Traditinal spiritual-This setting of the wonderful traditional Spiritual O Poor Little Jesus was composed for the Notre-Dame Catherdral in Paris in 1990. It is arranged for SATB Choir a cappella.

Israelic Folksong-Hashivenu is a melodic and hauntingly beautiful Hebrew song. The sound and meaning of the text is fundamental to the expressiveness of the song. Contains two arrangements: one for unison voices and piano and one for SSA a cappella in canon form. Unison or SA or SSA. Hashivenu

Israeli Song-Dodi Li is a love song from the Old Testament book Song of Solomon.

Text By Chief Yellow Lark Lakota Soux- Simple repeated note patterns form the melodic and accompanimental textures of this piece evoking a sense of humility. Each verse builds toward a cascade of running 8th notes that subside in quietness. A mood of reverence permeates the piece as Chief Yellow Lark's words uttered with eternity in mind reveal all of life to be sacred.

This is a welcome addition to the quality SAB choral repertoire for the sophisticated three-part mixed choir. The music paints the poignant secular poem Winter by Alfred Lord Tennyson.

No. 2 Jerboa-Tenor Bass. Fine I

Wolcum Yole!-SATB. Britten B

No. 4 Against Jealousy-SATB. Fine I

Soldier's Song-In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about Joan of Arc Bernstein’s music was deliberately evocative of that Saint’s medieval era. From The Lark this lively and rhythmic piece is arranged for Seven-Part Mixed Voices with Drum.

Complete-The two sets of Old American Songs are beloved standard vocal literature. This edition combines them in one publication and also transposes them from the original Medium Voice keys down for Low Voice. The complete Old American Songs are also available for High Voice and the original Medium Voice publications (in two sets) remain available.This publication is on the ABRSM singing exam syllabus (grades 4 5 6). The two sets of Old American Songs are beloved standard vocal literature. This edition combines them in one publication and also transposes them from the original Medium Voice keys down for Low Voice. The complete Old American Songs are also available for High Voice and the original Medium Voice publications (in two sets) remain available.This publication is on the ABRSM singing exam syllabus (grades 4 5 6).

Pergolesi Suite-The Pergolesi Suite is formed from the two final movements of Pergolesi's popular Stabat Mater composed in 1736 just before the composer's death. The expressive vocal writing is operatic in style and requires a dramatically operatic interpretation. SS. Rao D

Voice Piano. Mccormack J

Using the most up to date scholarship Meredith Bowen has created a beautiful score which allows for an authentic performance of Chiara Margarita Cozzolani's Alma Redemptoris Mater . The figured bass has been realised and all editorial markings are in brackets allowing the conductor and singers to make informed performance choices.

(Full score). Fine I

The first word of Psalm 119 is both the first and last word of this music - Blessed. Written to celebrate the 750th anniversary of Merton College Oxford This music cannot be rushed. It is relaxed and free and prayerful and all those who experience it must embrace this sense of sacredness.

Psalm 117- Cantate Domino (Psalm 117) For treble voices in 3 parts (SSA) with a solo and sythesizer. Latin.

French and Latin Choruses-In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about Joan of Arc Bernstein’s music was deliberately evocative of that Saint’s medieval era. In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about the of Joan of Arc Bernstein's music was deliberately evocative of that Saint's medieval era. For unaccompanied mixed choir or septet of solo voices (SSMezTTBB) and percussion ad libitum. French and Latin.

Warm Up-This round which is used in Bernstein's Mass was written as a Warm-Up to the full compostition of Mass. This Round which is used in Bernstein's Mass was written as a 'warm-up' to the full composition of Mass . Arranged for 3 part chorus.

A moving arrangement of this traditional Folksong from Newfoundland the most eastern province of Canada. It is a song that reflects a haunting story of life and longing and this is achieved with a flowing and wistful flute obbligato. This folk ballad has been wonderfully arranged for Unison treble voices with Flute and Piano accompaniment by Lori-Anne Dolloff.

Six outstanding collections of favourite songs. All arrangements include the melody line in the accompaniment so that the songs work equally well as piano solos.Ideal for playing at home in the clasroom or even as concert items!Songs of the Americas is a collection from north central and south America and the West Indies including Li'l Liza Jane Land of the Silver Birch Banana Boat Song Deep River and Yankee Doodle.The edition is part of the ABRSM syllabus (grades 1 and 3).48 favourite songs for Voice and piano of The Americas as arranged for Margery Hargest Jones.