Evis Sammoutis ' Pixel for 12 pianists on 6 Pianos. Full score. This work is dedicated to Piandaemonium. Evis Sammoutis ' Pixel for 12 pianists on 6 Pianos. Full score. This work is dedicated to Piandaemonium.

James Weeks ' The Nunhead Harmony for Clarinet in Bb Violin Viola and Double Bass. Score and parts. The Nunhead Harmony was commissioned by Ensemble Scratch the Surface and first performed by them at King’s Place London on 10 May 2010. Much of the writing was completed as part of an Aldeburgh Composer Residency. James Weeks ' The Nunhead Harmony for Clarinet in Bb Violin Viola and Double Bass. Score and parts. The Nunhead Harmony was commissioned by Ensemble Scratch the Surface and first performed by them at King’s Place London on 10 May 2010. Much of the writing was completed as part of an Aldeburgh Composer Residency.

Big Note/Large Print Edition-A comprehensive 96-page large print/big note perfect-bound collection of over 90 all time favorite recorder tunes. Includes folk songs sea chanties gospel songs spirituals hymns patriotic sons and more. Fingering chart andguitar chords are included.

String Quartet No.1 Op.14 In Four Movements By British Composer Benjamin Frankel Composed In 1944. These Are The Parts Arranged For Two Violins Viola And Cello. Frankel 'S Compositions Were Largely Neglected Following His Death. After Bbc Radio 3 Featured Him As Their 'Composer Of The Week' And The German Record Company Cpo Partnered With The Australian Broadcasting Company To Record His Entire Works His Oeuvre Was Reassessed To Great Acclaim. String Quartet No.1 Op.14 in four movements by British composer Benjamin Frankel composed in 1944. These are the parts arranged for two Violins Viola and Cello. Frankel 's compositions were largely neglected following his death. After BBC Radio 3 featured him as their 'Composer of the Week' and the German record company CPO partnered with the Australian Broadcasting Company to record his entire works his oeuvre was reassessed to great acclaim.

for SATB and organ Uses Latin and English (Rite A) texts. Sacred setting for SATB and Organ with the Latin and English Rite A text.

String Orchestra (Score). Einem G

for SATB and organ with optional congregation This hymn-anthem of thanksgiving begins gently and tenderly but builds to a rousing climax. It culminates with a verse of the hymn Now thank we all our God (which may be sung by the congregation in addition to the choir) underlaid by a powerful organ part and with a soaring descant line above. John Rutter 's With Heart And Hands for SATB choir and Organ with optional congregation. This hymn-anthem of thanksgiving begins gently and tenderly but builds to a rousing climax. It culminates with a verse of the hymn Now thank we all our God (which may be sung by the congregation in addition to the choir) underlaid by a powerful Organ part and with a soaring descant line above.

Version for Upper Voices.

Full score and parts for these variations composed by Tilo Medek between 1972 and 1973 for Flute Violin and Cello. Based on Franz Schubert's Rosamunde . Full score and parts for these variations composed by Tilo Medek between 1972 and 1973 for Flute Violin and Cello. Based on Franz Schubert's Rosamunde .

for SATB unaccompanied This anthem juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with John Boyle O'Reilly's poem 'A White Rose'. Jackson combines lyrical polyphonic phrases for upper and lower voices with atmospheric passages for full choir often accompanied by repeated half-whispered text in free time. Gabriel Jackson 's Ubi Caritas for unaccompanied SATB choir. This anthem juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with 'The red rose whispers of passion' by the poet John Boyle O'Reilly. Jackson combines lyrical polyphonic phrases for upper and lower voices with atmospheric passages for full choir frequently accompanied by repeated half-whispered text in free time.

American Melodies After 1865-These American melodies sound great on the flute. They also provide excellent material for developing skills in rapid tonguing extended breath-control and the playing of high notes. This collection covers many kinds of music. Millions of Americans grew up singing Attisket Atasket Put Your Little Foot and Paddywhack. Immigrants brought delights like First Night in America and My Love Is in America. John Philip Sousa captured the Americana of his time in marches for all time such as The Fairest of the Fair King Cotton and Boy Scouts of America. All across the country Americans sang and whistled Nine Hundred Miles Gypsy Dave and Pie in the Sky. Aseparate recorder edition is available. These American melodies sound great on the flute. They also provide excellent material for developing skills in rapid tonguing extended breath-control and the playing of high notes. This collection covers many kinds of music.Millions of Americans grew up singing 'Attisket Atasket ' 'Put Your Little Foot ' and 'Paddywhack.' Immigrants brought delights like “First Night in America” and 'My Love Is in America.' John Philip Sousa captured the Americana ofhis time in marches for all time such as 'The Fairest of the Fair ' 'King Cotton' and 'Boy Scouts of America.' All across the country Americans sang and whistled 'Nine Hundred Miles ' 'Gypsy Dave ' and 'Pie in the Sky.' Aseparate recorder edition is available.

POD-Handel 's Hercules edited by Peter Jones is available here as a Full Score . With a libretto by Thomas Broughton this version was composed in 1744 with its first performance the following year at the King's Theatre Haymarket London. Handel 's Hercules edited by Peter Jones is available here as a Full Score . With a libretto by Thomas Broughton this version was composed in 1744 with its first performance the following year at the King's Theatre Haymarket London.

for SATB (with divisions) unaccompanied Skempton sets this famous love poem by Yeats with characteristic directness and warmth and using rich and scrumptious sonorities. Magical shifts of harmony punctuate the otherwise simple tonal language. An uplifting and satisfying piece ideal for concert use. Skempton sets this famous love poem by Yeats with characteristic directness and warmth and using rich and scrumptious sonorities. Magical shifts of harmony punctuate the otherwise simple tonal language. An uplifting and satisfying piece ideal for concert use.

Richard Rodney Bennett's Seven Country Dances arranged for Flute and Piano. Premiered by the oboist Nicholas Daniel and the Britten Sinfonia under Nicholas Cleobury's direction this suite of seven dances takes its melodies from a 17th-century English fiddle-tune collection Playford's Dancing Master . From celebratory to melancholy Bennett’s pieces weave new colour into ancient songs reminiscent of the early 20th century folk song masters.

The Steve Gadd drumming transcriptions book honors the talents of one of the greatest drummers in the entire world: the amazing Steve Gadd. The book includes thirty stylistically varying transcriptions. It is a note for note very accurate interpretation of Steve Gadd's style of playing the drums. In some cases there are only fragments that present the most interesting parts of the given song. The music is clearly notated and easy to read. Attractive quotations biography an extensive discography and videography are an extra bonus in this book.The Steve Gadd drumming transcriptions book honors the talents of one of the greatest drummers in the entire world: the amazing Steve Gadd. The book includes thirty stylistically varying transcriptions. It is a note for note veryaccurate interpretation of Steve Gadd's style of playing the drums. In some cases there are only fragments that present the most interesting parts of the given song. The music is clearly notated and easy to read. Attractivequotations biography an extensive discography and videography are an extra bonus in this book.

Carl Nielsen's The Fog Is Lifting Op.41 from Helge Rode's play The Mother for Flute with Piano or Harp accompaniment.

Miguel Llobet's Scherzo-Vals for solo Guitar is a dynamic and exciting piece for the advancing player.

Novacek's virtuosic Perpetual Motion has been skilfully arranged for Viola with Piano accompaniment by Alan Arnold and so can now be performed and enjoyed by advancing and accomplished Violists alike. The solo Viola part is also included on a separate insert. Novacek's virtuosic Perpetual Motion has been skilfully arranged for Viola with Piano accompaniment by Alan Arnold and so can now be performed and enjoyed by advancing and accomplished Violists alike. The solo Viola part is also included on a separate insert.

Sarah Dacey 's Cruel Brother for three voices (SSA). Duration: 4 minutes Composed: 2011 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. The only two recordings I found of this ballad were very different from one another and as I wasn’t really sure I liked either of them I decided to compose my own version and amend the lyrics. Sarah Dacey 's Cruel Brother for three voices (SSA). Duration: 4 minutes Composed: 2011 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. The only two recordings I found of this ballad were very different from one another and as I wasn’t really sure I liked either of them I decided to compose my own version and amend the lyrics.

Monsoon Toccata by Anthony Gilbert. 3'33; for solo piano. In memoriam Janet Owen Thomas (1961-2002). In 1988 Janet Owen Thomas met up with me in Sydney at the end of a short organ-recital tour - possibly her last before devoting herself entirely to composing. We returned to England together doing a rapid circular tour of Northern India on the way. Alighting from the plane at Delhi we were hit by the whirling wind and torrential rain of the seasonal monsoon and early the following morning there was also a minor earthquake. This experience determined the spirit of the music and Northern Indian Raga determines the purely technical approach with thequasi-improvisatory toccatalike textures acting as decoration to a slow-moving widely-spaced modal top line which almost loses control of the overall shape at the mid-point - a reflection of the impact of those natural phenomena. A.G. Monsoon Toccata by Anthony Gilbert. 3'33'; for solo piano. In memoriam Janet Owen Thomas (1961-2002). 'In 1988 Janet Owen Thomas met up with me in Sydney at the end of a short organ-recital tour - possibly her last before devoting herself entirely to composing. We returned to England together doing a rapid circular tour of Northern India on the way. Alighting from the plane at Delhi we were hit by the whirling wind and torrential rain of the seasonal monsoon and early the following morning there was also a minor earthquake. This experience determined the spirit of the music and Northern Indian Raga determines the purely technical approach withthe quasi-improvisatory toccatalike textures acting as decoration to a slow-moving widely-spaced modal top line which almost loses control of the overall shape at the mid-point - a reflection of the impact of those natural phenomena.' A.G.