Piano scores for 2 mixed choirs solo voice and piano. Soli: SSB - Choir: SATB (SATB).

The vocal score for J.S. Bach's Cantata BWV 142 'Uns Ist Ein Kind Geboren' arranged by Otto Schroder.

Just as with the previous editions of Bruhns Scheidt and Sweelinck this new edition by Harald Vogel is a practical source-based edition that seeks to make the information content of the sources accessible to present-day users and to the extent that this is feasible in modern-day practice to remain as close as possible to the original notation. In order to lead the user closer to the original form Vogel eschews editorial additions through analogical formations. The editors detailed comments refer not only to the extant collection of works but also in the text The Organs and Their Tunings to the instruments on which the composer exercised his mastery in Flensburg Stade and Hamburg. Diese Ausgabe macht Geschmack sich mit dem Orgelwerk Lübecks neu zu beschäftigen.(M. Hoppe KIBA) Das Format der Neuausgabe ist handlich der Notenstich gut lesbar. Zwei faksimilierte Seiten und ein genauer Revisionsbericht runden die Arbeit ab. Lübeck bei Breitkopf wird unter den Organisten viele Freunde finden.(Hans Schmidt Gottestdienst und Kirchenmusik) this new edition by Harald Vogel is a practical source-based edition that seeks to make the information content of the sources accessible to present-day users and to the extent that this is feasible in modern-day practice to remain as close as possible to the original notation. In order to lead the user closer to the original form Vogel eschews editorial additions through analogical formations. The editors detailed comments refer not only to the extant collection of works but also in the text The Organs and Their Tunings to the instruments on which the composer exercised his mastery in Flensburg Stade and Hamburg.

Piano score for mixed choir solo Alto voice and piano. Piano reduction of Bach Cantata No 169 'God's self alone my heart possesseth' for Alto solo

Piano Score for SATB Soloists and SATB Choir

Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord-These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755 while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version the right hand of the harpsichordist takes over one of the concertante parts. Only when this part rests does the harpsichord fulfill the function of a thoroughbass. This edition was based an the autograph and an copies by Westphal a friend of the composer. The score reproduces the Urtext thus maintaining the characteristic features of C. P. E. Bachs writing. The articulation suggestions added by the editor inthe flute part have been distinguished by broken lines.(Gerhard Braun Editor)The second volume of sonatas for Flute and Piano (originally for Harpsichord) containing Sonata in D Wq 85 and Sonata in D Wq 86 edited by Gerhard Braun with Continuo realization by Siegfried Petrenz. Volume 1: EB8474

Trumpets uplift ye! loud drum-rolls now thunder! BWV 214

Johannes Brahms' 16 Waltzes Op. 39 for Piano. Breitkopf Urtext after the Brahms Complete Edition of the ‘Gesellschaft der Musikfreunde’ in Vienna.

Klavierauszug fur Gesangssolo Bass und Klavier. Cantata (Purification of the Blessed Virgin Mary)

Piano scores for mixed choir solo voice and piano. Soli: STB - Choir: SATB

Piano score for mixed choir solo voice and piano. Soli: STB - Choir: SATB

Even Beauty must die. For mixed choir and orchestra.

Piano score for mixed choir solo voice and piano. Soli: TB - Choir: SATB

Clarinet and Piano accompaniment.

Piano scores for mixed choir solo voice and piano. Soli: ATB - Choir: SATB

Piano score for mixed choir solo voice and piano. Soli: ATB - Choir: SATB

The history of the origins and sources of Beethovens 'Choral Phantasy' is complex and poses considerable difficulties to todays researchers. A definitive 'final version' is not extant. Instead there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.

Piano reduction for Soprano Choir and Piano Accompaniment

Klavierauszug fur Gesangssoli Gemischtchor und Klavier. Soli: SATB - Chor: SATB.

Motet. Score with piano reduction.