Sheet music for John Harle 's Lookout! . This is a full score for Children’s Voices Mixed Chorus Soprano Saxophone Double Bass and Keyboard. Lookout! was written for The Folkestone Futures Choir and was realised by The Sidney de Haan Research Centre for Arts and Health Canterbury Christ Church University at the invitation of Folkestone Triennial 2014 with a grant from the Creative Foundation. The piece incorporates lyrics by the poet Tom Pickard. ' Lookout! is a set of five songs written for the Folkestone Futures Choir for FolkestoneTriennial 2014. Within the culture of songs written for 'Complaints Choirs' the lyric material is drawn from actual notes made by theresidents of Folkestone about living in their town - its beauty its community spirit - and of course its drawbacks.It has been purposely written to be able to be rehearsed and performed on a minimum of rehearsal time as the logistics of large-scale community events means that the singers and musicians often come together only on the day of performance.The accompanying instrumental parts are straightforward the role of the saxophone line being tosupport the vocal line most of the time. Future performances of the work could involvearrangement of the musical material for other instrumental forces or simply a keyboard or pianoaccompaniment.' - John Harle Sheet music for John Harle 's Lookout! . This is a full score for Children’s Voices Mixed Chorus Soprano Saxophone Double Bass and Keyboard. Lookout! was written for TheFolkestone Futures Choir and was realised by The Sidney de Haan Research Centre for Arts and Health Canterbury Christ Church University at the invitation of Folkestone Triennial 2014 with a grant from the Creative Foundation.The piece incorporates lyrics by the poet Tom Pickard. ' Lookout! is a set of five songs written for the Folkestone Futures Choir for FolkestoneTriennial 2014. Within the culture of songs written for'Complaints Choirs' the lyric material is drawn from actual notes made by the residents of Folkestone about living in their town - its beauty its community spirit - and of course its drawbacks.It has been purposely written to beable to be rehearsed and performed on a minimum of rehearsal time as the logistics of large-scale community events means that the singers and musicians often come together only on the day of performance.The accompanyinginstrumental parts are straightforward the role of the saxophone line being tosupport the vocal line most of the time. Future performances of the work could involvearrangement of the musical material for other instrumental forcesor simply a keyboard or pianoaccompaniment.' - John Harle

For Medium Voice and Piano.

Three Whistler Miniatures composed by Helen Grime for Piano Trio was commissioned by the Claremont Trio Commission Consortium: Samuel B. and Deborah D. Bruskin Robert F. and Jane G. Morse and Ronald G. Sampson. It was first performed by the Claremont Trio on 22 April 2012 at the Isabella Stewart Gardner Museum in Boston USA. Three Whistler Miniatures composed by Helen Grime for Piano Trio was commissioned by the Claremont Trio Commission Consortium: Samuel B. and Deborah D. Bruskin Robert F. and Jane G. Morse and RonaldG. Sampson. It was first performed by the Claremont Trio on 22 April 2012 at the Isabella Stewart Gardner Museum in Boston USA.

Max Richter's Berlin By Overnight for Solo Violin. Duration: 1.5 minutes

Work for Soprano Flute Oboe Clarinet Horn Piano and String Quartet. Text by Saint-John Perse and Jules Superveille.

POD-Judith Weir's National Anthem With Leicester Fanfare is a work commissioned by Leicester Cathedral and first performed there at the Service of Reinterment of the Remains of King Richard III on 26th March 2015. Scored for 4 Horns in F Unison Chorus and Organ Accompaniment a full performance lasts around 2 minutes. This is the Full Score. Note: this work was originally scored for Organ and four Horns in F. However the set of parts on sale includes alternatives for each of the Horn parts as follows: Horn 1 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble Clef Horn 2 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef Horn 3 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble Clef Horn 4 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef Judith Weir 's National Anthem With Leicester Fanfare is a work commissioned by Leicester Cathedral and first performed there at the Service of Reinterment of the Remains of King Richard III on 26th March2015. Scored for 4 Horns in F Unison Chorus and Organ Accompaniment a full performance lasts around 2 minutes. This is the Full Score . Note: this work was originally scored for Organ and four Horns in F.However the set of parts on sale includes alternatives for each of the Horn parts as follows: Horn 1 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble Clef Horn 2 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef Horn 3 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble Clef Horn4 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef

Judith Weir 's Leaf From Leaf Christ Knows for SATB choir with Organ accompaniment. Leaf From Leaf Christ Knows was commissioned by Cathedral Commissions of Wells Cathedral. Itsfirst performance took place during the festival 'New Music Wells 76-16' on Thursday 20th October 2016 where it was performed by the Choir of Wells Cathedral with James Kealey on Organ and Matthew Owens conducting.

Once Did I Breathe Another's Breath was commissioned for the 2013 Ludlow Weekend of English Song with funds provided by Finzi Friends and specifically Ernie Kay Brian & Mary Midgley and Adrian & Norma Williams. The first performance of Once Did I Breathe Another's Breath was given by Ashley Riches and Iain Burnside on 31st May 2013 at the Ludlow Weekend of English Song in Ludlow Assembly Rooms. Once Did I Breathe Another's Breath was commissioned for the 2013 Ludlow Weekend of English Song with funds provided by Finzi Friends and specifically Ernie Kay Brian & Mary Midgley and Adrian & NormaWilliams. The first performance of Once Did I Breathe Another's Breath was given by Ashley Riches and Iain Burnside on 31st May 2013 at the Ludlow Weekend of English Song in Ludlow Assembly Rooms.

The Italian And Spanish Schools For 5 Voices-The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts and contain a mixture of well known and unfamiliar pieces some of which are published for the first time. Allappear in completely new editions by Anthony G. Petti.

Suite of English Folk Songs (Boyle)-Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 3 x Cello 2 x Double Bass/Cello 2.

Regarded as the greatest Spanish composer of the 20th century Manuel De Falla (1876-1946) had a distinctively nationalistic style. His Andalusian influences are clearly seen in his ballet El AmorBrujo which is often praised for its originality while at the same time preserving the beauty of the Andalusian folk themes. The libretto was written by Gregorio Martínez Sierra and the ballet was firstpublished in 1915. The composer issued several revisions during his lifetime but his original work is given here. The Voice part has been paired with a Piano reduction making it ideal for rehearsal accompaniment private study or recital performance.

Written for TTBB and piano. Latin text.

Arranged for Easy Piano.

Arranged for Easy Piano Originally Composed By Johann Strauss I.

Simon Holt 's 3rd Quartet is the third of six pieces which make up a cycle with the overall title 'Terrain'. Lasting around 23 minutes this wonderful work is arranged for String Quartet and was co-commissioned by The Radcliffe Trust NMC Recordings Internationales Musikfestival Heidelberger Fruhling and Wigmore Hall. The premiere was performed on 19th January 2015. This is the set of parts for 2 Violins Viola and Cello. The six different compositions of which 3rd Quartet is the third are for different combinations of stringed instruments featuring Piano in the second piece. The music that comprises 3rd Quartet is drawn from the other parts ofthe cycle as a whole yet in a reverse order. In this way the piece develops what has come before foreshadows what's to come all the while encompassing the entire cycle in a single piece. Simon Holt 's 3rd Quartet is the third of six pieces which make up a cycle with the overall title 'Terrain'. Lasting around 23 minutes this wonderful work is arranged for String Quartet and wasco-commissioned by The Radcliffe Trust NMC Recordings Internationales Musikfestival Heidelberger Fruhling and Wigmore Hall. The premiere was performed on 19th January 2015. This is the set of parts for 2 Violins Viola andCello. The six different compositions of which 3rd Quartet is the third are for different combinations of stringed instruments featuring Piano in the second piece. The music thatcomprises 3rd Quartet is drawn from the other parts of the cycle as a whole yet in a reverse order. In this way the piece develops what has come before foreshadows what's to come all the while encompassingthe entire cycle in a single piece.

Full Score- Symphony No.5 by Michael Nyman . Premiered on 2 May 2013 in Auditorio Miguel Delibes Valladolid by Orquesta de Castilla y Leon conducted by Jaime Martin. The symphony is one of nineteen Nyman hasplanned to release from 2014 onwards. Arranged for Orchestra duration time is approximately: 20 minutes.

Just Brass No. 2-2Trumpets horn trombone tuba. Score/parts

Kaija Saariaho 's Tocar for Flute and Harp. This version of Kaija Saariaho 's Tocar was written for Camilla Hoitenga (Flute) and Héloïse Dautry (Harp) who gave the first performance on 14 February 2014 in Clermont-Ferrand at La Comédie de Clermont. The original version of Tocar for Violin and Piano (CH76703) was commissioned by the InternationalJean Sibelius Violin Competition of the Sibelius Society and Sibelius Academy as a test piece for the 2010 competition. Duration: 6-8 minutes.

Written for unaccompanied SATB choir. Words by James Kirkup. Dedicated to Frederic Jackson and the London Philharmonic Choir.

POD-Michael Nyman's Viola And Piano composed in 2009. This version was revised in 2014 and is scored for Flute Clarinet Piano Violin and Cello. Duration: approx. 14 minutes. Michael Nyman 's Viola And Piano composed in 2009. This version was revised in 2014 and is scored for Flute Clarinet Piano Violin and Cello. Duration: approx. 14 minutes.