Symphonic Celebration-Study Score - Hawkes Pocket Score 1127. Ginastera A

Study Score - Hawkes Pocket Score 865. Durko Z

arranged by the composer-Piano 4 Hands. Strawinsky I

Quarter Military Band QMB 568- Short Ride in A Fast Machine by is an amazing piece of Symphonic Band music. This is the study score for the entire work. John Adams is one of America's most admired and frequently performed composers. He likes to use form in new ways to produce his modern music much of which is often classified as minimalist a style of music that is characterized by extreme sparseness and simplicity.

Quarter Military Band QMB 226-Symphonic Band (score & parts). Grundman C

The edition is part of the Trinity syllabus 2007 (grades 4 6 7). 'To Baker Street and Bach...' An enjoyable selection of pieces for Alto Saxophone with Piano accompaniment filled with variety and interest. The reader is taken on a journey through various genres and styles which incorporate Alto Saxophone parts or transcriptions. Features a diverse choice of composers from J.S. Bach to Gerry Rafferty! Suitable for ABRSM examinations for Alto Sax.

Libretto.

QMB 382-Symphonic Band (full score). Grundman C

Vocal Range: f'-abThe edition is part of the ABRSM syllabus (grade 6) A terrific song in D flat completed in 1908 by the great English vocal composer Roger Quilter. He was inspired by a 16th Century traditional text by an anonymous poet which he has set to music for Voice and Piano creating an evocative and stirring work.

Arranged for oboe and piano by Arthur Willner.

The best-selling Microjazz series features solos in a variety of styles - blues rock jazz ect. - for the player of intermediate level.

Fantasy- In Ireland is a wonderful fantasy for Flute and Piano composed in 1915 by respected and renowned Irish musician Sir Hamilton Harty.

Beginning with two main thematic ideas that are developed throughout the work: a 2-note gentle lilting motive and a 4-note lyrical theme that travels throughout the voices this 7 minute piece for a cappella chorus will challenge any fine chorus. The use of triangles and simple body percussion near the end engage both the listener and the performers in a magical and heartfelt experience.

“If we can be happy and live well without causing unnecessary harm why wouldn't we?” This simple and yet profound question is the invitation for choir listener and all of us in this beautiful new work. Written for Donald Nally and “The Crossing” this is a piece for the best choirs.

This is a wonderful setting of John Neihardt's beautifully evocative poem and it is arranged for 2-part Treble voices and Piano accompaniment.

Voice Piano. Novello I

(Vocal Score). Rorem N.

(complete)-These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added and a piano reduction has been included for rehearsal purposes when preparing the choir for a performance with the orchestra. It is the composer's intention that performances should take place either a cappella or with orchestra but not with piano. (Choral Score). Bartok B

Magnificat in D was composed for female voices - a wonderful example of Classical era writing that fits the mature woman's voice to perfection.

Traditional Mexican- This is in the southern Mexican style of the Huapango. In this fast and fun music with the flash of reds yellows and greens and the flash in the rhythm it's as if the entire landscape becomes the dancer's dress with a riot of color represented in the music.