For Unison Voices and Piano. Choice of English or French text.

Commissioned by Muziekgebouw aan 't IJ Amsterdam for Cross-Linx 2015. Supported by the AMMODO Foundation. Bryce Dessner's Delphica for Solo Viola. Commissioned by Muziekgebouw aan 't IJ Amsterdam for Cross-Linx 2015. Supported by the AMMODO Foundation.

There are seven songs and an instrumental interlude making all together an entertainment that provides opportunity for very simple stage action and dancing: nothing at all elaborate is needed in the way of scenery and costumes.The voices are in unison throughout and their part is always doubled by instruments which should make it relatively easy for quite young children to learn their way into Davies's delightful tunes. The references to Hoy areincidental and could possibly be adapted to suit the locality of a particular performance. In any event most of these tall stories and rhymes will appeal to children everywhere. Full score for this set of songs for children'svoices recorders piano guitars and percussion. Sets of parts also available.

Just Brass No. 3-Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Contains: 1 Solo Trumpet in Bb or D 2 Solo Trumpet in Bb or D 3 Trumpet in Bb 4 Trumpet in Bb or Horn in F or Eb 5 Horn in F or Eb or Trombone 6 Horn in F or Eb or Trombone or Tuba or Euphonium 7 Horn in F or Eb or Trombone or Tuba or Euphonium or Eb Bass 8 Bass Trombone or Tuba or Eb bass or BBb Bass alternative bass or treble clef parts included for tromboneEdited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Contains: 1 Solo Trumpet in Bb or D 2 Solo Trumpet in Bb or D 3 Trumpet in Bb 4 Trumpet in Bb or Horn in F or Eb 5 Horn in F or Eb or Trombone 6 Horn in F or Eb or Trombone or Tuba or Euphonium 7 Horn in F or Eb or Trombone or Tuba or Euphonium or Eb Bass 8 Bass Trombone or Tuba or Eb bass or BBb Bass alternative bass or treble clef parts included for trombone

Nymphea Reflection is a work by renowned composer Kaija Saariaho arranged for String Orchestra. Commissioned by the Schleswig Holstein Festival it was first performed on the 16th of August 2001 inElmshorn Germany by Sinfonietta Cracovia conducted by John Axelrod. Saariaho states that the starting point for Nymphea Reflection came from the idea of arranging her stringquartet Nymphea. Originally working on a straight arrangement she eventually realised that this would be very difficult and she'd need to find a new way of composing that particular piece of music. She designed a formal conceptfor each of the six sections imbuing them with very different characters. Her simulation of electronic processing by means of orchestration is an innovative take on a new form while the effect ofthe poem by Arseniy Tarkovsky whispered by the musicians gives a haunting new perspective to both music and words.

Selected for the ABRSM Harpsichord examinations grades 4 and 5-The second book of Henry Purcell's complete keyboard music edited by Christopher Kite. Selected for the ABRSM Harpsichord examinations grades 4 and 5.

Work for Contralto Clarinet Violin and Cello. Text: Christopher Logue. Premiered in the Wigmore Hall in 1961. Parts available: SOS02044

This work was first performed on 7th December 1980 by John Fletcher and Robert Noble at Southgate Music Club. Duration about 11 minutes. Selected as part of the ABRSM Tuba Syllabus Grade 8.

Score and Parts for Anna Thorvaldsdottir's Shades Of Silence for Violin Viola Cello and Piano accompaniment. Score and Parts for Anna Thorvaldsdottir's Shades Of Silence for Violin Viola Cello and Piano accompaniment. Written for Nordic Affect. The first performance was given on 2 February2013 at Kaldalon Hall Harpa Centre Reykjavik Iceland. Duration: c. 8 minutes

An opera in one or two acts for children. Libretto by David Taylor.

Judith Weir 'S Good Morning Midnight Was Commissioned By Wigmore Hall And Was First Performed On 6Th June 2015 At The Wigmore Hall In London. The Work Is Arranged For Mezzo-Soprano And Chamber Ensemble And Lasts Around 20 Minutes. This Is A Study Score. Good Morning Midnight Takes Its Name From A Poem By Emily Dickinson Whose Poetry Bookends This Work A Setting Of Five Different Verses In Total. The Words All Centre Around The Theme Of Night Solitude Quiet And The Passage Of Time The Beauty Of Which Is Matched By Weir 'S Fantastic Music. Taking The Words As Her Inspiration Weir Creates A Satisfying Work That'S Full Of Emotion And A Sheer Joy To ListenTo. At Its World Premiere It Was Performed By Sarah Connolly (Mezzo-Soprano) And The Aurora Orchestra Conducted By Nicolas Collon. Judith Weir 's Good Morning Midnight was commissioned by Wigmore Hall and was first performed on 6th June 2015 at the Wigmore Hall in London. The work is arranged for Mezzo-Soprano and Chamber Ensemble and lasts around 20 minutes. This is a study score. Good Morning Midnight takes its name from a poem by Emily Dickinson whose poetry bookends this work a setting of five different versesin total. The words all centre around the theme of night solitude quiet and the passage of time the beauty of which is matched by Weir 's fantastic music. Taking the words as her inspiration Weir createsa satisfying work that's full of emotion and a sheer joy to listen to. At its world premiere it was performed by Sarah Connolly (Mezzo-Soprano) and the Aurora Orchestra conducted by Nicolas Collon.

Edited and realised by George Pratt.

Composed in 1985

Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 3 x Cello 2 x Double Bass/Cello 2.

Arranged for Easy Piano

Written for flute clarinet violin viola cello and piano. This work was commissioned by the Australia Ensemble with assistance from the Music Board of the Australia Council. It was first performed by the Australia Ensembleat the Queen Elizabeth Hall London on 16 November 1984.

Elgar's Chanson De Matin arranged for Easy Piano.

Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy andenjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders guitars percussion and keyboard as well as with orchestral groupings. Whether there are five or fiftyplayers every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts eachone carefully written to suit the needs of each instrument. For example easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too for experiencedplayers. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must forevery school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. Edited by Nicholas Hare. In C.

Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy andenjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders guitars percussion and keyboard as well as with orchestral groupings. Whether there are five or fiftyplayers every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts eachone carefully written to suit the needs of each instrument. For example easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too for experiencedplayers. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must forevery school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In G minor. Edited by Nicholas Hare.

A selection of twenty-one favourite carols and a new piece Christmas Morning by Carol Barratt. They are all arranged as simply as possible with a range just right for the child's hands and voice. Suitable forpre-Grade 1 to Grade 1.