Orchestral work premiered at the Wigmore Hall by The London Chamber Orchestra in 1950.

Six Pieces for Viola and Piano arranged and edited by Watson Forbes.

Regarded as the greatest Spanish composer of the 20th century Manuel De Falla (1876-1946) had a distinctively nationalistic style. His Andalusian influences are clearly seen in his 1915 ballet El Amor Brujo which is often praised for its originality while at the same time preserving the beauty of the Andalusian folk themes. The most famous movement of the ballet is Danza Rituel Del Fuego (The Ritual FireDance) inspired by the traditional ceremony where people would worship the Fire-God by dancing around and leaping through a fire. Renowned for its exciting trills and ornaments it has been arranged here for Violin and Piano.

Eight Easy Pieces for Flute and Piano arranged by Christopher Dearnley.

Musgrave 'Impromptu No.1' arranged for Flute and Oboe. Performing Score edition.

Eleven pieces covering the 1st-3rd positions including works by John Eccles and Henry Purcell.

Alfred Mistowski was a pianist Violinist violist and composer who as a former student of Trinity College of Music in London became after studying at Oxford a professor at Trinity who appears to have been a champion of theTrinity Examination system. Mistowski composed many dramatic cantatas String quartets symphonies and concertos as well as a series of pieces to prepare Violin students for their exams. He travelled the world as a Trinityexaminer covering India South Africa Tasmania New Zealand Singapore and the Straits Islands. In addition he was music tutor to the Maharaja of Mysore and conductor of the Mysore Palace Orchestra. Perhaps his many seajourneys inspired this sprightly Hornpipe for Violin and Piano a perennial of the Trinity exam list.

Scored for oboe and piano suitable for grade 5 standard. Includes score and part.

Performance score.Performance score.

The Hungarian Pastoral Fantasy is one of the most frequently played pieces by flautists. A beautiful and challenging piece with a very evocative use of descriptive melodies and unusual textures. Edited by Trevor Wye.Includes score and part.

A work for SATB chorus and organ using words by Keith Walker. The improvisatory style of the organ part should convey something of the Byzantine doctrine of Angels: 'Dazzling youths arrayed in white' .

(vocal score)-Kaija Saariaho’s Emilie was commissioned by Opéra de Lyon Barbican Centre London and Fundação Calouste Gulbenkian Lisbon. It was first performed on 1st March 2010 at Opéra de Lyon with Karita Mattila soprano conducted by Kazushi Ono. The stage director was François Girard.

Whitbourn's setting of the Magnificat And Nunc Dimittis for mixed chorus with Tenor solo also includes parts for Organ and optional Tam Tam percussion. The setting was first performed at King's College Chapel Cambridge duringChoral Evensong on Easter Day 2005 and broadcast live on BBC radio. Part of Chester Music's Contemporary Church Music Series.

Requiem canticorum is a five-movement work of 12 - 14 minutes’ duration. Its title means 'a Requiem of song' or 'a Requiem of canticles' indicating that it is a commemorative piece which sets texts associated with theRequiem mass rather than being a full Requiem. It is scored for choir soprano saxophone and organ a scoring it shares with the 'Son of God Mass' by the same composer. It can be performed as a concert piece or as afree-standing anthem within the context of a commemorative event or liturgy. ‘Requiem canticorum’ can also be performed in conjunction with selected movements from the ‘Son of God Mass’ to make a full concert Requiem. Thekey-structure of the two works allows for a seamless intertwining and in concert should be performed in the sequence indicated below. When performed in this way the sequence can be given the title 'Requiem' or 'Requiem Son of GodMass' in a concert programme. Introit (Requiem canticorum) Pie Jesu (Requiem canticorum) Kyrie (Son of God Mass) Alleluia (Requiem canticorum) De profundis (Requiem canticorum) Sanctus and Benedictus (Son ofGod Mass) Pax Domini (Son of God Mass) Agnus Dei (Son of God Mass) Lux Aeterna (Requiem canticorum) Amen (Son of God Mass) Additionally some of the work can be used within a Requiem liturgy the followingmovements having a liturgical place: Introit (Requiem canticorum) until bar 68 Kyrie (Son of God Mass) Alleluia (Requiem canticorum) or De profundis (Requiem canticorum) Sanctus and Benedictus (Son of GodMass) Agnus Dei (Son of God Mass) Lux Aeterna (Requiem canticorum) and Amen (Son of God Mass).'There is real depth and sincerity to Whitbourn's writing lending an atmosphere of solemnity and reassuring calm. The thickhomophonic scoring and complementary modal flourishes from the Sax imbue the piece with an eastern ambience only occasionally brought back to western shores by the limited use of Organ. Low basses are essential but otherwise the

This snappy swinging arrangement of Christmas carol Follow that Star includes finger snapping and a performance note that says ‘slightly stompy’. Follow That Star is a perfect choice for secondary school or amateur Chorusholiday cheer. Composer and conductor Peter Gritton is director of music at James Allen’s Girls’ School in London and an accomplished arranger.

Raymond Premru was for many years the principal Bass Trombone of London’s Philharmonia Orchestra as well as having been a member of the Philip Johnson Brass Ensemble an active jazz musician teacher and composer. He listed hisinfluences as Berg Prokofiev Bartok Ives jazz and Bach though what emerged from his sensibility is diatonic modernist and skillfully suited to whatever instrumentation he chose.The five movements which appear typeset in thisscore – A Tale From Long Ago Blues March Of Knights And Castles Le Bateau Sur Léman and Petite March – are sometimes performed as a shortened version of the Divertimento to great effect.

No.1 Of Three Pieces

A Childrens Cantata In 2 Parts

Just Brass No. 49

Mixed Bag No. 22