Pièce En Sol Mineur Op. 5 is a piece for Oboe and Piano accompaniment composed by Gabriel Pierné . Its medium difficulty will enable intermediate players and above levels to play it and to appreciate its features. Really enjoyable this early work written in 1833 lasts approximately 2'30 and has been transcribed for many other instruments. It is perfect for recitals and concerts. The book contains the score and Oboe part. The score mentions the possibility of replacing the Oboe by a Violin or a Cello. Gabriel Pierné (1863-1937) won the Prix de Rome in 1882.The composer wrotemany chamber compositions Piano pieces symphonic music and some oratorios.

Born in Tunisia in 1952 Christian Lauba has been a prominent contemporary composer winning many prizes since his graduation from the Conservatory of Bordeaux during the mid-1980s. Lauba won First Prize for Composition during his studies and his Porgy Stride for Two Pianos proves his ability. Published in 2012 a typical performance of Porgy Stride takes around 6 minutes and 25 seconds. The work is highly virtuosic and modern exploiting tonality rhythm and other advanced technical features. The score of Porgy Stride comes with clear separate parts for each performer. For all advanced pianists Porgy Stride provides an alternative modern work essential to a varied duetrepertoire. Born in Tunisia in 1952 Christian Lauba has been a prominent contemporary composer winning many prizes since his graduation from the Conservatory of Bordeaux during the mid-1980s. Lauba won First Prize for Composition during his studies and his Porgy Stride for Two Pianos proves his ability. Published in 2012 a typical performance of Porgy Stride takes around 6 minutes and 25 seconds. The work is highly virtuosic and modern exploiting tonality rhythm and other advanced technical features. The score of Porgy Stride comes with clear separate parts for each performer. For all advanced pianists Porgy Stride provides an alternative modern work essential to a varied duet repertoire.

Composed by Armando Ghidoni Jazzy Flute Challenge is a piece for Flute and Piano accompaniment. Lasting approximately ten minutes it is dedicated to Maxence Larrieu and was commissioned for the International Flute Contest. Quite technical this piece requires some upper intermediate/advanced skills and a good knowledge of the instrument. It is an enjoyable notated jazz work which will definitely be loved by players and their audience. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited since 1989 by Alphonse Leduc. Composed by Armando Ghidoni Jazzy Flute Challenge is a piece for Flute and Piano accompaniment. Lasting approximately ten minutes it is dedicated to Maxence Larrieu and was commissioned for the International Flute Contest. Quite technical this piece requires some upper intermediate/advanced skills and a good knowledge of the instrument. It is an enjoyable notated jazz work which will definitely be loved by players and their audience. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited since 1989 by Alphonse Leduc.

Trio en si mineur pour violon violoncelle et piano (partition et parties). Par Raykhelson aux éditions Leduc. Partition / Livre de chansons pour ensemble de cordes

French percussionists Bémer Dautricourt Mauny and Zielinski collaborate to produce the fantastic Timing - 16 Pieces For Drums. Accompanied by a CD Timing - 16 Pieces For Drums contains 16 studies for grade 1 and 2 standard percussionists. Written in a variety of styles each exercise aims to improve the musicality and technique of the student. Helpfully the book contains a guide to drum notation. For all beginning aspiring drummers Bémer Dautricourt Mauny and Zielinski 's Timing - 16 Pieces For Drums ensuresessential progression.

Hommage à pei (cycle 1 et 2) (3'30) pour caisse claire cymbale grosse caisse (1 exécutant) et piano. Par Nierenberger aux éditions Leduc. Partition / Livre de chansons pour Batterie

Harmonie intime (3'30) (5e) (collection vent de sax) pour saxophone alto seul . Par Paulet aux éditions Leduc. Partition / Livre de chansons pour Saxophone

Débutant 2 cahier A- Jean-Pierre Couleau (b. 1948) studied at the Aix-en-Provence Marseille and Versailles Conservatoires before devoting himself to teaching music particularly jazz. He compiled Le Matin Des Musiciens to aid music theory beginners. This Couleau volume contains exercises on performance directions dynamics range intervals rhythm phrasing articulation and time signatures among other aspects. Couleau 's Le Matin Des Musiciens is ideal for all beginners of music theory. Furthermore with detailed instruction in Japanese Le Matin DesMusiciens is accessible to many.

Born in 1970 éric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the wonderful compilation 3 Expéditions Pour Flûte Aventureuse. With text in four languages this exciting study book explores the extended techniques of the Flute. Made up of three movements; Rainforests Ice Lands and Bush and Savannah an extensive glossary explains how to address each technique. 3 Expéditions Pour Flûte Aventureuse is an exciting and varied addition to progression of the instrument. Ledeuil 's piece isessential to advanced flautists seeking to improve their technique to a high standard.

Sonata vi «harmonologia» (28') pour piano. Par Duvillier-Wable aux éditions Leduc. Partition / Livre de chansons pour Piano

Pour Quator á Cordes- Born in 1947 Laurent Duvillier-Wable trained under pianist Suzanne Joly and studied composition with Michel Puig. The latter a student of René Leibowitz introduced him to the mysteries of Schonberg and Webern's twelve-note composition. To create a coherent œuvre Duvillier-Wable drew on the array of possibilities offered by chamber music in his series of six Sonatas composed between 1992 and 2007. Sonata IV For String Quartet was written in 1994 the year his father - painter René Duvillier a friend of Charles Estienne and André Breton - fell gravely ill. Divided into four movements thecomposition contains two beautifully expressive musical references: the Lamento religioso refers to Bach's Passion according to Saint Matthew by quoting the choral 'Was ist die Ursache aller solcher Plagen' (No.19: What is the cause of all this suffering?) when Jesus distressed by his imminent agony asks his disciples to watch over him. The Agitato final borrows the inexorable 'Must it be? It must!' theme from Beethoven's Quartet No.16 in F that crowns this poignant work.

Pour Alto Saxophone et Piano- Born to an Italian father and a French mother Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris where he was taught by Henri Busser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936) Bozza had written his Aria Pour Saxophone Alto Et Piano - a free adaptation of the third movement of JohannSebastian Bach's Organ Pastorale in F major BWV 590. This expansive and nostalgic melody which unfolds over a regular meter has become one of the most widely played Saxo­phone pieces in the world. Having enjoyed such success éditions Leduc has decided to supplement its republication with an audio version that will enable saxo­phonists to carry out full-scale practice.

Between the late 19th century and the early 1960s French music experienced a Golden Age during which the flute played a prominent role: this age-old instrument played by fauns and shepherds spun numerous arabesques whose sensuous contours seemed to celebrate the mysterious connections between nature and the imagination (Debussy). It was therefore quite tempting to draw on the rich catalogue of French works from the Editions Leduc and Heugel and put together this collection of pieces for flautists in the fourth year of study and up. It's simply impossible to resist the compelling lyricism that floats up from such celebrated pages asFauré's Sicilienne or the Pièce en forme de Habanera a composition by Ravel superbly transcribed by Theodore Doney. Philippe Gaubert's Orientale and Sicilienne - two bestsellers - are also included. Original pieces such as the Aria for flute and piano by Roussel rub shoulders with delightful arrangements such as the one by Marcel Moyse based on Jacques Ibert's gentle Histoires or the successful adaptation of Hahn's à Chloris ; while famous pieces - like Debussy's Le Petit Nègre - nestle against a few rare gems (Pierné Bozza) that are utterly charming.

Soli-Choeur - Satbb- French composer Jean Gilles (1668-1705) received his musical training as a choirboy in Aix-en-Provence. His substantial works are entirely religious Messe Des Morts being no exception. Gilles catalogue comprises a significant amount of choral work. His choral composing style often alternate passages sung by soloists and the chorus as is the case in Messe Des Morts realised by Laurence Boulay. His musical style was influenced by André Campra a leading Opera composer of the day who Gilles succeeded as music master at the Cathedral of Saint Etienne in Toulouse. Forall choirs seeking alternative repertoire Messe Des Morts provides a riveting performance.

Nelsinho (3'30) (7e) (collection vent de sax) pour quatuor de saxophones (a/satb) (partition et parties). Par Chirol aux éditions Leduc. Partition / Livre de chansons pour Saxophone

Versets croisés (3') (3e) (collection vent de sax) pour saxophone alto et piano. Par Paulet aux éditions Leduc. Partition / Livre de chansons pour Saxophone

Treize à la douzaine (5'27) comptines pour piano (2e-3e année). Par Huillet aux éditions Leduc. Partition / Livre de chansons pour Piano

for ondes martenot and orchestra

Work first published in 1958.

Choeur - Satbb- Choral part for André Campra's Requiem for SSTTB soli SSATTBB chorus and orchestra.