Vocalises by: Bacarisse Coppola Ibert Jongen Kilpinen Labinsky Opienski Pick-Mangiagalli Rozycki and Strimer

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza 's compositions were well-received by audiences 10 Easy Pieces for Violin and Piano being no exception. This collection of Bozza pieces is suitable for beginner violinists. The third piece Minuet Pages is chirpy and graceful displaying the typical features of a minuet. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

Marcia festiva; Rondonello; Chorale-Finale (Gloria ad Kyrie majus dominicale) for horn (or trumpet) 2 trumpets trombone tuba (or bass trombone) and percussion ad lib.

100 Exercices élémentaires et progressifs à 2 Voix sans Accompagnement

étude De Concert Op. 13 is a brilliant piece for Piano by Gabriel Pierné . Quite challenging it highlights some virtuoso techniques and the tempo indicated seems really fast. An advanced level or above would be required to perform the piece as written. étude De Concert Op. 13 would be the perfect addition for a concert as mainly classical yet modern on some aspects and well balanced. Gabriel Pierné is a French composer and conductor who mainly wrote some chamber music and some lyrical symphonies.

With few study books exisiting for the Timpani Jacques Delécluse ensures that this gap is filled with his excellent Thirty Studies for Timpani. French percussionist and composer Delécluse studied at the Paris Conservatoire in the mid-1900s winning many prizes. The exercises in the second volume of Thirty Studies for Timpani are built on technical examples and problems. New rhythms are developed to ensure progression to a high level. For all aspiring Timpani players Delécluse 's Thirty Studies is essential having been compiled by a master of the instrumenthimself.

Classiques No.32- from 'Les Ballets du Roi'

13.Poème de la Rose; 14.Venez me faire Danser; 15.L'Ecureuil; 16.Dernière Danse; 17.Les Adieux de Nemours

Classiques No.140- from 'Scenes de la Forêt'

Part of the collection Concertos Classiques 7th Concerto - 1st Solo is a piece for Violin and Piano by Pierre Rode with an arrangement by Georges Catherine . Relatively difficult it features the score and the Violin part. Really melodious it includes numerous trills harmonies accidentals acciaturas and some indications of the positions and techniques to use. The breathings are also indicated. It is a really nice work to play in recitals and can also be used for contests. Pierre Rode (1774-1830) was a French violinist and musician who composed numerous romantic concertosfor Violin and Piano. He was the Violin soloist to Napoleon and was dedicated a Violin Sonata (Op.96) by Beethoven.

Composed by Marin Marais La Folia is a piece for Cello and Orchestra. Arranged by Paul Bazelaire this edition presents the scores for Cello and Piano and can be played by advanced players. This melodious composition is based on The folies of Spain in terms of theme and rhythms and the arrangement was created for the Paris Conservatoire contest. While the beginning of the piece is quite slow it has some faster parts that are more cheerful. Marin Marais (1656-1728) was a French composer and master of the Viol. He wrote many pieces for the Viol some trio pieces and some orchestras.

Lucien Thévet (1914-2007) a virtuoso Horn player of his day provides 60 progressive studies and exercises for the Horn. 60 Studies for Horn is essential to all Horn advanced players seeking to improve their technique on the instrument. Thévet 's book focuses on elements including scales chromaticism intervals arpeggios diligence articulation tone vibrato dynamics legato passages ornamentation and extended techniques among other musical aspects. Moreover 60 Studies for Horn also contains exercises in a range of key and time signatures to ensure versatility. Thévet 's 60 Studies for Horn is crucial to the progress of any advanced Horn player seeking to improve their entire technique.

for percussion and harpsichord

Eugène Bozza's Chanson A Bercer for Alto Saxophone and Piano.

Written in Paris in 1930.

L'attelage suait soufflait était rendu (La mouche du cloche)

French flautist Marcel Moyse (1889-1984) studied at the Paris Conservatoire before becoming a renowned performer on the instrument. He was also responsible for training a brilliant generation of Flute players and his experiences and expertise combined created the well-informed compilation 20 Studies after Kreutzer for Flute. With notes in French English German and Japanese Moyse 's studies are accessible and versatile. Focus in this Moyse study book is given to fingering phrasing tempo breath control articulation intervals range and ornamentation among other musical aspects. 20 Studies for Flute based on Violin studies by Rodolphe Kreutzer (1766-1831) is essential to the technical progress of advanced flautists.

Recueil Piano- 1.Les Bouquetières; 2.Les Créoles; 3.Les Mignardes; 4.Les Bergères; 5.Les Bavardes

1.Prélude; 2.Lamento; 3.Toccata; 4.Nocturne; 5.Ave Maris Stella; 6.Rêverie; 7.Intermezzo; 8.Fantaisies sur deux Noëls; 9.Epithalme; 10.Légende symphonique; 11.Canzone; 12.Rhapsodie catalane

Mesures simples (compl. du 1er cahier)- étude Du Rythme is an educational tool proposed by Georges Dandelot (1895-1975) a French composer agreeing with the concept that rhythm is the foundation on which melody and harmony are then layered. It was conceived to progressively teach musicians how to deal with complicated rhythms such as those used by Bartok or Ravel. This volume is the fourth out of five composing a step-by-step method to learn and master rhythm in music. It follows on the knowledge acquired in the three first volumes and uses complex combinations of rhythms and melody with binary and tertiary tempos.