This is the second volume of Schubert's Sonaten and features the final five 'Master Sonatas' in the series.

BWV 846-869 -24 Präludien und Fugen- Bach's celebrated Das Wohltemperierte Klavier comprehensively reassessed the approach to not only the Keyboard but to diatonic composition in general ultimately revolutionising western music. This special Urtext edition presents the first 24 of the composer's 48 Preludes and Fugues - the works that would eventually define our major/minor harmony system.

Joseph Haydn Piano Concerto No.1 in D Hob.XVIII arranged for Piano duo.

Peters Urtext Edition. Edited from the sources by Hans-Joachim Schulze arranged for two Pianos by Klaus Schubert.

Etüden Op. 8 42 65 - Skrjabin- Alexander Skrjabin's Piano Works - Volume 1 includes Opus 8 42 and 65 composed for Piano solo.

Every interval there is all in one song! 'The idea of Interval Song is for students to get to know the intervals in the most enjoyable way. It is useful for students of any age and I observed whilst recording this song that the young choir sang it without realising its didactic aim. They also learnt it by heart with no effort. Secret teaching is the aim!' - Django Bates The Education Pack Includes: sheet music - voice piano and chords photocopiable lyric sheets a CD including a performance learning tracks and a backing track a guide to all the intervals contained in the song

Johann Sebastian Bach 's 6 Sonatas BWV 1014-1019 Vol. 2 for Violin with Piano accompaniment.

Vocal Score for Mozart's opera The Marriage Of Figaro for Voice and Piano accompaniment.

This work is a special edition to mark John Cage's 100th Birthday! It includes all previously published versions of 4'33' - both typed and calligraphic versi as well as the edition in proportional notation created for Irwin Kremen to whom Cage had dedicated the piece.

Revised & Expanded Edition- Revised and expanded edition of Edition Peters Art Of Song Grade 8 for Low Voice and Piano.

Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart. Preface: The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident – the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.

Georg Philipp Telemann 's 12 Fantasias For Violin Without Bass .

Luigi Cherubini's Requiem In D Minor composed for men's voices TTBB.

Klangbeispiele wichtiger Passagen aus der Opern- und Konzertliteratur-Bassooncontrabassoon

J.S. Bach's Violin Concerto in A minor BWV 1041 arranged for Violin and Piano with accompanying CD.

John Cage's 4'33 tacet any instrument or combination of instruments.

for Viola and Orchestra- J. C. Bach's Concerto in C minor for Viola and Piano.

Jahrhunderts - of the 17th and 18th century - zum gottesdienstlichen Gebrauch- 80 Chorale Preludes by German Masters of the 17th and 18th Centuries edited by Hermann Keller. Most do not require use of the Pedals. 'This selection of shorter and easier chorale preludes is designed to supplement Karl Straube's '45 Chorale Preludes of the Old Masters' (EP3048) especially for use in church. We therefore selected only those pieces which can be used today - transposed where necessary to more suitable keys. In the case of important chorales several treatments were included sometimes in more than one key. Musical value was the primary factor of selection but where possible preferance was given to compositions not generally availableelsewhere. Of the 80 pieces 24 require the pedals; 33 do not use them; in 23 they are optional. Thus the collection offers rich material for organists at all stages of development.' (Hermann Keller Stuttgart September 1937).

Wolfgang Amadeus Mozart 's Flute Concerto No. 2 In D With Cadenzas K.314 . Piano score and part(s) - Flute Orchestra.

Twelve Fantasy-Pieces after the Zodiac for Amplified Piano- George Crumb's Makrokosmos - Volume 1 includes twelve Fantasy-Pieces after the Zodiac for Amplified Piano.