These are the instrumental parts for John Tavener 's To A Child Dancing In The Wind for Soprano Flute/Alto Flute Viola and Harp. The entire work lasts around 30 minutes and sets a number of poems by W.B. Yeats considered by Tavener as one of the greatest poets of the 20th century. To A Child Dancing In The Wind was commissioned by the Little Missenden Festival and first performed on 16th October 1983 at Little Missenden Parish Church. John Tavener is well-known for his extensive catalogue of religious music but occasionally he was drawn to less overtly sacred sources. The “frailty tenderness and spiritual transparency of Yeats’ poetry” inspired this song-cyclefrom 1983 for Soprano Flute Harp and Viola. Tavener held Yeats in high regard and was to return to his poems in later works such as Mini Song-Cycle for Gina (1984) A Nativity (1985) and Supernatural Songs (2003). To A Child Dancing In The Wind is dedicated to Tavener’s first wife Victoria Maragopoulou. These are the instrumental parts for John Tavener 's To A Child Dancing In The Wind for Soprano Flute/Alto Flute Viola and Harp. The entire work lasts around 30 minutes and sets a number of poems byW.B. Yeats considered by Tavener as one of the greatest poets of the 20th century. To A Child Dancing In The Wind was commissioned by the Little Missenden Festival and firstperformed on 16th October 1983 at Little Missenden Parish Church. John Tavener is well-known for his extensive catalogue of religious music but occasionally he was drawn to less overtlysacred sources. The “frailty tenderness and spiritual transparency of Yeats’ poetry” inspired this song-cycle from 1983 for Soprano Flute Harp and Viola. Tavener held Yeats in high regard and was to return to hispoems in later works such as Mini Song-Cycle for Gina (1984) A Nativity (1985) and Supernatural Songs (2003). To A Child Dancing In The Wind is dedicated to Tavener’s first wife VictoriaMaragopoulou.

Album Of Seven Songs arranged for high voice and piano.

Ten Promenades for Piano by Francis Poulenc.

Work for Voice and Piano dating from 1924.

This chromatic work for organ invoking the atmosphere of a French Cathedral was written while Honegger was still a pupil of Widor.

Edition Fletcher

Helen Grime's Oboe Quartet . First performance at Follen Community Church Lexington MA March 2012. Scoring: Oboe Violin Viola Cello Duration: c. 11 minutes Score is in C.

A Cold Spring by Helen Grime for Chamber Ensemble of Ten Players. Commissioned by Aldeburgh Music with funds provided by the Sue Knussen Composers Fund and the following individuals through BirminghamContemporary Music Group’s Sound Investment scheme. First performed by Birmingham Contemporary Music Group conducted by Oliver Knussen on 20 June 2009 at Snape Maltings Concert Hall.

The Ship Of Rio by Benjamin Britten for 2-part boys' or women's voices and piano from Three Two-part Songs . The Ship Of Rio by Benjamin Britten for 2-part boys' or women's voices and piano from Three Two-part Songs .

Raymond Briggs' The Snowman is a charming Christmas story of the boy who builds a snowman who comes to life and their adventures together have become a children's classic. In this Piano Picture Book composerHoward Blake and animator Dianne Jackson have recreated the story in words music and beautiful illustrations based on scenes from the film. The music which includes the hit song Walking In The Air is easy enough to beplayed by pianists of all ages and abilities.

For Solo Piano. Harp of the North was commissioned by Warren Mailley-Smith in November 2004. First performed at the Stratford-upon-Avon Music Festival October 2005. A lyrical melody is central to the texture in the openingsection often interrupted or partially shaded by surrounding filigree material. Two passionate and more agitated interjections punctuate the course of the piece with the lowest of the bass notes which are sparingly used occuring at the main climax. A tender and melancholy reminder of the opening material leads the work to a gentle close.

Britten's Jubilate is written for SATB choir and Organ accompaniment. Benjamin Britten's birthday (22nd November 1913 Lowestoft) falls on St. Cecilia's Day a happy augury for the career of one of Britain's greatestcomposers. Essentially a vocal composer Britten won international fame for his operas and song-cycles. He never abandoned the principles of tonality and was a 'modern' composer who reached a mass audience and a conservative whoseoriginality no radical would sensibly deny. He shared with his predecessors Parry Vaughan Williams and Holst an intense interest in works for amateurs and children. His brilliant gifts as a pianist and conductor coupled withhis virtuosic inventiveness also led him to compose music for great performers such as the cellist Mstislav Rostropovich and the singers Galina Vishnevskaya Dietrich Fischer-Dieskau and Janet Baker. The greatestpersonal influence on his music was the Tenor Peter Pears for whom he composed many operatic and vocal roles. In 1948 Britten Pears and Eric Crozier founded the Aldeburgh Festival now one of the most respected established fornew English music. In 1952 he was made a Companion of Honour in 1965 received the Order of Merit and in 1976 the year of his death he became the first composer to receive a life peerage. Oxford University Press wasBritten's first publisher. In the early 1930s A Boy Was Born and the Simple Symphony brought him great critical acclaim and launched his compositional career. Oxford is delighted to present some previouslyunpublished pieces in collaboration with the Britten Estate. These include the Double Concerto for Violin and Viola premiered at Snape by the Britten-Pears Orchestra under Kent Nagano in June 1997; Two Portraits forString Orchestra premiered on BBC Radio 3 in December 1995 by the Northern Sinfonia under Martyn Brabbins; The World Of The Spirit the full version first performed in 1938 on the BBC Home Service the abridged

Liber Canticorum Vol. III-Vagn Holmboe's Vanitas Vanitatum Op. 60b from the third volume of his very popular choral collection Liber Canticorum. For mixed choir SSAATTBB. Vagn Holmboe's Vanitas Vanitatum Op. 60b from the third volume of his very popular choral collection Liber Canticorum. For mixed choir SSAATTBB.

The Spiders' Revenge is a short music-theatre work (duration about 25 minutes) designed for performance by primary school children. The work was written for Evie Primary School a small rural school in Orkney of about 60 pupils between the ages of five and eleven and was specially devised to enhance an environmental studies project on 'mini-beasts'. All the pupils in the school took part in the first performance. Two children playing in a garden delight in tormenting ladybirds snails spiders and other living creatures who they claim 'have no right to be'. The spiders teach the children a salutary lesson during the course of which they learn a great deal about the waysof these creatures finally recognizing the wonder of the insect world and acknowledging that all 'have their place on the earth'. The songs include simple recorder and percussion parts and guitar chords. Unpitched percussion part. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. The Spiders' Revenge is a short music-theatre work (duration about 25 minutes) designed for performance by primary school children. The work was written for Evie Primary School a small rural school in Orkney of about 60 pupils between the ages of five and eleven and was specially devised to enhance an environmental studies project on 'mini-beasts'. All the pupils in the school took part in the first performance. Two children playing in a garden delight in tormenting ladybirds snails spiders and other living creatures who they claim 'have no right to be'. The spiders teach the children a salutary lesson during the course of which they learn a great deal aboutthe ways of these creatures finally recognizing the wonder of the insect world and acknowledging that all 'have their place on the earth'. The songs include simple recorder and percussion parts and guitar chords. Unpitched percussion part. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores nature and ghosts and are arranged for unison voices piano recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item. Untuned percussion 3 part. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores nature and ghosts and are arranged for unison voices piano recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item. Untuned percussion 3 part. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Work for Wind Brass and Percussion. Premiered by the California State University Symphonic Wind Ensemble under the direction of the composer May 1987. Work for Wind Brass and Percussion. Premiered by the California State University Symphonic Wind Ensemble under the direction of the composer May 1987.

The piece was commissioned by the Wets Cork Chamber Music Festival and was first performed in July 1999 in Cork Ireland by the Vanbrugh String Orchestra and Patricia Rozario (soprano). Quoting Tavener: The World for string quartet and soprano solo should be performed at maximum intensity throughout. White hot white cold intensely loud intensely soft almost unbearable that which is nowhere and everywhere not human but divine - theanthropic. Set of parts.The piece was commissioned by the Wets Cork Chamber Music Festival and was first performed in July 1999 in Cork Ireland by the Vanbrugh String Orchestra and Patricia Rozario (soprano). Quoting Tavener: The World for string quartet and soprano solo should be performed at maximum intensity throughout. White hot white cold intensely loud intensely soft almost unbearable that which is nowhere and everywhere not human but divine - theanthropic. Set of parts.

Written for for three female voices (or female choir) crotale violin and cello. Written for for three female voices (or female choir) crotale violin and cello.

Commissioned by the BBC for the 1984 Promenade Concerts. Commissioned by the BBC for the 1984 Promenade Concerts.

Work for SATB Chorus and Orchestra. Text: DH Lawrence. Commissioned by the 5th European Conference on Clinical Oncology. Premiered by Richard Hickox Singers and the City of London Sinfonia September 1989. Work for SATB Chorus and Orchestra. Text: DH Lawrence. Commissioned by the 5th European Conference on Clinical Oncology. Premiered by Richard Hickox Singers and the City of London Sinfonia September 1989.