For Percussion Quartet. For Percussion Quartet.

Like many of Davies’s smaller works this is in a relatively lucid modal style midway between the clarity of his carols and the complications of his symphonies: the opening is in a kind of B flat minor and the close is triumphantly in G flat major. What happens in between -- always in 4/4 march time but usually with exuberant syncopations and cross-rhythms - is a sequence of transformations of the theme heard first from the second trumpet on the top line at the start; it will be heard again from the horn and from the first trumpet in upward-moving inversion with brilliant climaxes to punctuate. An ebullient piece in a simplified yet still very distinctive harmonic andrhythmic style and surely destined to make a rousing encore item. Arranged for brass quintet. Like many of Davies’s smaller works this is in a relatively lucid modal style midway between the clarity of his carols and the complications of his symphonies: the opening is in a kind of B flat minor and the close is triumphantly in G flat major. What happens in between -- always in 4/4 march time but usually with exuberant syncopations and cross-rhythms - is a sequence of transformations of the theme heard first from the second trumpet on the top line at the start; it will be heard again from the horn and from the first trumpet in upward-moving inversion with brilliant climaxes to punctuate. An ebullient piece in a simplified yet still very distinctive harmonic andrhythmic style and surely destined to make a rousing encore item. Arranged for brass quintet.

Third Movement - Piano Concerto In D Minor K.466-The Cadenza from the third Movement of Mozart's popular Piano Concerto In D Minor K.466 as re-written by Andre Previn. The Cadenza from the third Movement of Mozart's popular Piano Concerto In D Minor K.466 as re-written by Andre Previn.

An attempt to express in music and words the mystery of the Trinity. The text is taken form the ancient Trisagion (sung in Greek). The first section represents God The Father the second section God The Son and the third section God The Holy Spirit. For chorus of mixed voices. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. An attempt to express in music and words the mystery of the Trinity. The text is taken form the ancient Trisagion (sung in Greek). The first section represents God The Father the second section God The Son and the third section God The Holy Spirit. For chorus of mixed voices. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

So we'll go no more a-roving (Byron)A Widow bird sate mourning (Shelley)The knot there's no un-tying (Thomas Campbell) So we'll go no more a-roving (Byron)A Widow bird sate mourning (Shelley)The knot there's no un-tying (Thomas Campbell)

Written for the Endellion Quartet in 1990. Duration 13 minutes. Score available: SOS03075 Written for the Endellion Quartet in 1990. Duration 13 minutes. Score available: SOS03075

For Percussion Solo. For Percussion Solo.

Chamber Work For Clarinet Cello And Piano. Chamber Work for Clarinet Cello and Piano.

Morning Noon And Night' Scored For Solo Harp. 'Morning Noon And Night' scored for solo Harp.

Work for Contralto Clarinet Violin and Cello. Text: Christopher Logue. Premiered in the Wigmore Hall in 1961. Score available: CH55491 Work for Contralto Clarinet Violin and Cello. Text: Christopher Logue. Premiered in the Wigmore Hall in 1961. Score available: CH55491

Work for Clarinet Horn Violin Cello and Piano. Commissioned by the Music Group of London and premiered at the 1967 Cheltenham Festival. Parts available: SOS11244 Work for Clarinet Horn Violin Cello and Piano. Commissioned by the Music Group of London and premiered at the 1967 Cheltenham Festival. Parts available: SOS11244

Parts for the clarinet quintet. The score is available SOS11145. Parts for the clarinet quintet. The score is available SOS11145.

Five Songs for High Voice and Piano. Premiered at the Canterbury Festival by Lorna Anderson and Malcolm Martineau September 1987. Five Songs for High Voice and Piano. Premiered at the Canterbury Festival by Lorna Anderson and Malcolm Martineau September 1987.

A short piano piece by John Tavener. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. A short piano piece by John Tavener. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Work for Cello and Guitar premiered at the Reykjavik Festival Iceland in 1984. Work for Cello and Guitar premiered at the Reykjavik Festival Iceland in 1984.

Work for Organ dating from 1973. Work for Organ dating from 1973.

Five works for Organ without pedals by Tilo Medek completed in 1978. Five works for Organ without pedals by Tilo Medek completed in 1978.

The tape to accompany the book. (Glahder/Ramboll). A series of exciting and challenging session books on latin rock and jazz music. Soca Session is the latest welcome addition to the series which helps cover the lack of available ensemble material within these genres. Designed for both musicians and music teachers at high schools and colleges. Each volume contains 12 tunes arranged for vocals C Bb & Eb instruments and rhythm section (piano guitar bass drums percussion). The tunes are of varying degrees of difficulty intended for musicians with a wide variety of experience.

Three Works for Organ by German composer Tilo Medek. These were written between 1971 and 1978. Duration approx. 13 minutes. Three Works for Organ by German composer Tilo Medek. These were written between 1971 and 1978. Duration approx. 13 minutes.

Full score and parts for these variations composed by Tilo Medek between 1972 and 1973 for Flute Violin and Cello. Based on Franz Schubert's Rosamunde . Full score and parts for these variations composed by Tilo Medek between 1972 and 1973 for Flute Violin and Cello. Based on Franz Schubert's Rosamunde .