According to Ravel himself the strange title of the little Piano piece composed in 1899 “Pavane for a dead princess” should not be ascribed too much importance. He chose it mainly because he liked the alliterationit contained. At the same time he did however agree that the music evokes “a pavane that a little princess once might have danced at the Spanish court”. Following its premiere in 1902 the simple but effective piece gainedunparalleled popularity not least reflected in the numerous arrangements made of it one of which for small orchestra was by Ravel himself. We are publishing the work in its original version as a fitting addition to our worksby Ravel .

English Suites 4-6 BWV 809-811-Although people might like to think that the “English Suites” were composed after the “French Suites” (HN 71) “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach” (from our preface). The kaleidoscopic variety of the six “English” Suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this in different formats: the complete paperbound volume (HN 100) clothbound (HN 101) divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN9100). Although people might like to think that the English Suites were composed after the French Suites (HN 71) the temperamental and in part virtuoso flow of these Suites is morecharacteristic of the musical language of the young Bach (from our preface). The kaleidoscopic variety of the six English suites is breathtaking. One lifetime is not enough to exhaustively comprehendand penetrate them. We provide the sustainable musical basis for this in different formats: the complete paperbound volume (HN 100) clothbound (HN 101) divided into Nos. 1-3 (HN 102) and Nos. 4-6 (HN 103) and lastbut not least in a very good value study edition with the identical musical text (HN 9100).

Dolly Parton's inspirational hit was nominated for an Academy Award Golden Globe and Grammy Award. Its motivating text rhythmic melody and Bluegrass accompaniment create an exciting and refreshing choral for mixed voices as well as men's choirs. Dolly Parton's inspirational hit was nominated for an Academy Award Golden Globe and Grammy Award. Its motivating text rhythmic melody and Bluegrass accompaniment create an exciting and refreshing choral for mixed voices as well as men's choirs.

The Place Of Understanding is a work by Nico Muhly for High Voice and Organ commissioned by The Hanson Institute for American Music of the Eastman School of Music at the University of Rochester. The work sets 2 texts by Christina Rossetti and from the Book of Job and lasts around 13 minutes. Muhly states that The Place Of Understanding is essentially an Organ solo piece with tenor commentary making the Organ an equal partner in treating these two very diverse texts. The Place Of Understanding is a work by Nico Muhly for High Voice and Organ commissioned by The Hanson Institute for American Music of the Eastman School of Music at the University of Rochester. The work sets 2 texts by Christina Rossetti and from the Book of Job and lasts around 13 minutes. Muhly states that The Place Of Understanding is essentially an Organ solo piece with tenor commentary making the Organ an equal partner in treating these two very diverse texts.

The urgent joy of the driving 6/8 meter is reminiscent of a celtic folk dance and the idiomatic orchestration adds to the folk flavor in this unique Advent offering. Prepare the way for the Lord this Advent season with an anthemeasily learned but not soon forgotten. Outstanding!Written for SATB choir and accompaniment.

Michael Plaskett. The adventures of a small boy who accompanies the Sandman to Dreamland and helps the Dream Maker to avert a terrible disaster - or is it all a dream? Seven songs with piano and guitar chords simple recorder and tuned percussion parts. Written by BBC award winner.

English Romantic composer Sir Frederick Arthur Gore Ouseley's piece for organ.

Arthur Bliss was born in London on 2 August 1891. For over 50 years he was a familiar and central figure on the English musical scene. He was educated at Rugby and at Pembroke College Cambridge where he studied with Charles Wood. He attended the Royal College of Music for a single term before the First World War broke out and interrupted his studies for the duration. Fanfares composed for the wedding of HRH Princess Margaret in Westminster Abbey 1960. The Sovereign’s Fanfare Fanfare for the Bride Interlude (this can be played before the National Anthem in A.) Royal Fanfare A wedding Fanfare Royal Fanfare

Set of parts for Hilda Paredes' Hacia Una Bitacora Capilar . Hacia una bitacora capilar was written in 2013-14 to celebrate the fortieth anniversary of the Arditti Quartet with funds provided by the PRS for Music Foundation. Set of parts for Hilda Paredes' Hacia Una Bitacora Capilar . Hacia una bitacora capilar was written in 2013-14 to celebrate the fortieth anniversary of the Arditti Quartet with funds provided by the PRS for Music Foundation.

Lazarus Requiem Has Been Beautifully Composed By British Composer Conductor Organist And Pianist Patrick Hawes For Two Solo Sopranos Tenor Baritone Satb Chorus And Orchestra With The Lyric Written By Andrew Hawes . Listen To Lazarus Requiem Tableau 6 Here: Lazarus Requiem has been beautifully composed by British composer conductor organist and pianist Patrick Hawes for two solo Sopranos Tenor Baritone SATB chorus and Orchestra with the lyric written by Andrew Hawes . Listen to Lazarus Requiem Tableau 6 here:

Sværm/Swarm Op. 190b - 11 Pieces for String Quartet was composed by Vagn Holmboe in 1992. Original version for 2 Violins: KP00410. Sværm/Swarm Op. 190b - 11 Pieces for String Quartet was composed by Vagn Holmboe in 1992. Original version for 2 Violins: KP00410.

1st & 3rd Position String Quartet: Romantic contains 4 pieces from some of the most famous composers of the Romantic period all expertly arranged by William McConnell for String Quartet. William McConnell grew up and was educated in Dundee where he started his musical education at the age of 9 learning to play Fiddle. Shortly after the war McConnell joined the Royal Marines School of Music where he enjoyed making music world-wide as well as taking on the traditional role of The Ship's Fiddler. After coming out of the services he began to educate at The King's School in Canterbury. Nowin his 80's McConnell still spends his time as an educator of music and restoring stringed instruments.

This work comprises two dances of Italian origin written in different styles to show the full potential of the trumpet and its versatility as a solo instrument. 1. Tarantella: is a fast folkdance of Southern Italy. It is usually written in 6/8 time and alternates between major and minor keys. The Tarantella derives from the town of ?Taranto? and legend has it that the Tarantella was the only cure for the effects of the bite of the Tarantula spider - this is where the dance got its name. 2. Siciliano: is another Italian dance and was used during the Baroque period in instrumental music. It is written in a slow 6/8 time and is characterised by its lilting rhythms simple melodies and lush harmonies. The Siciliano is extremely songlike and is associated with pastoral scenes. The work was composed for Dean Wright (Principal Trumpet of the Welsh National Opera) and was first performed in 2002.

An Album For Clarinet In Bb and Piano- 'This album was inspired by the wedding of our daughter Tess.' The Wagner and Mendelssohn are of course popular at weddings and the slow movement of the Mozart concerto creates a beautiful ambience. My own piece 'Wedding Bells' conveys a celebratory loving and joyous atmosphere and 'on the big day' I played it during the signing of the register accompanied by the father of the bride - it was an emotional performance! These arrangements are intended to catch the mood: purists please forgive me - Wagner Mozart and Mendelssohn may not have written every note here but I hope that they would approve.

1.Trauerchoral (Chorale for Mourning); 2.Hochzeitchoral (Wedding Choral) for 3 trumpets 3 trombones and tuba (or bass trombone)

Monodie; Duo; Larmes (Trio); Offering; Fugue et Continuo

Excerpted from the solo cello suites for Tenor Tuba Baritone or Euphonium edited by Robert King.

Music for Brass no.240.

pour tous les saxophones- 25 easy and progressive studies by Michel Mériot is a set of 25 one-page studies for all Saxophone beginners. With an increasing difficulty each piece focuses on developing one aspect of the technique such as Maintaining air pressure (Study 1) Slurs (Study 3) and Ease and Precision (Study 13) among others. These studies will definitely help Saxophone beginners to gain in technique and in clear sonority. The author Michel Mériot is a French Saxophonist who learnt under the influence of Marcel Mule.

Brass Sextet- For 2 trumpets 2 horns 2 trombones timpani and narrator.