 1994 and 2003 including 13 previously unreleased works. Yann Tiersen's Piano works have proved enduringly popular his previous Songbook Amelie selling over 100 000 copies.

A theatre piece for singers players and dancers- Libretto from the liturgy of the Roman Mass with additional texts by Stephen Schwartz and the composer for Mass a theatre piece for singers players and dancers.

for trombone and percussion

Nineteen classic pop favourites newly arranged for harmonica solo. Includes Blowin' In The Wind Bye Bye Love and Hey Jude . Ideal for beginners and players returning to the mouth organ. A great selection ofclassic pop songs for all music lovers! Contains complete lyrics and guitar chord boxes so your friends can play and sing along. Also includes simple hints and tips on: How to hold the harmonica Breath control Notes on the harmonica The C scale

Ballade by Johann Wolfgang von Goethe- During the summer of 1799 Goethe wrote his ballad “Die erste Walpurgisnacht ” and asked his friend Carl Friedrich Zelter to set the work to music. Zelter however felt unable to do this and so Goethe’s wish was only realised thirty years later by Felix Mendelssohn Bartholdy . The “heavenly words” of the pagan ballads had impressed the composer so much after a visit to Weimar that he was inspired to set them to music. In 1832 the composition took shape and was performed a year later in the Sing- Akademie in Berlin. Mendelssohn was however unhappy with the first version of the work and held it back until he decided on a radical revision ofthe work ten years after its premiere. Die “erste Walpurgisnacht” was first performed in 1843 in Leipzig in the presence of Robert Schumann and Hector Berlioz in the form in which the work is still performed today. The publication of this edition by John Michael Cooper Associate Professor of Music History at the University of North Texas (Denton) makes the work available in an Urtext edition for the first time – in time for the 200th anniversary of the composer’s birth. The edition reflects the latest state of research and the volume includes a Critical Commentary. - One of Mendelssohn ’s most important secular works in an edition reflecting the latest research findings. - Bärenreiter Urtext for the Mendelssohn anniversary year 2009. - Critical Commentary (Eng) - Full score (BA9072) and vocal score (BA9072-90) for sale; performance material (BA9072-72) available for hire.

Transcription par l'auteur-The Danse macabre is one of the most celebrated works of Camille Saint-Saëns and of the French symphonic repertoire in general. After the première on 24 January 1875 the work firmly established itself as an incontrovertible success.Arrangers-often famous names-soon adopted the Danse and the versions for various instruments multiplied. Saint-Saëns himself made a version of it for two pianos and one for violin and piano republished here.Camille Saint-Saens's symphonic poem Danse Macabre transcribed by the composer for Violin and Piano accompaniment.

Volume 2 of Renie Henriette's Methode De Harpe Book written in French.

...à quatre Parties différentes et également travaillées

As the Saxophone is commonly associated with the jazz style classical music for the instrument had always been lacking. Therefore when Paul Bonneau (1918-1995) composed his Deux Caprices En Formed De Valse for Alto Saxophone and Piano it was well-received by performers of the genre. Bonneau 's composition was highly versatile ranging from over fifty film scores operettas songs and other pieces for Saxophone including a concerto. The Deux Caprices En Formed De Valse however were particularly acclaimed for their use of advanced techniques. The works contains typically French characteristicsincluding chromaticism and difficult technical passages. All these elements combined make for an enjoyable and challenging piece for saxophonists.

This suite for string orchestra consists of four movements and each is based on a well-known folk song. The orchestration consists of Violin 1 Violin 2 Viola Cello and Bass.

Traditional Latin-Based on a Gregorian chant by the same name this work explores the ideas of human joy and angelic singing. Beginning softly the composer builds texture and sound moving toward the final climax of hallelujah! For more advanced choirs. From the Jo-Michael Scheibe Choral Series. Based on a Gregorian chant by the same name this work explores the ideas of human joy and angelic singing. Beginning softly the composer builds texture and sound moving toward the final climax of hallelujah! For more advanced choirs. From the Jo-Michael Scheibe Choral Series.

The early elementary level of Expressive Etudes includes 15 etudes by 10 composers which can be introduced with the second level of any piano method. The etudes in this collection are arranged in an approximate order of difficulty. Each one is short and focuses on a single musical element of a specific technical challenge. A brief biography of each composer can be found at the end of the book for further exploration. Also makes a great musical resource for older beginners and adults who need additional reinforcement in technique.The early elementary level of Expressive Etudes includes 15 etudes by 10 composers which can be introduced with the second level of any piano method. The etudes in this collection are arranged in an approximate order of difficulty. Each one is short and focuses on a single musical element of a specific technical challenge. A brief biography of each composer can be found at the end of the book for further exploration. Also makes a great musical resource for older beginners and adults who need additional reinforcement in technique.

Book 2 of this comprehensive series of piano etudes includes late-elementary pieces which can be introduced during the second level of any piano method. They provide an excellent resource for students who need additional reinforcement in technique. Suitable for all pianists these etudes can serve equally well as performance repertoire. Contents include: Minuet (Bartok); Village Dance (Beethoven); Etude Op. 101 No. 60 (Beyer); Etude Op. 599 No. 19 (Czerny); Etude Op. 777 No. 8 and No. 22 (Czerny); Bagatelle (Diabelli); Study Op. 176 No. 3 (Duvernoy); The Chase Op. 117 No. 15 (Gurlitt); Etude Op. 82 No. 39 and No. 65 (Gurlitt); Etude Op. 218 No. 34 (Kohler); Etude Op. 17No. 18 (Le Couppey); Impatience Op. 13 No. 6 (Rowley); Little Piece Op. 68 No. 5 (Schumann); Etude Op. 108 No. 12 and No. 5 (Schytte); A Pleasant Morning Op. 63 No. 1 (Streabbog). Book 2 of this comprehensive series of piano etudes includes late-elementary pieces which can be introduced during the second level of any piano method. They provide an excellent resource for students who need additional reinforcement in technique. Suitable for all pianists these etudes can serve equally well as performance repertoire. Contents include: Minuet (Bartok); Village Dance (Beethoven); Etude Op. 101 No. 60 (Beyer); Etude Op. 599 No. 19 (Czerny); Etude Op. 777 No. 8 and No. 22 (Czerny); Bagatelle (Diabelli); Study Op. 176 No. 3 (Duvernoy); The Chase Op. 117 No. 15 (Gurlitt); Etude Op. 82 No. 39 and No. 65 (Gurlitt); Etude Op. 218 No. 34 (Kohler); Etude Op. 17No. 18 (Le Couppey); Impatience Op. 13 No. 6 (Rowley); Little Piece Op. 68 No. 5 (Schumann); Etude Op. 108 No. 12 and No. 5 (Schytte); A Pleasant Morning Op. 63 No. 1 (Streabbog).