Based on Hummelflug by Nikolaj Rimskij-Korsakov.

The vocal score of Bach's Cantata No.54 Widerstehe Doch Der Sunde with text in English and German.

Fantasien und Fugen/Einzelwerke - mit CD-ROM- Although the fantasia was already considered as old-fashioned around 1700 this genre exerted a particular fascination on the very young Bach - he had since relocated to Kothen - and the experienced composer as well.Volume 3 the latest installment in the Complete Organ Works gathers together all transmitted organ fantasias by Bach the fragments of the fugues belonging to them and all individual fugues as well. They include for instance the Fantasia in C BWV 570 undoubtedly the master's oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2. DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions sources and genre history are examined by editor Pieter Dirksen in the introduction and comments which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM.

For Piano

Klavierauszug fur Gesangssoli Gemischtchor und Klavier. Soli: SATB - Chor: SATB.

Set on the ABRSM Flute syllabus.

Piano score for mixed choir solo voice and piano. Soli: SATB - Choir: SATB

The conductor Hermann Levi a friend of Brahms prepared a piano-vocal score of the work in 1871 prior to the works publication. Brahms revised it upon receiving it. He wanted a symphonic sound from the piano part; what he created fully corresponds to the monumentality of the Song of Destiny. Piano Vocal Score by Hermann Levi und Johannes Brahms. New Edition with a preface by Ulrich Mahlert.

Robert Schumann was the first to transport the lyrical character piece for piano to the domain of chamber music. He drew upon the form stamped by Schubert Mendelssohn himself and many others since about 1820 to create a series of cycles in duo combinations. With his Märchenbilder Schumann created in 1851 the first important and path-breaking composition for viola and piano that was not written in sonata or variation form.

Vocal score of Cantata 97 In allen meinen Taten for SATB soloists chorus and orchestra BWV 97

Antonio Vivaldi 's popular concertos RV 444 and RV 445 have been in the MUSICA RARA catalogue for quite a while now albeit only in their original scoring with strings and basso continuo. These two new versions for recorder and piano thus close a long-existing gap. In the preface the editor discusses his choice of the solo instrument at length revealing why he unequivocally decided in favor of the sopranino recorder. Nevertheless the highly virtuoso solo part can also be played by other recorders and flutes.

Reconstruction based on BWV 1060-Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case it also goes hand in hand with a reconstruction made with scholarly precision. As to the choice of the key editor Klaus Hofmann decided against C minor which the previous generation had preferred and turned instead to D minor that Max Schneider had chosen back in 1921. The fruit of Siegfried Petrenz’s labor is an inspired transparent 'Clavier' reduction (EB 8662) that is amazingly faithful to Baroque practice. Musicians will un doubtedly welcome this arrangement which boldly transgresses the conven tions of piano scores and presents a 'new' work the 'TrioSonata' in D minor BWV 1060.

Works for SATB crumhorn or recorder consort by composers including Praetorius Lassus Schein Banchieri and others

Antonio Vivaldi 's Concerto In D Major RV 95 for Treble Recorder Oboe Violin Bassoon and Continuo. Edited by Gottfried Bach and Nikolaus Delius. Score and parts.

Henry Purcell 's Sonata No. 1 In D Major . Reduction for Trumpet and Piano.

The history of the origins and sources of Beethoven’s 'Choral Fantasy' is complex and poses considerable difficulties to today’s researchers. A definitive 'final version' is not extant. Instead there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethoven’s time.

In The Tower Worm Michael Stahl loses no time in bringing students and teachers together at the very start of students' piano lessons. The Primo part is easy as pie and does not exceed a range of five notes. Chordal symbols in the Secondo part encourage free accompaniments. The pieces themselves are colorful ranging from swinging and rocking to humorous and evocative of film music. Titles like Keyboard Thieves Swimming Pool Waltz and Ketchup Rock allude to the imaginative journey and The Tower Worm closes the book by making an unforgettable impact. The accompanying CD contains full versions ofall pieces and play-alongs both in the original tempo as well as in a slower one for practicing.

40 Pieces without Octaves-Having a small hand span on the piano is frustrating. So much piano literature contains octaves or big chords making it difficult or impossible to play. It is a problem for piano teachers to find playable yet engaging motivating fun literature for their small-handed students. One such teacher asked Barbara Arens to write some pieces without octaves and chords that are hard to play specially for her small-handed pupils – and the idea for Small Hand Piano was born. Being an experienced teacher for all age groups herself the author of One Hand Piano 21 Amazingly Easy Pieces Piano Misterioso Piano Vivace – Piano Tranquillo and Piano Exotico composed 20 pieces in a large variety of styles without a single octave. And to ensure that the collection is as varied as possible she not only chose tried-and-tested pieces by Massenet Gurlitt Sibelius and Heller but also unknown works of Marcello Koželuch Schytte and Rebikov as well as arrangements of film music by Howard Shore and Barbra Streisand.Having a small hand span on the piano is frustrating. So much piano literature contains octaves or big chords making it difficult or impossible to play. It is a problem for piano teachers to find playable yet engaging motivating fun literature for their small-handed students. One such teacher asked Barbara Arens to write some pieces without octaves and chords that are hard to play specially for her small-handed pupils – and the idea for Small Hand Piano was born. Being an experienced teacher for all age groups herself the author of One Hand Piano 21 Amazingly Easy Pieces Piano Misterioso Piano Vivace – Piano Tranquillo and Piano Exotico composed 20 pieces in a large variety of styles without a single octave. And to ensure that the collection is as varied as possible she not only chose tried-and-tested pieces by Massenet Gurlitt Sibelius and Heller but also unknown works of Marcello Koželuch Schytte and Rebikov as well as arrangements of film music by Howard Shore and Barbra Streisand.

Valse Triste Op.44 No.1

In 1925 Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition] the results of the Schumann research the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.” The present edition thus conveys the reading of one of the most important pianists of the twentieth century which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 99 Colorful Leaves op. 111 Three Pieces of Fantasy op. 118 Three Piano Sonatas for the Youth op. 124 Albumblaetter op. 126 Seven Piano Pieces in Fughetta Form op. 133 Songs of Dawn In 1925 Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition] the results of the Schumann research the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.” The present edition thus conveys the reading of one of the most important pianists of the twentieth century which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 99 Colorful Leaves op. 111 Three Pieces of Fantasy op. 118 Three Piano Sonatas for the Youth op. 124 Albumblaetter op. 126 Seven Piano Pieces in Fughetta Form op. 133 Songs of Dawn