(Voices and Recorders 15 Libretti 5 Percussion)-W. H. Parry. An old legend of chivalry and a dragon set in Gloucester and Hampshire. Scored for narrator voices (unison or easy two-part) and instrumentalists. Opportunities for miming pageantry dances processions etc. Thepiano part supports the singers and instrumentalists without unduly taxing the pianist. 30 mins.

Junior Just Brass No. 14-Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Junior titles have been specifically chosen and edited for young players. The pieces are scored for four or five players and insome there are optional percussion parts. A large number of alternate parts are given allowing for maximum flexibility in instruments required.

Requiem for my Friend by Zbigniew Preisner was first performed on 1st October 1998 at the Teatr Wielki Warsaw. The Lacrimosa from Requiem for my Friend is here presented in a separatevocal score for solo Soprano SATB choir and Organ accompaniment.

'Intavolature After Tobias Hume'. Four pieces edited and arranged for guitar quartet by Gilbert Biberian. Full score and parts.

Work for SSATBB Chorus commissioned by the 1978 Three Choirs Festival.

Score and parts for Simon Holt 's Piano Trio: Los Ojos for Piano Violin and Cello. Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming Concert Hall at the Royal College of Music London by Johannes Marmén (Violin) Zoé Saubat (Cello) and Gwenaelle Rouger (Piano). I finished writing Piano trio: Los Ojos in early May 2007. It is approximately 13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ‘toy’ – defined by ThomasMace (a contemporary of William Lawes) in his 1676 book Musicke’s Monument as‘a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time’. The Machado poem behind the piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved’s eyes. He is horrified that he can’t remember. One spring day he leaves the house and just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ‘¡Como esos!’; ‘Like those!’. The three movements have the titles: 1] su memoria y el espejo ‘his memory and the mirror’; 2] ¿Como eran? ‘How were they?’; and 3] ¡Como esos! ‘Like those!’. - Simon Holt Score and parts for Simon Holt 's Piano Trio: Los Ojos for Piano Violin and Cello. Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marmén (Violin) Zoé Saubat (Cello) and Gwenaelle Rouger (Piano). I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ‘toy’ – defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke’s Monument as ‘a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time’. The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved’s eyes. He is horrified that he can’t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ‘¡Como esos!’; ‘Like those!’. The three movements have the titles: 1] su memoria y el espejo ‘his memory and the mirror’; 2] ¿Comoeran? ‘How were they?’; and 3] ¡Como esos! ‘Like those!’. - Simon Holt

The Ukulele from the Beginning: Pop Songs (Yellow Book) is a great collection of 16 favourite pop songs selected and arranged specially for younger ukulele players. All of the songs have been simplifiedand annotated with easy chord diagrams strumming and picking patterns. Designed to be accessible and enjoyable to play this songbook mixes contemporary hits with a selection of pop classics.

Judith Weir 'S Ave Regina Caelorum For Unaccompanied Choir Ssatbb. This Piece Was Commissioned By Merton College Oxford As Part Of The Merton Choirbook A Collection Of Music Being Assembled To Celebrate Merton College’S 750Th Anniversary In 2014. Ave Regina Caelorum Was First Performed On 8Th July 2014 In Gloucester Cathedral As Part Of The Cheltenham Music Festival By The Choir Of Merton College Conducted By Benjamin Nicholas. Judith Weir 's Ave Regina Caelorum for unaccompanied choir SSATBB. This piece was commissioned by Merton College Oxford as part of the Merton Choirbook a collection of music being assembled tocelebrate Merton College’s 750th anniversary in 2014. Ave Regina Caelorum was first performed on 8th July 2014 in Gloucester Cathedral as part of the Cheltenham Music Festival by the Choir of MertonCollege conducted by Benjamin Nicholas.

For SATB Choir and Organ. Text: W. Ballet

Song For Athene is a work by British composer John Tavener arranged by Barry Rose for Upper Voices and Organ with optional Cello. The text is taken from Shakespeare's 'Hamlet' as well as from the Orthodox Funeral Service. The entire work lasts around 7 minutes. The original version of Song For Athene was commissioned by the BBC and first performed on 22nd January 1994 at St Giles' Church Cripplegate London by the BBC Singers conducted by Simon Joly. This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ. Song For Athene is a work by British composer John Tavener arranged by Barry Rose for Upper Voices and Organ with optional Cello. The text is taken from Shakespeare's 'Hamlet' as well as from theOrthodox Funeral Service. The entire work lasts around 7 minutes. The original version of Song For Athene was commissioned by the BBC and first performed on 22nd January 1994 at St Giles'Church Cripplegate London by the BBC Singers conducted by Simon Joly. This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ.

Fanfare; Portsmouth is a work for Brass Ensemble composed by Peter Maxwell Davies . Commissioned by the New Theatre Royal Portsmouth to celebrate its re-opening it was first performed there on 11thMarch 2016. This is the full Score and a full performance lasts around 5 minutes.

Arranged for Easy Piano

Arranged for Easy Piano

Saxophone Solos for B Flat Tenor Saxophone with piano accompaniment. Edited by Paul Harvey. Includes music by Ravel Harvey Cowles and Fiocco. Suitable for ABRSM examinations for Tenor Sax.

No.3 Autumn Flute And Piano-Airs For The Seasons: No.3 Autumn arranged for Flute And Piano.

This fine selection features the most famous masterpieces by Antonio Vivaldi including his celebrated Violin Concertos and of course movements from the Four Seasons . Contains both sheet music and fullaudio on CD. Every piece has been composed or specially arranged for solo piano and is accompanied by high quality demonstration performances on a specially commissioned music CD. An essential addition to your piano library.

Strauss Gold is a fine selection of the most famous masterpieces by Johann Strauss II transcribed and arranged for solo Piano. This collection is now available with a full-performance CD providing a valuableaddition to anyone's Piano library.

Work for Voice Female Chorus and Piano dating from 1927.

The Whale written by John Tavener in 1968 as a documentary in music and spoken word was given its first performance by the London Sinfonietta and the London Sinfonietta Chorus conducted by David Atherton wit AnnaReynolds (mezzo-soprano) and Raimond Herinex (baritone) in the Queen Elizabeth Hall London on the 24th January 1968. For solo baritone solo mezzo-soprano speaker SATB chorus and orchestra. Large (A3) score. This is aspecial item which is made to order. Please e-mail our Mail Order Department for further information.

For Medium Voice and Piano setting the words of Bill Adams and James Kirkup.