The piano pieces opp. 116-119 were written in 1892/93 and are the last collections of pieces which Brahms wrote for the instrument. Particularly noteworthy is his use of the 'small form' accompanied by a heightened increase in musical expression compared to his earlier works. Clara Schumann probably the secret dedicatee of the Piano pieces wrote in her diary in November 1892: 'a true source of enjoyment everything poetry passion fantasy intimacy full of the most marvellous sound effects [...] In these pieces I finally feel musical life drawn into my soul again and play once more with true devotion.' A renewed critical evaluation of all known sources hasresulted in small deviations from previous readings. Johannes Brahms's most frequently performed piano pieces now available in high quality Bärenreiter Urtext editions Evaluation of all available sources Reflecting the latest state of research Available separately: Fantasies Op.116 (BA9628) Three Intermezzi Op.117 (BA9629) Piano Pieces Op.119 (BA9631)

Hohe Stimme / High Voice- Walther Durr one of the most distinguished Schubert-scientists publishes a second volume of the Bärenreiter Urtext-seiries in high middle and low range. Thereby 46 additional songs of Schubert with steady scores based on „Neuen Schube

Op. 31 Mwv A 9- Psalm ' Non nobis Domine ' / ' Nicht unserm Namen Herr ' Op.31 MWV A 9 Mendelssohn's first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838. Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible. This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath. Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary. The piano reduction stems from Mendelssohn himself. - Informative Foreword in the score (Ger/Eng) - Text underlay in two languages (Lat/Ger) - Piano reduction by the composer - Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale

Yet Gentle Will the Griffen Be-In this setting of Vachel Lindsay's poem the melody soars portraying the griffin's ominous encounter with the moon. Unison. Nunez F

Motet for two four-part mixed choirs- Furchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228 All of Bach's six authenticated motets were written between 1723 and 1727 for St Thomas' Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions. - Urtext of the New Bach Edition. - Performance material and choral score (BA5133) available for sale. -Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)

Piano accompaniment by Elizabeth Poston.

This is a lovely arrangement of a traditional Irish lullaby. The Gaelic words mean simply 'Monday Tuesday and Wednesday'. This arrangement was written for the Cantabile Children's Choir of Kingston Ontario and premiered in 1997.

Vocal score for Thomas Hewitt Jones' Come To The Stable for Unison choir and Piano accompaniment. Thomas Hewitt Jones is an award-winning composer of contemporary classical and commercial music. Winner of the 2003 BBC Young Composer Competition his music has been published by Boosey & Hawkes Oxford University Press Banks Music the RSCM Encore Publications Universal Music and is frequently heard on radio TV and the cinema in the UK and abroad.

This separate piano accompaniment book is useful for live performances and also helps to develop the listening and interactive skills required for playing as part of an ensemble.

Pocket Study Score (HPS1366) of Prokofiev's Symphony No.4 First Version Op.47 .

from La Boutique Fantastique- La Danza is a playful Neapolitan tarantella composed by Gioacchino Rossini that became world famous in the orchestration by Ottorino Respighi. It’s hard to sit still during this fresh whirlwind!

Anthem-SATB. Wesley S

The fifth of eight authoritative volumes that together comprise the complete Organ works or J.S. Bach presented in scholarly Urtext editions suitable for both academic study and performance. Volume five contains Preludes Fugues Fantasias and Toccatas.

Hawkes Pocket Scores HPS 1108-Study Score - Hawkes Pocket Score 1108. Lees B

Bb Euphonium TC/ C Euphonium BC-Part of the ANGLO MUSIC PLAY-ALONG Series Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles from Handel to Tchaikovsky and from Clementi to Brahms. The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD. Part of the Anglo Music Play-Along Series Philip Sparke's 15 Intermediate Classical Solos is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke's 15 Easy Classical Solos. Specifically tailored to suit the individual instrument this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles from Handel to Tchaikovsky and from Clementi to Brahms. The book will provide invaluable additional material tocomplement any teaching method and includes both piano accompaniment and a demo/play-along CD.

8 concert pieces for trombone and piano-The eight versatile concert pieces in this book were written by Allen Vizzutti. The relatively short individual compositions can be wonderfully combined to form longer suites. For performance you can either make use of the piano accompaniments provided on the CD or a pianist playing from the printed score.(Demo version played by Ian Bousfield). In this book Ian Bousfield principal Trombonist of the Vienna Philharmonic presents eight versatile pieces by Allen Vizzutti. Trombone players get the chance to be guided by Ian's artful performance of the pieces on the CD or to use him as an inspiration for their own interpretation. The relatively short individual compositions can be wonderfully combined to form longer suites. For performance you can either make use of the Piano accompaniments provided on the CD or a pianist playing from the printed score.

All in the Golden Afternoon-(Full score). Tredici D

Arranged and adapted by Andrea Cappellari. Easy duets. Each book included complet scores and solo part.

Full score.

17 Graded Solos for Bassoon and Piano- Sounds Classical for Bassoon is a collection of graded solos selected specifically for the developing bassoonist. Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music the pieces are drawn from four centuries of classical repertoire ranging from Susato to Sullivan and will provide ideal material forpractice or recital. Also available: Sounds Classical for Oboe AMP 361-400 Sounds Classical for Bassoon is a collection of graded solos selected specifically for the developing bassoonist. Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music the pieces are dra