Just Brass No. 31-Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together.

Brian Elias' Oboe Quintet was composed in 2016 for Oboe and String Quartet. Commissioned by Wigmore Hall with the support of André Hoffmann president of Fondation Hoffmann a Swiss grant-making foundation. Duration: Approx 19 minutes.

John Luther Adams ' Strange And Sacred Noise for Percussion Quartet. Score and parts. Duration: 70 minutes. ' Noise - complex aperiodic sound - touches and moves us in profound and mysteriousways. Strange and Sacred Noise is a celebration of noise as a metaphor for turbulent phenomena in the world around us and a gateway to ecstatic experience. Grounded in the elemental violence of nature and theself-similar forms of linear fractals this music is a convergence of sonic geography and sonic geometry. Each piece in the cycle is conceived as its own distinct and separate sound world evoking the immediacy and presence of aplace. These soundscapes are inspired by and dedicated to composers who have explored strange new worlds of sound. ' - John Luther Adams

The theme from the major television series arranged by Michael Rich for trumpet and piano.

For SSAB and SATB choir.

For Medium Voice and Piano setting the words of Bill Adams and James Kirkup.

The Whale written by John Tavener in 1968 as a documentary in music and spoken word was given its first performance by the London Sinfonietta and the London Sinfonietta Chorus conducted by David Atherton wit AnnaReynolds (mezzo-soprano) and Raimond Herinex (baritone) in the Queen Elizabeth Hall London on the 24th January 1968. For solo baritone solo mezzo-soprano speaker SATB chorus and orchestra. Large (A3) score. This is aspecial item which is made to order. Please e-mail our Mail Order Department for further information.

Work for Voice Female Chorus and Piano dating from 1927.

Strauss Gold is a fine selection of the most famous masterpieces by Johann Strauss II transcribed and arranged for solo Piano. This collection is now available with a full-performance CD providing a valuableaddition to anyone's Piano library.

This fine selection features the most famous masterpieces by Antonio Vivaldi including his celebrated Violin Concertos and of course movements from the Four Seasons . Contains both sheet music and fullaudio on CD. Every piece has been composed or specially arranged for solo piano and is accompanied by high quality demonstration performances on a specially commissioned music CD. An essential addition to your piano library.

No.3 Autumn Flute And Piano-Airs For The Seasons: No.3 Autumn arranged for Flute And Piano.

Saxophone Solos for B Flat Tenor Saxophone with piano accompaniment. Edited by Paul Harvey. Includes music by Ravel Harvey Cowles and Fiocco. Suitable for ABRSM examinations for Tenor Sax.

Arranged for Easy Piano

Arranged for Easy Piano

Fanfare; Portsmouth is a work for Brass Ensemble composed by Peter Maxwell Davies . Commissioned by the New Theatre Royal Portsmouth to celebrate its re-opening it was first performed there on 11thMarch 2016. This is the full Score and a full performance lasts around 5 minutes.

Song For Athene is a work by British composer John Tavener arranged by Barry Rose for Upper Voices and Organ with optional Cello. The text is taken from Shakespeare's 'Hamlet' as well as from the Orthodox Funeral Service. The entire work lasts around 7 minutes. The original version of Song For Athene was commissioned by the BBC and first performed on 22nd January 1994 at St Giles' Church Cripplegate London by the BBC Singers conducted by Simon Joly. This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ. Song For Athene is a work by British composer John Tavener arranged by Barry Rose for Upper Voices and Organ with optional Cello. The text is taken from Shakespeare's 'Hamlet' as well as from theOrthodox Funeral Service. The entire work lasts around 7 minutes. The original version of Song For Athene was commissioned by the BBC and first performed on 22nd January 1994 at St Giles'Church Cripplegate London by the BBC Singers conducted by Simon Joly. This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ.

For SATB Choir and Organ. Text: W. Ballet

Judith Weir 'S Ave Regina Caelorum For Unaccompanied Choir Ssatbb. This Piece Was Commissioned By Merton College Oxford As Part Of The Merton Choirbook A Collection Of Music Being Assembled To Celebrate Merton College’S 750Th Anniversary In 2014. Ave Regina Caelorum Was First Performed On 8Th July 2014 In Gloucester Cathedral As Part Of The Cheltenham Music Festival By The Choir Of Merton College Conducted By Benjamin Nicholas. Judith Weir 's Ave Regina Caelorum for unaccompanied choir SSATBB. This piece was commissioned by Merton College Oxford as part of the Merton Choirbook a collection of music being assembled tocelebrate Merton College’s 750th anniversary in 2014. Ave Regina Caelorum was first performed on 8th July 2014 in Gloucester Cathedral as part of the Cheltenham Music Festival by the Choir of MertonCollege conducted by Benjamin Nicholas.

The Ukulele from the Beginning: Pop Songs (Yellow Book) is a great collection of 16 favourite pop songs selected and arranged specially for younger ukulele players. All of the songs have been simplifiedand annotated with easy chord diagrams strumming and picking patterns. Designed to be accessible and enjoyable to play this songbook mixes contemporary hits with a selection of pop classics.

Score and parts for Simon Holt 's Piano Trio: Los Ojos for Piano Violin and Cello. Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming Concert Hall at the Royal College of Music London by Johannes Marmén (Violin) Zoé Saubat (Cello) and Gwenaelle Rouger (Piano). I finished writing Piano trio: Los Ojos in early May 2007. It is approximately 13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ‘toy’ – defined by ThomasMace (a contemporary of William Lawes) in his 1676 book Musicke’s Monument as‘a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time’. The Machado poem behind the piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved’s eyes. He is horrified that he can’t remember. One spring day he leaves the house and just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ‘¡Como esos!’; ‘Like those!’. The three movements have the titles: 1] su memoria y el espejo ‘his memory and the mirror’; 2] ¿Como eran? ‘How were they?’; and 3] ¡Como esos! ‘Like those!’. - Simon Holt Score and parts for Simon Holt 's Piano Trio: Los Ojos for Piano Violin and Cello. Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marmén (Violin) Zoé Saubat (Cello) and Gwenaelle Rouger (Piano). I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ‘toy’ – defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke’s Monument as ‘a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time’. The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved’s eyes. He is horrified that he can’t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ‘¡Como esos!’; ‘Like those!’. The three movements have the titles: 1] su memoria y el espejo ‘his memory and the mirror’; 2] ¿Comoeran? ‘How were they?’; and 3] ¡Como esos! ‘Like those!’. - Simon Holt