An expressive and flowing piece with words from Edward Arlington Robinson's Children Of The Night . Arranged for SSAA Chorus a capella.

Mousetrap Saing-Young singers will find the humorous text and quick articulation in this selection utterly delightful. As is typical of lieder the piano part is equal in importance to the vocal line and reflects the character of the playful text. The piece typifies the union of text melody and accompaniment which the German lieder composers of the 1800s perfected. Unison. Wolf H

from: Six Children's Choruses-These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added and a piano reduction has been included for rehearsal purposes when preparing the choir for a performance with the orchestra. It is the composer's intention that performances should take place either a cappella or with orchestra but not with piano. SA. Bartok B

For men's choir (TTBB) tenor solo and piano with option double bass and percussion. Setting of the poem by E. E. Cummings.

Choral Highlights-This musical classic has found a new voice with a recent revival on Broadway. Filled with energetic music by Leonard Bernstein and great lyrics by Betty Comden and Adolph Green the story of moving to The Big Apple has never been better. This musical classic has found a new voice with a recent revival on Broadway. Filled with energetic music by Leonard Bernstein and great lyrics by Betty Comden and Adolph Green the story of moving to The Big Apple has never been better.

Argento has crafted a five-movement suite from his 1964 opera The Masque of Angels. Designed as a mini choral drama it includes a Processional for the angels; the well-known Gloria; the colorful Arrival of the Archangels; a majestic Sanctus; and a joyful Recessional. Best for larger ensembles this suite is a showcase for magnificent choral sound. Orchestra parts are available on rental. Instrumentation: 2 oboes (2nd doubling english horn) bassoon 2 trumpets in Bb trombone 2 Violas Cello harp percussion (cymbals triangle suspendes cymbal bells/chimes Glockenspiel tambourine sleigh bells)

Voice Piano. Binkerd G

Orchestra (full score). Vaughan William

No. 2 The White Knight's Song-Soprano solo SA. Fine I/Hopkins

The Boston Trot is written to familiarize students with certain elements of jazz style by contrasting a familiar melody with a jazz version of the same. SS. Elliot Dj

Two love songs by Leonard Berstein titled Extinguish my eyes... and When my soul touches yours... with words by the German poet Rainer Maria Rilke. When my soul touches yours... has become a popular wedding song.

Canon in 2 3 or 4 parts-Canon for two three or four parts (SSSS) by Jan Sweelinck.

SSS. Elliott Dj

Choral score for cantor mixed choir (SATB) and organ. Hebrew text

11 Songs-High Voice Piano. Rorem N

Agnus Dei-For the text Britten interspersed the Latin Mass For The Dead with nine poems written by Wilfred Owen a World War I foot soldier who was killed a week before the Armistice. This only makes the meaning more poignant for this decidedly anti-war piece. Agnus Dei is written for Tenor Solo SATB with an Organ Accompaniment.

Traditional Spiritual-The title of Ain't That News is a tribute to the superb Staple Singers who dang a piece by that name not otherwise quoted in this chart. The opening seven measures are an adaptation of an old Paul Robeson 78. The rest of the piece is original material intended to pay homage to both the black church and black popo music just one of the many genres that owes its soul to the spiritual. The composer states My goal is to allow even the most demure chorister to have at least a little taste of what it would be like to be Aretha Franklin.SS/A . Hatfield S

No. 5 The Prayer of the Raven-Prayers From The Ark No.5 - Prayer of the Raven for Mixed Voices.

Spiritual- Walter Hawkins' I'm Goin' Up A Yonder arranged by Paul Read for SATB chorus and Piano. This is an expressive gospel song that begins softly and builds in texture and dynamics climaxing at the key chane with the addition of a soaring descant. The repetition of the text I'm goin' up a yonder constructs a sense of longing and expectation. Ideal for choirs of all standards including children's choirs.

Duet from Cantata BWV 9-SS. Bach Js