Piano score for mixed choir solo voice and piano. Soli: STB - Choir: SATB

Fulvio Caldini presents a lovely little solo for oboe and piano (or harp?) in a first edition. It is possible that this virtuoso piece had been conceived as part of a sonata. Although the completion of the fragmentary accompaniment goes far beyond the usual duties of an editor Caldini has mastered this task with knowledgeability and an unerring sense of style.

For Bassoon and Piano Accompaniment

For Bassoon and Piano.

The work makes great demands on the soloist and especially in the more freely fashioned sections gives him many occasions to display his virtuosity. Of exceptional charm is a section entitled 'Tempo di Valse' which the composer enhanced through two Alternativi.'The edition is based on the autograph score preserved in London's British Museum.

RV 444. Also suitable for Treble Recorder Flute or Piccolo

RV 441

Carl Philipp Emanuel Bach (1714-1788): 6 Sonatas Wq 184/1-6 edited by Kurt Janetzky for 2 flutes 2 clarinets 2 horns & bassoon

Study Score

Piano scores for mixed choir solo voice and piano. Soli: SATB - Choir: SATB

Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel hoch- Breitkopf Urtext edition of Johann Sebastian Bach 's Complete Organ Works . Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach 's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind : More than 40 years later the demands made on a new Urtext edition of Bach 's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach 's Organ works wants to do justice to these demands. Next to the core contents of

for Oboe Strings and Basso Continuo

Sonate d-moll

In 1925 Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition] the results of the Schumann research the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.” The present edition thus conveys the reading of one of the most important pianists of the twentieth century which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 14 Piano Sonata No. 3 in F minor op. 15 Kinderszenen op. 16 Kreisleriana op. 17 Fantasy in C major op. 18 Arabesque in C major op. 19 Flower Piece in D flat major In 1925 Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition] the results of the Schumann research the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.” The present edition thus conveys the reading of one of the most important pianists of the twentieth century which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 14 Piano Sonata No. 3 in F minor op. 15 Kinderszenen op. 16 Kreisleriana op. 17 Fantasy in C major op. 18 Arabesque in C major op. 19 Flower Piece in D flat major

In 1925 Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition] the results of the Schumann research the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.” The present edition thus conveys the reading of one of the most important pianists of the twentieth century which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 20 Humoresque in Bb major op. 21 Novelletten op. 22 Piano Sonata No. 2 in G minor op. 23 Night Pieces op. 26 Faschingsschwank aus Wien op. 28 Three Romances op. 32 Scherzo Gigue Romanze Fughetta In 1925 Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition] the results of the Schumann research the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.” The present edition thus conveys the reading of one of the most important pianists of the twentieth century which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 20 Humoresque in Bb major op. 21 Novelletten op. 22 Piano Sonata No. 2 in G minor op. 23 Night Pieces op. 26 Faschingsschwank aus Wien op. 28 Three Romances op. 32 Scherzo Gigue Romanze Fughetta

Oster-Oratorium BWV 249

Octet Op.20

Stabat Mater

Sonate in F op. 24 Nr. 3

Overturen