American composer and conductor Theodore Morrison has set this lovely William Butler Yeats ' poem filled with Irish musical quotes. As an opera composer Morrison has a strong grasp on the emotional impact made possible through programmatic music and he uses this in effective ways in this piece. The virtuosic nature of the Horn part and advanced choral music require an accomplished ensemble but the results will be impressive!

Children's Hymn-Mixed Voices. Binkerd G

Traditional nursery rhymes-This is a free adaptation of nursery rhyme texts in blues style. Charles A. Collins' Mary Had A Little Blues is a free adaptation of the nursery rhyme texts in a blues style. For 2-Part Treble Voices with Piano accompaniment.

Written for the inauguration ceremony of Yale University's 23rd President this is especially appropriate for a convocation commencement or any academic ceremony. “ Who Is Wise ” is answered in the first section of music: “One who learns from all.”

Mixed Voices. Ehret W

from Final Alice-Voice Piano. Del Tredici D

Denn du wirst meine Seele nicht in der Hölle lassen-Laughing and Shouting for Joy is clearly intended for performance by treble choirs. It is one of the siplist and most vocally accessible cantata duets for young choirs. This duet provides the characteristically Baroque interaction between homophonic and polyphonic textures perfectly demonstrated by the music of J.S. Bach. SA. Bach Js

Margery Agrell's poem recalls “faint light” and “soft winds” and provides a reflective and soothing view of nature in this SATB piece for a cappella mixed voices. The close harmonies produce a lush yet evanescent veil of shimmering sonorities in keeping with the hushed and dream-like “spells of sweet silence.” Margery Agrell 's poem recalls “faint light” and “soft winds” and provides a reflective and soothing view of nature in this SATB piece for a cappella mixed voices. The close harmonies produce a lush yet evanescent veil of shimmering sonorities in keeping with the hushed and dream-like “spells of sweet silence.”

No.4 Sing Ye Praises to Our King-These four motets were composed in the fall of 1921 while Copland was studying with Nadia Boulanger in Paris. The four motets have remained unpublished until now. Writing to Copland about them in 1924 Boulanger tells the composer that those motets sound in the voices in a stunning manner. One of four motets composed in 1921 under while studying with Nadia Boulanger.

Almighty Father- For men's choir (TTBB) a cappella. Text by Stephen Schwartz and Leonard Bernstein.

Accompaniment Cassette-Cassette. Rao D

No. 2 Dancing on the Hilltops-Unison. Finzi G

No. 3 A Madrigal for Spring Now is the Month of Maying-SSAA.

Mbiri Kuna Mwari-Mbiri kuna Mwari is composed in the spirit of choral music heard at the Episcopal Cathedral in Harare Zimbabwe in the summer of 1993. Shona is the majority tribe in Zimbabwe and its language. The text is the Shona translation of the opening section of the Gloria of the Mass Ordinary. This is an original composition with text from the Shona Mass. It is based on musical styles native to Shona culture and poeple. The rhythmic feel of this music is primary and can be enhanced through movement by the singers. Scored for SSAA a cappella.

SS/A . Raminsh I.

Ojibway Love Song-SSS. Lundberg K

Holy City by Stephen Adams arranged for mixed chorus.

Newfoundland Folk Song-This Canadian Folksong describes the tragic sinking of a Bait Skiff near Petty Harbour in 1852 losing all but one of the crew. SSS. Osmond M

12 poems of Emily Dickinson as set for Voice with Piano accompaniment by Aaron Copland.

Male Voices. Kodaly Z