BWV972-979-Volume XI from J. S. Bach 's Complete Piano Works . This volume contains concertos after different Composers Nos. 1-8 BWV 972-979 edited by Bruno Mugellini.

The piano version of the B flat major Quintet Op. 34 prepared by Carl Maria von Weber himself will no doubt cause some surprise among clarinetists as well. To this day few people know that the composer arranged his work for clarinet and piano as soon as he heard about the success of the original scoring. Weber himself a talented pianist transposed the string quartet sound to the piano in an effortless and very idiomatic manner. In Weber's version for clarinet and piano the Quintet proves to be just as suitable for concert performance as for the rehearsing of the original chamber setting. Ulrich Leisinger's source studies show that Weber very carefully followed thepublication of the first edition in 1816. Divergences from the quintet version (EB5830) are indicated in the new edition.

Klavierauszug fur Gesangssoli Gemischtchor und Klavier. Soli: SATB - Chor: SATB.

Edited by Immanuel Lucchesi-Etüden von Berbiguier Demerssemann Dávid G. Garibold Járdány Köhler PoppSoussmann Szervánszky Terschak

Cool Through Styles and Centuries-Cool Cat Piano Goodies Whats that? To begin with watch as Ulrich Kallmeyer explores various pop idioms in cool pieces conceived for easy to medium difficulty and for contrasting harmonies and rhythms. Such a claim still doesnt do justice tothe Goodies however since references to the classical tradition shimmer through these pieces. Behind Second Loss is Schumanns Erster Verlust and the New Solo for Mr. Byrd reaches much farther yet into music history. Other works wereinfluenced by Baroque and Classical forms such as prelude chorale and rondo. The Goodies leap nimbly through eras and styles and have something to offer both beginning and proficient pianists. Cool Cat Piano Goodies - What's that? To begin with watch as Ulrich Kallmeyer explores various pop idioms in cool pieces conceived for easy to medium difficulty and for contrasting harmonies and rhythms. Such a claim still doesnt do justice to the Goodies however since references to the classical tradition shimmer through these pieces. Behind Second Loss is Schumanns Erster Verlust and the New Solo for Mr. Byrd reaches much farther yet into music history. Other works were influenced by Baroque and Classical forms such as prelude chorale and rondo. The Goodies leap nimbly through eras and styles and have something to offer both beginning and proficient pianists.

Piano Score for Solo: SATB & Choir: SATB.

Johann Sebastian Bach's Cantata BWV 71 'God the Lord my King is' for SATB.

Piano scores for mixed choir solo voice and piano. Cantata (Feast of the Reformation)

Jean Sibelius' Pensees Lyriques Op. 40 for Piano.

Contents: An Wasserfluessen Babylon (Ein Laemmlein geht und traegt die Schuld); Herr Jesu Christ dich zu uns wend; Herr und Aeltster deiner Kreuzgemeinde; Herzlich lieb hab ich dich o Herr; Herzlich tut mich verlangen (O Haupt voll Blut und Wunden); Herzliebster Jesu was hast du verbrochen; Ich dank dir schon durch deinen Sohn; Ich will dich lieben meine Staerke; O Lamm Gottes unschuldig; O Welt ich muss dich lassen; Sollt ich meinem Gott nicht singen (Lasset uns mit Jesu ziehen)

This edition of Mozart's 2 Divertimenti arranged for Violin (or Oboe) Cello (or Bassoon) and Piano by Elisabeth Naumann.

Klavierauszug fur Gesangssoli Gemischtchor und Klavier. Soli: SATB - Chor: SATB.

With Facsimile- Also suitable for descant recorder. TWV 40:2-13

This volume which marks the 300th anniversary of the king's birth contains the first edition of four sonatas for solo Flute and Basso Continuo composed by Frederick II known as the Great (1712-1786) King of Prussia from 1740 to 1786.

Reconstruction based on BWV 1060-Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case it also goes hand in hand with a reconstruction made with scholarly precision. As to the choice of the key editor Klaus Hofmann decided against C minor which the previous generation had preferred and turned instead to D minor that Max Schneider had chosen back in 1921. The fruit of Siegfried Petrenz’s labor is an inspired transparent 'Clavier' reduction (EB 8662) that is amazingly faithful to Baroque practice. Musicians will un doubtedly welcome this arrangement which boldly transgresses the conven tions of piano scores and presents a 'new' work the 'TrioSonata' in D minor BWV 1060.