Nouvelle édition par F. Caratgé- First published in 1872 Sept Exercices Journaliers is a set of seven exercises for Flute by André Reichert (1830-1880). This edition presents a version reviewed and commented by Fernand Caratgé (1902-1991) from the Opéra-Comique. Written for advanced players Sept Exercices Journaliers should strengthen the technique of those with already some developed technique and skill. The composer André Reichert was a virtuoso flautist strongly influenced by Brazilian music. He travelled in Europe and Brazil and was one of the introducers of the modern Boëhm systemof the transverse Flute. Famous in Brazil he also composed a polka and a set of six exercises.

Les classiques de la flûte n° 85 (F. Caratgé)- From the Suite in B minor.

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza 's compositions were well-received by audiences Soir Dans Les Montagnes for Flute and Piano being no exception. This Bozza piece for Flute is characteristically French with lyrical and graceful melodies displays of the beautiful lower register of the Flute and fast flourishing semiquaver passages accompanied by spread chords andstaccato in the Piano. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'

1.Ouverture; 2.Sérénade; 3.Villanelle; 4.Carnaval

Gavotte (fin de cycle 1) pour Clarinettete si b et piano. Par Delacroix aux éditions Leduc. Partition / Livre de chansons pour Clarinette

Retards et Appogiatures - Réalisations- As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960 after a considerable amount of time working in the field. With Challan 's experiences in mind 380 Figured Bass Exercises is very well-informed. Part B of the seventh volume provides 30 exercises in which the student can study the realisation retards and appoggiaturasin the context of figured bass. Challan 's 380 Figured Bass Exercises is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.

Like a technical contemporary encyclopedia for the Clarinet Paul Jeanjean 's 16 Modern Studies for Clarinet provides a detailed guide to establishing high standard up-to-date technique on the instrument. Jeanjean 's compilation covers all problems which modern day clarinetists encounter including complex rhythms intervals range and other extended techniques making the book a must buy for all advanced clarinetists. As a noted virtuoso Clarinet player himself Paul Jeanjean 's (1874-1928) understanding of the practice of technical elements is second to none. The 16 Modern Studies supply steadydevelopment from beginning to end making this Jeanjean study book a must-have for virtuosic Clarinet players.

Work first published in 1951.

Pierre Lantier (1910-1998) won the Grand Prix de Rome in 1937 and is remembered for a variety of works most significantly his Sicilienne for Alto Saxophone and Piano. Lantier 's Sicilienne is particularly useful in learning elegance and a flowing musicality. The varying styles tempos dynamics and rhythms throughout create an appealing work to performers and listeners alike. The stylistic nuances of Lantier 's piece along with the evocative melodies make for a graceful work well worth performing as an intermediate to advanced level saxophonist.

This edition of Fourteen Studies by Hyacinthe Klosé (1808-1880) is the reviewed edition edited by Ulysse Delécluze. This set of studies for upper-intermediate/advanced Clarinet players is an absolute essential to master your speed technique and articulations. Each exercise is between one and two-pages long. Few directions are given in the book on how to practise these 14 exercises: the speed to use the aim of the exercise the explanation going with the adaptation among other comments. Hyacinthe Klosé (1808-1880) is a French Clarinet player composerand professor at the Conservatoire de Paris. He took part in the conception of the Boehm system Clarinet. He became solo Clarinet at the Théatre Italien in 1847. Ulysse Delécluse was a French clarinettist and professor who enabled an easier access to these studies for clarinettists.

Retards et Appogiatures - Textes- As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960 after a considerable amount of time working in the field. With Challan 's experiences in mind 380 Figured Bass Exercises is very well-informed. Part A of the seventh volume provides 30 exercises in which the student can study retards and appoggiaturas in the contextof figured bass. Challan 's 380 Figured Bass Exercises is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.

Henri Dutilleux 's (1916-2013) compositional style greatly reflected that of Maurice Ravel Claude Debussy and Albert Roussel. Yet his unique individual style did not go amiss as in his Au Gré des Ondes composed in 1946 and still performed to this day. Au Gré des Ondes translating as Along the Waves contains six movements including an homage to Bach. Au Gré des Ondes reflects Dutilleux 's style in its atonality and modality use of pedal notes and subtle hints of the jazz style. As an unusual set of Piano pieces Dutilleux 's compilation adds pleasant variety to the pianists' repertoire. Henri Dutilleux 's (1916-2013) compositional style greatly reflected that of Maurice Ravel Claude Debussy and Albert Roussel. Yet his unique individual style did not go amiss as in his Au Gré des Ondes composed in 1946 and still performed to this day. Au Gré des Ondes translating as Along the Waves contains six movements including an homage to Bach. Au Gré des Ondes reflects Dutilleux 's style in its atonality and modality use of pedal notes and subtle hints of the jazz style. As an unusual set of Piano pieces Dutilleux 's compilation adds pleasant varietyto the pianists' repertoire.

1.Con Moto; 2.Scherzo; 3.Elégie; 4.Allegretto tranquillo

Noël provençal (SATBB chorus)

18 études For Oboe Or Saxophone was composed by Eugène Bozza for upper intermediate / advanced players. Quite difficult most of these studies are one-page long and will improve the flexibility and the sonority of the players: 1. Moderato - a piacere with the character of an improvisation 2. Moderato - expressive and flexible 3. Allegro giocoso 4. Très modérément - with a nice sonority 5. Allegetto scherzando 6. Andantino - with a nice sonority 7. Andantino - deep and quiet 8. Tarentelle (Allegrovivace) 9. Andantino 10. Recitativo 11. Allegro moderato (grazioso) 12. Allegro moderato 13. Allegro vivo 14. Sicilienne 15. Improvisation - after Pastoral Fantasy for Oboe and Piano 16. Recitativo (Moderato) 17. Presto 18. Moderato Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

for mixed trio (combinations of flute oboe clarinet saxophone bassoon or cello)

Guide de l'élève- écoute musicale active par le musicogramme guide de l'élève. Par Grosser aux éditions Leduc. Partition / Livre de chansons et théorie musicale

Arranged for Alto Saxophone And Piano by Marcel Mule.

1.Entrée noble; 2.Berceuse; 3.Gavotte

Ballet in 3 Acts (for orchestra with chorus ad lib.)