for 3 B flat trumpets (or natural trumpets)

New Technique for the Double Bass part 1-With little exisiting in the way of study books for the Double Bass François Rabbath 's (b.1931) three volume series New Technique of the Double Bass is welcomed by all performers of the instrument. Syrian born Rabbath moved to Paris in 1955 to further his studies on the Double Bass. He soon began composing for the instrument as well as transcribing works of other composers for the instrument. The first volume of New Technique of the Double Bass is a significant contribution to the field of Double Bass pedagogy and covers physical approaches to the instrument bowing rhythms intervals while also containing exercises and studies. As a virtuoso player of the instrumenthimself frequently performing as a soloist Rabbath compiles this technical study book with vast knowledge and experience. Being such a prominent double bassist Rabbath 's New Technique of the Double Bass accompanied by a CD is a well-informed and essential accompaniment to all Double Bass studies. With little exisiting in the way of study books for the Double Bass François Rabbath 's (b.1931) three volume series New Technique of the Double Bass is welcomed by all performers of the instrument. Syrian born Rabbath moved to Paris in 1955 to further his studies on the Double Bass. He soon began composing for the instrument as well as transcribing works of other composers for the instrument. The first volume of New Technique of the Double Bass is a significant contribution to the field of Double Bass pedagogy and covers physical approaches to the instrument bowing rhythms intervals while also containing exercises and studies. As a virtuoso player of the instrument himself frequently performing as a soloist Rabbath compiles this technical study book with vast knowledge and experience. Being such a prominent double bassist Rabbath 's New Technique of the Double Bass accompanied by a CD is a well-informed and essential accompaniment to all Double Bass studies.

for flute (or oboe or violin) and bass continuo

Overture (for recorder string orchestra and bass continuo)

Quatre Pièces Faciles is a set of four works by Eugène Bozza written for Flute and Piano accompaniment. Charming and easy to play these pieces are perfect for a recital. They are divided as per below: 1. Rêves d'enfant: Andantino 2/4 2. Le campanile: Allegretto giocoso 2/4 3. Menuet des pages: Moderato 3/4 4. Eili-Eili (Jewish tune): Andante espressivo 3/4 Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composedseveral operas chamber works and ballets among others.

1.Marche; 2.Carillon; 3.Intermezzo; 4.Chant populaire; 5.Reprise de la Marche

For 3 timpani 2 cymbals snare drum tom basque tambourine tambourine and piano.

Harpe Celtique Ou Grande Harpe- for harp or celtic harp solo

1.Tiento; 2.Sarabande; 3.Diferencias

French German and English text.

à l'époque baroque Volume 1- First published in 1977 Jean-Claude Veilhan (born in 1940) compiled the enlightening compilation The Rules of Musical Interpretation of the Baroque Era following exhaustive study of the musical period. As a prominent Recorder player himself Veilhan performed much of the Baroque repertoire for the instrument and therefore was well-acquainted with the genre. The Rules of Musical Interpretation of the Baroque Era encompasses all rules and styles of Baroque to inform performance and interpretation for every instrument. This Veilhan book is essential to the understanding of Baroquemusic.

Work first published in 1976.

for 4 timpani xylophone vibraphone castanets snare drum suspended cymbal 2 tom pedal bass drum and piano

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His 3 Pieces for Flute and Guitar are no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1977 Bozza 's 3 Pieces for Flute and Guitar is a virtuosicwork addressing advanced features including complex rhythms chromaticism a wide range and articulation as well as exploitation of the ensemble. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'

Pachelbel J. - Choral sur 'Loué sois-tu Jésus Christ'; Dandrieu P. - Or nous dites Marie; Daquin L. - Noël etranger (extract); Franck C. - Vieux Noël; Langlais J. - Noël avec Variations (extract) - for 3 and 4 recorders (SSAT)

for vibraphone and piano

for horn and piano (or harp)

...dans leur Gaine de Mousse (French and English text)

Berceuse op. 16 (3'02) transcription pour violoncelle et Guitaree . Par Faure aux éditions Leduc. Partition / Livre de chansons pour violoncelle

La bonne chanson édition revue et corrigée pour voix moyenne piano et quintette à cordes (partition et parties). Par Faure aux éditions Leduc. Partition / Livre de chansons pour Ensemble