for Voice and Piano-These masterworks range from seven early settings of texts from Goethe's Faust to the touching songs that were sketches for Tristan und Isolde featuring verses by Wagner's lover and patroness Mathilde Wesendonk. Representing all of the composer's surviving works for voice and piano they include English translations of the text a commentary by the editor and a glossary of German terms. Reprint of Richard Wagner's Werke Vol. 15: Lieder und Gesänge Breitkopf & Härtel 1914.

50 Songs (Low Voice/Tiefe Stimme)- An album of songs by the great composer selected for the Low Voice with Piano accompaniment.

Op. 14- Symphonie Fantastique composed by Hector Berlioz is a symphony in five movements based upon Berlioz's own experiences of disappointment in love. Tohru Takahashi's arrangement fully exploits the capabilities of the concert band whilst staying true to the tonal colour and textures of the original. Movements include: Reveries - Passions Un Bal Scène aux champs Marche au supplice and Songe d'une nuit de sabbat .

Saxophone Play-Along Volume 6-The Saxophone Play-Along® Series will help you play your favorite songs quickly and easily. Just follow the notation listen to the audio to hear how the saxophone should sound and then play-along using the separate backing tracks. The melody andlyrics are also included in the book to help you follow along. The online audio files also include playback tools that allow you to slow down and loop passages for practice help. Includes: All I See Is You • Cant Let You Go (The Sha La Song) • Emily• Honey-Dipped • Know You by Heart • Put the Top Down • Together Again • You Make Me Smile. The Saxophone Play-Along® Series will help you play your favorite songs quickly and easily. Just follow the notation listen to the audio to hear how the saxophone should sound and then play-along using the separate backing tracks. The melody and lyrics are also included in the book to help you follow along. The online audio files also include playback tools that allow you to slow down and loop passages for practice help. Includes: All I See Is You Can't Let You Go (The Sha La Song) Emily Honey-Dipped Know You by Heart Put the Top Down Together Again You Make Me Smile .

Bonnie Goodrich's books are for very young children (or even adults!) with little or no musical training. The 55 imaginative character pieces encourage a secure development of note and rhythm skills as well as an understanding ofstructure and phrasing. The books feature a progressive use of single notes 2-finger chords scales triads intervals and arpeggios with exciting dynamics and phrasing to make the music fun! Kids will also love some of thetitles such as Dancing Dinosaurs The Ice Cream Waltz Hiccups Sneezing Rabbits Somersaults and Broccoli . Pieces are in the key of C or 1 flat or 1 sharp with fingerings and placing brackets indicated. No pedalor sharping lever changes within the pieces. 34 pages paperbound.Bonnie Goodrich's books are for very young children (or even adults!) with little or no musical training. The 55 imaginative character pieces encourage a secure development of note and rhythm skills as well as an understanding ofstructure and phrasing. The books feature a progressive use of single notes 2-finger chords scales triads intervals and arpeggios with exciting dynamics and phrasing to make the music fun! Kids will also love some of thetitles such as Dancing Dinosaurs The Ice Cream Waltz Hiccups Sneezing Rabbits Somersaults and Broccoli . Pieces are in the key of C or 1 flat or 1 sharp with fingerings and placing brackets indicated. Nopedalor sharping lever changes within the pieces. 34 pages paperbound.

Make my day means something like: it makes me happy. This term refers especially to this up-tempo composition of Ron Gilmore. Ideal as a bouncer at your concert!

J.S Bach's 6 Motets BWV 225-230; Chorale 'Sei Lob und Preis' includes the works BWV225 'Singet dem Herrn ein neues Lied' BWV226 'Der Geist hilft unser Schwachheit auf' BWV227 'Jesu meine Freude' BWV228 'Furchte dich nicht' BWV229 'Komm Jesu komm!' and BWV230 'Lobet den Herrn alle Heiden' composed for SATB choir and Piano accompaniment.

A selection of popular classical tunes arranged for the keyboard from Beethoven to Vivaldi.

In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition. Part 1: The Entrance & Parade [with animation] The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by. Letthe fun begin! Part 2: The Haunted House [with animation] The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challenged to visit a house full of ghosts creepy figures and otherominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy place quickly. Part 3: The Swinging Galleon [withillustrations] What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park but you can not enjoy itfor long. Before you know the ship swings back the other way. Part 4: The Fairy Tale Ride [with illustrations] After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for the big rides in the park! Part 5: The Bumper Cars[with illustrations] Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver or perhaps as a really bad one. Part 6: The Roller Coaster [with illustrations] The largest fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?! Part 7: Leaving the Park [with animation] Unfortunately everything comes to an end. Thisday in the theme park is over but we have a lot new ex

(Is This The Way To) Amarillo? & Other Retro Classics brings together 3 uplifting songs in a simple two part arrangement for soprano and alto singers with a straightforward piano accompaniment. The additional songs are Dream A Little Dream of Me (Mamas and Papas) and Can't Take My Eyes Off You (Andy Williams). These attractive arrangements form part of the Choral Basics Series which has been carefully designed to provide rewarding varied repertoire for beginner choirs.

A wonderful and different concert selection from Z. Randall Stroope. The composer has created an interesting soundscape to express this mysterious text by Homer. The use of held consonants (s and n) evoke the mysterious persuasion of the fabled Sirens. Challenging and unique. A wonderful and different concert selection from Z. Randall Stroope. The composer has created an interesting soundscape to express this mysterious text by Homer. The use of held consonants ('s' and 'n') evoke the mysterious persuasion of the fabled Sirens. Challenging and unique.

Baritone Book Only-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles include: Comedy Tonight (A Funny Thing Happened on the Way to the Forum) · Get Me to the Church on Time (My Fair Lady) · If Ever I Would Leave You (Camelot) · Make Them Hear You (Ragtime The Musical) · They Call the Wind Maria (Paint Your Wagon) · Try to Remember (The Fantasticks) · and more. For aspiring and professional singers who love Broadway Alfred’s Singer’s Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Originally composed for Anton Armstrong and the St. Olaf College Choir this setting was adapted for women's voices by Kathleen Rodde for the Iowa State University Women's Choir and their ACDA performance. A vibrant and accessible work!

If you are preparing to face an audience for the first time - whether at home at school or on the concert platform - then you are ready for Going Solo . Spanning a wide range of repertoire from lively original material to imaginative arrangements Going Solo offers a host of fresh challenges and will be enjoyed by both player and audience alike.

Variable wind quartet (with percussion ad lib.)-A wonderfully festive medley of three well-known carols for variable wind quartert (with optional percussion).Available parts: Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp HrnPart 3 Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Timp Drum Perc

Variable wind quintet (with percussion)-Roland Kernen has arranged the songs Macht hoch die Tür (Open Wide the Gates) Maria durch ein Dornwald ging (Maria Walks Amid the Thorns) and O Little Town of Bethlehem in his magical Advents-Fantasie . Within thiswork O Little Town of Bethlehem is skilfully used to connect the individual sections. A very varied and beautifully constructed composition to enrich any Christmas programme. Available parts: Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 T-Sax Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Perc Drum

no. 2 de Estampes – pour piano à quatre mains- Claude Debussy 's La Soiree Dans Grenade arranged by Jacques Durand for Piano 4-hands.

Variable wind quartet (with percussion ad lib.)-Pour composer cette œuvre festive Jan de Haan s’est inspiré du Te Deum de Marc-Antoine Charpentier (1634-1704) et de l' Ode à la Joie extraite de la Symphonie n° 9 de Beethoven (1770-1827). Le style est direct et vigoureux les passages mélodiques sont délicats et élégants. Une œuvre pétillante à quatre voix pour ensemble à instrumentation variable.

Noel is based on the famous English Carol The First Noel. The age of this song is not clear.Some scientists argue that this song is from early thirteenth century others say that it's from the sixteenth century. The first publication was in 'Christmas Carols Ancient and Modern' compiled by William B. Sandys. (London 1833). The exact origin is unknown. By Norman influences on the text with the result that the spelling of the song is not certified (Noel Nowell) an individual will claim that France is the home of this song but in general is assumed that the First Noel 'has been sung somewhere in England for the first time.

Now available in men's and women's groups settings the multi-layered texture of this powerful original spiritual is both challenging and invigorating. Duration: ca. 2:10.