French flautist Louis Fleury (1878-1926) was a pupil of Paul Taffanel at the Paris Conservatoire. As a significant pioneer of the Baroque Flute his collection of is well-informed. Fleury 's collection includes works such as Greensleeves and pieces by composers including Vinci and Naudot. Fleury 's edits include Piano realisations of figured bass articulation phrasing ornamentation and peformance directions. For all aspiring flautists of the baroque genre Fleury 's Original Works Of The 17th And 18th Centuries makes for an essential addition to the repertoire.

Douze Études by Jacques Delécluse (born 1933) is a set of twelves studies often used as solos for exams or auditions. Written for intermediate to advanced level they are considered quite difficult the difficulty progressing throughout the book. Douze Études particularly helps to develop precision and mastery over the roll. It uses dynamic changes placement of ornaments and frequent time changes. It is a must for serious percussionists and as such is widely used all over the world. The author Jacques Delécluse is a soloist at the Paris Orchestra and a professor at the Conservatoire National de Musique de Paris. He has conceived a keyboard-percussion instrument thatholds his name and is also the author of a series of seven books “À la manière de” for Drums and Piano. Douze études by Jacques Delécluse (born 1933) is a set of twelves studies often used as solos for exams or auditions. Written for intermediate to advanced level they are considered quite difficult the difficulty progressing throughout the book. Douze études particularly helps to develop precision and mastery over the roll. It uses dynamic changes placement of ornaments and frequent time changes. It is a must for serious percussionists and as such is widely used all over the world. The author Jacques Delécluse is a soloist at the Paris Orchestra and a professor at theConservatoire National de Musique de Paris. He has conceived a keyboard-percussion instrument that holds his name and is also the author of a series of seven books à la manière de for Drums and Piano.

1.Rite et Processional; 2.Chant de l'Aède et du Coryphée

French composer Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Sinfonia Da Camera for Wind Sextet was published in 1965 and remains prominent in the ensemble repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Sinfonia Da Camera for Flute Oboe Clarinet Saxophone Horn and Bassoon reflects Dubois' compositional characteristics and is made up of three movements; 1) Entrance 2) Gigue and 3) Variations. Sinfonia Da Camera is essential to the advanced Wind Sextet repertoire. Dubois' work makes for an exciting varied and enjoyable performance for players and audiences alike.

Concerto no. 22 (Viotti)- Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti s Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinists repertoire. The Violin solo line of Concerto No. 22 makes use of extended techniques including harmonics bow techniques articulations fast semiquavers and double stops. Catherine s series First Solos extracted fromthe Classic Concertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

1.Ouverture; 2.Sarabande; 3.Ophélie; 4.Danse du Pay-Pilli

Cor Et Piano- 1.Improvviso; 2.Barcarola; 3.La Giovine Pescatrice

Original Edition.

Volume 3 : 40 études moyenne force- In six books Maxime Alphonose provides 200 progressive studies for the Horn. The third volume of Deux Cents études Nouvelles Mélodiques Et Progressives is essential to intermediate level Horn players seeking to improve their technique on the instrument. Alphonose 's studies focus on elements including tempo rhythm articulation rests dynamics syncopation breath control and neatness among other musical aspects. Compiled in 1924 Alphonse 's Deux Cents études Nouvelles Mélodiques Et Progressives has enhanced the studies of many prolific Horn players. With notes in French English German and Japanese this Alphonse book is versatile and crucial to the progress of any Horn player.

SATB chorus

for mezzo (or contralto or baritone) solo (or chorus) and piano (or organ) - Hungarian French and German text

No.2 from 'Histoires'

Classiques No.4- from 'Armide'

Les classiques de la Flûte n° 8 (rév. Marcel Moyse)- Les Classiques De La Flûte No.8.

Les Champignons s'en vont en Guerre

Classiques No.106- from 'Les Ballets du Roi'

1.Polka; 2.Romance; 3.Intermezzo; 4.Berceuse; 5.Air écossais; 6.En Fanfare; 7.Passepied; 8.Petite Valse; 9.Sicilienne

French composer and conductor Henri Tomasi (1901-1971) published Trois Pastorales for Flute Trio in 1964. As with his other wind compositions Trois Pastorales was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become ahigh profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learned during the summers with his Grandmother in to his compositions. The Trois Pastorales are named; 1) Bolivian 2) Cretan and 3) Sicilienne. This Tomasi piece is suitable to an advanced Flute Trio providing an exciting alternative addition to the ensemble repertoire.

French composer Henri Busser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Cantecor for Horn and Piano being no exception. As reflected in Cantecor for Horn and Piano Busser 's compositional style was sophisticated yet true to the 19th Century French tradition. Elements of Cantecor for Horn and Piano include chromaticism exploitation of tonality complex rhythms and significant tempo changes among other aspects. For all advanced Horn players Busser 's Cantecor for Horn and Piano is essential for a varied repertoire.

No.10 from 'Histoires'