Unfinished-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Alapa-Tarana Op.41 for Mezzo-Soprano and Percussion was composed by Poul Rovsing Olsen in 1959. Programme note: I was encouraged by the singer Jolanda Rodio to write a piece for mezzo-soprano and percus­sion. In my mind the idea immediately awoke associations of Indian or Arab music in which the combination of drums together with either an instrument or voice is very common. In a solo performance (as opposed to choral and ensemble performances) the piece is called a raga or a macam. A raga or macam is a scale and at the same time a number of melodic formulas. Further­ more it is a spiritual concept a specific raga or macam expressing a specific emotion. My piece isnot based on any traditional Indian raga or Arab macam. The raga in my piece is entirely my own invention. The title is derived from Indian music an Alapa being the first unaccompanied part of a raga. Traditionally in the Alapa the characteristics of the raga are first presented improvisationally without strict metre followed by a section in which the drums set in. The latter can have various forms. I have chosen a variation form called Tarana. (Poul Rovsing Olsen 1960) Alapa-Tarana Op.41 for Mezzo-Soprano and Percussion was composed by Poul Rovsing Olsen in 1959. Programme note: I was encouraged by the singer Jolanda Rodio to write a piece for mezzo-soprano and percus­sion. In my mind the idea immediately awoke associations of Indian or Arab music in which the combination of drums together with either an instrument or voice is very common. In a solo performance (as opposed to choral and ensemble performances) the piece is called a 'raga' or a 'macam'. A 'raga' or 'macam' is a scale and at the same time a number of melodic formulas. Further­ more it is a spiritual concept a specific'raga' or 'macam' expressing a specific emotion. My piece is not based on any traditional Indian 'raga' or Arab 'macam'. The 'raga' in my piece is entirely my own invention. The title is derived from Indian music an Alapa' being the first unaccompanied part of a 'raga'. Traditionally in the 'Alapa' the characteristics of the 'raga' are first presented improvisationally without strict metre followed by a section in which the drums set in. The latter can have various forms. I have chosen a variation form called 'Tarana'. (Poul Rovsing Olsen 1960)

I'm Gonna Sing All The Way To Heaven is a contemporary gospel song arranged for Soprano Alto Tenor and Bass a cappella. Words and music by Pepper Choplin.

Carl Nielsen's last major composition Commotio Op.58 for organ. Presented here as part of the Carl Nielsen Complete works this volume includes a detailed preface four pages of facsimiles of Nielsen's original work a list of common abbreviations and an authoritative critical commentary. Designed for either scholarship or performance this freshly engraved score will be a highlight of any organist's library. Carl Nielsen's last major composition Commotio Op.58 for organ. Presented here as part of the Carl Nielsen Complete works this volume includes a detailed preface four pages of facsimiles of Nielsen's original work a list of common abbreviations and an authoritative critical commentary. Designed for either scholarship or performance this freshly engraved score will be a highlight of any organist's library.

Bent Lorentzen's Hunting Concerto (1996) - Version A for for Solo Horn Gun Shot Oboe and Strings. Version B for Horn and Piano (also Piano Reduction): WH31085 Bent Lorentzen's Hunting Concerto (1996) - Version A for for Solo Horn Gun Shot Oboe and Strings. Version B for Horn and Piano (also Piano Reduction): WH31085

For String Quartet-A short peaceful and evocative work modal in character and of great reflective charm.

10 jazz exercises for Piano dexterity. 10 jazz exercises for Piano dexterity.

Jazz Paraphrase is a set of pieces written in the style of various famous jazz Saxophonists. Jeffery Wilson 's Jazz Paraphrase For Saxophone contains a set of pieces which emulate the styles of various famous jazz players.

A short but deliciously funky piece for Alto Saxophone and Piano by Ulrich Schultheiss. For ABRSM exams.

Nico Muhly 's Old Bones is a setting of four texts three of which are the media's reaction to the discovery of the bones of Richard III in a Leicester car park the fourth is a poem in praise of the man who supposedly killed the king. Arranged for Countertenor Voice and Lute it was composed in 2013. According to Muhly Old Bones begins with a news report that is delivered as a recitative while the Lute parts go through a number of interesting patterns. The work sets two texts by Philippa Langley of the Richard III Society who in a series of interviews brought an emotion and passion to the rediscovery of the bones that humanised the remains and brought the life anddeath of the king to the public's attention. It is therefore fitting that Old Bones ends with her words: Everyone else was looking at the old bones and I was seeing the man. Nico Muhly 's Old Bones is a setting of four texts three of which are the media's reaction to the discovery of the bones of Richard III in a Leicester car park the fourth is a poem in praise of the man who supposedly killed the king. Arranged for Countertenor Voice and Lute it was composed in 2013. According to Muhly Old Bones begins with a news report that is delivered as a recitative while the Lute parts go through a number of interesting patterns. The work sets two texts by Philippa Langley of the Richard III Society who in a series of interviews brought an emotion and passion to the rediscoveryof the bones that humanised the remains and brought the life and death of the king to the public's attention. It is therefore fitting that Old Bones ends with her words: 'Everyone else was looking at the old bones and I was seeing the man.'

Babysalmesang - Kirkearet Rundt af Lene Bordorff. Et inspirerende og afprovet vaerktoj til opbygningen og igangsaettelsen af et babysalmesangsforlob. En gedigen kursuskoreplan med masser af konkrete eksempler lige fra egnede salmer annoncering tilmelding forlob og afslutning. Bagest i 'Babysalmesang' har Lene Bordorff komponeret et helt specielt 'Baby Praeludium' dedikeret til alle babysalmesangsbabyer ligesom hun ogsa har skrevet musik til Fadervor. Babysalmesang er lige til at bruge her og nu af praesten organisten musikskolelaereren og hvem der ellers matte sta for babysalmesangen.

The importance of live music for ballet and dance training cannot be overemphasized and Ballet School a collection of fifty-five works by Carl Czerny chosen by Agda Skjerne is enormously useful to the rehearsal accompanist. The pieces have been broadly divided into two: pieces for exercises a la barre and a la terre. Then there are further subdivisions into the specific movements which the works are meant to accompany: plié relevé pirouette and so forth.The pieces and excerpts chosen would suit the intermediate pianist.

Parts for Stepping Still for String Sextet by Pelle Gudmundsen-Holmgreen . Parts for Stepping Still for String Sextet by Pelle Gudmundsen-Holmgreen .

'Should be in every bass player's library'. Making Music. Grade: Advanced

The edition is part of the Trinity syllabus 2007 (grade 8)

Who would have thought that ragtime would enjoy another renaissance! But more than 50 years after the death of its main representative Scott Joplin the film 'The Sting' has made this once popular style well-known and fashionable again. This small selection of Joplin rags is of course not complete without 'The Entertainer'. In comparison 'Easy Winners' and 'Rag-Time Dance' are no less fun to play particularly since in the latter the performer not only has to play but also stomp his foot. Excellent music providing entertainment for many occasions!

5 songs with lyrics by Morten Nielsen. For tenor(or soprano) flute violin and cello. Score WH31856 Set of parts for 5 Sange Til Tekster Af Morten Nielsen (5 Songs with lyrics by Morten Nielsen) by Danish composer Pelle Gudmundsen-Holmgreen. Scored for Tenor (or Soprano) Flute Violin and Cello. Score: WH31856

Kirchner a volatile seeker after truth became as a composer a master of transient visions. His importance lies in his piano music. His work com-prises about a thousand individual pieces. Schumann his revered and adored friend proved initially to be an overpowering idol and Kirchner gave his works titles like ‘Neue Davidsbündlertänze’ ‘Neue Kinderscener’. Subsequently other highly idiosyncratic titles reveal more about the special characteristics of his own style. ‘Federzeichnungen’ (Pen and Ink Sketches) and ‘Im Zwielicht’ (In the Gloaming) point to a life between two worlds and show a fragility which gives Kirchner’s works their own particular charm. Thetwo volumes of the ‘Neue Albumblätter’ (New Albumleaves) are witness to this fragile world. These transient sketches move in the lower dynamic range. Modulations shifting chords and enharmonic changes lead the listener astray; formal expectations are disappointed. Our edition is based on the original two volumes published by Augener in 1880 and reissued by Schott in 1911 under a new title. Kirchner a volatile seeker after truth became as a composer a master of transient visions. His importance lies in his piano music. His work com-prises about a thousand individual pieces. Schumann his revered and adored friend proved initially to be an overpowering idol and Kirchner gave his works titles like ‘Neue Davidsbündlertänze’ ‘Neue Kinderscener’. Subsequently other highly idiosyncratic titles reveal more about the special characteristics of his own style. ‘Federzeichnungen’ (Pen and Ink Sketches) and ‘Im Zwielicht’ (In the Gloaming) point to a life between two worlds and show a fragility which gives Kirchner’s works their own particular charm. Thetwo volumes of the ‘Neue Albumblätter’ (New Albumleaves) are witness to this fragile world. These transient sketches move in the lower dynamic range. Modulations shifting chords and enharmonic changes lead the listener astray; formal expectations are disappointed. Our edition is based on the original two volumes published by Augener in 1880 and reissued by Schott in 1911 under a new title.

Also suitable for Flute Oboe or Violin

CHORAL SS & PIANO (OPT DESCANT RECORDER). An evocative setting of mysterious words by Harold Munro this colourful song blends an easy melodic line with rich harmonies and spoken effects with an optional descant recorder part (played from the score).