Images I- George Crumb's Black Angels (Thirteen Images from the Dark Land) composed for String Quartet.

Jonathan Dove 's The Passing Of The Year for Double SATB Chorus with Piano accompaniment.

A sequence of meditations on the Gospel in the 21st Century for mixed chorus and organ setting version from St John's Prologue in the New Revised Standard Version and five poems of R. S. Thomas. Word was commissioned by The Revd Dr Nicholas Fisher in 2011 and completed in December 2012. The commission was conceived as part of the Merton Choirbook project bringing together a series of newly-composed works to mark the 750th anniversary of the Foundation of Merton College Oxford in 1264. In the event the wealth of other new works chronologically ahead of Word deferred its première performance until 7 February 2015.

Language Through Music brings to life the process of developing and nurturing knowledge and understanding of the English language using interesting involving songs and actions. These songs will support pre-school curriculum and National Curriculum in school and make singing and language learning fun. Easy to use for both musicians and non-musicians Language Through Music is printed with simplified piano parts and guitar chord symbols and each song is demonstrated on the CD (which also includes an accompaniment for Children's Choir).

An inspring collection of Beethoven Sonatinas for Piano Solo. Edited by Louis Kohler and Adolph Ruthardt.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

Cathy Berberian's Stripsody written for solo Voice.

Mass No. 6 in E flat major D 950 is a mass composed by Franz Schubert. It was originally scored for two tenor soloists soprano alto and bass soloists SATB choir with divisi 2 oboes 2 clarinets 2 bassoons 2 horns 2 trumpets 3 trombones timpani violin I and II viola cello and double bass and is presented in this edition as a vocal score for SATB. It was Schubert's final setting of the order of Mass and is classified as a missa solemnis.

Schubert's Du bist die Ruh arranged for upper voices by Jim Clements. Franz Schubert's Du Bist Die Ruh arranged for SSA.

My river runs to thee by John Barber arranged for mixed voice a cappella choir. My River Runs To Thee by John Barber arranged for mixed voice a cappella choir.

Francis Pott's My song is love unknown sets all of Samuel Crossman's famous verses but one (commonly omitted when the poem is sung metrically as a hymn). The music begins with offbeat repeated chords prompted—not inappropriately—by the opening to Richard Strauss's tone poem Death and transfiguration . In its early stages only trebles and altos are heard. The sequential flow of Crossman's poem is soon disrupted with particular dramatic ends in mind. After a seemingly anxious harmonic distortion of the opening chords the word crucify' arises initially as a mere mutter from the lowervoices so timed as to afford assonance with other words in the upper parts and thus remain barely discernible as if only imagined. In due course however cries of Hosanna' find themselves on a collision course with a rising tide of Crucify' during which the Hosanna' faction gradually loses heart and sheep-like defects until a single treble voice—plaintively daring to repeat the offending' word—is swept aside by a murderous outcry. In due course Crucify' recurs as a further angry climax before the opening music returns this time expanding into an extended polyphonic final section for double choir and SATB soloists. The principal climax of the work subsides into a form of epilogue crowned sorrowfully by a treble soloist to whom the music in toto has by now presented many challenges. The anthem ends in the key and mood of its opening. The character of its demanding organ part reflects the possibility that it may one day be orchestrated. My song is love unknown was composed in memory of Michael Renton a craftsman and largely self-taught Renaissance' man who was not only a member of the Winchester cathedral congregation but also the cathedral's stonemason. He was beloved of many in the Cathedral community; a true and

Jonathan Dove's A Brief History of Creation for Children's Choir and Orchestra. Composed 2016. Duration: 45 minutes

This is a wonderful collection of spirited and lively sonatas by Baroque-composer Jean-Marie Leclair (1697-1764). The contrasting textures – including canonic polyphonic and imitative - together with the meticulous editorial realsiation of dynamics and articulation are guaranteed to provide an enjoyable challenge to both advancing and accomplished violinists alike. This edition has been edited by Carl Herrmann and both the Violin I and Violin II parts are included on separate inserts.

This collection of Sonatinas includes twelve of Muzio Clementi's works for Piano solo. Works included are Sonatine fur Klavier C-Dur op. 36; 1 Sonatine fur Klavier G-Dur op. 36; 2 Sonatine fur Klavier C-Dur op. 36; 3 Sonatine fur Klavier F-Dur op. 36; 4 Sonatine fur Klavier G-Dur op. 36; 5 Sonatine fur Klavier D-Dur op. 36; 6 Sonatine fur Klavier Es-Dur op. 37; 1 Sonatine fur Klavier D-Dur op. 37; 2 Sonatine fur Klavier C-Dur op. 37; 3 Sonatine fur Klavier G-Dur op. 38; 1 Sonatine fur Klavier B-Dur op. 38; 2 and Sonatine fur Klavier F-Dur op. 38; 3

A fantastic Edition Peters volume containing two mesmerising pieces for two Pianos by Mozart. Light and uplifting Sonata in D K.448 written in 1781 is a refined and in places delicate work. Though it builds and intensifies it never falls short of elegant brilliance. The second piece Fugue In C Minor K.426 Mozart later transcribed for Adagio and Fugue string orchestra K. 546 C minor.

Second album of pieces for Piano solo by Erik Satie edited by Roger Nichols 3 Gnossiennes 3 avant-dernieres pensees Sonatine bureaucratique 5 nocturnes.

Schubert's Mass No.2 in G D167 for SATB choir and Piano accompaniment. Franz Schubert composed his Mass No. 2 in G major' in less than a week (March 2 to 7 1815). Schubert was an Austrian composer who was extremely prolific during his lifetime - despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder) seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the mostfrequently performed composers of the early nineteenth century.

An anthology of 45 songs for low voice from Franz Schuberts's celebrated compositions many of which are widely regarded as the finest ever written. Essential repertoire for the accomplished singer.

Charles Dancla's 15 Studies Op.68 arranged for 2 Violins. Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew in a special way how to implement the principle 'no music without technique no technique without music' in his teaching material.

Of the violin concertos by Belgian composer and violinist Jean Baptiste Accolay the first in A minor has become a poular audition piece under the title 'Concertino I'. This single-movement work is appealing and effective but not too difficult. As a 'student concerto' it has established itself in secondary-school teaching as well as in international competitions such as 'Jugend Musiziert' in Germany. Als „Schulerkonzert hat es sich im Mittelstufenunterricht wie auch bei internationalen Wettbewerben etabliert so in Deutschland bei „Jugend musiziert. Die Violinpädagogin Franziska Matz die bereits mehrere Schulerkonzertein der Edition Peters vorgelegt hat hat ihre langjährige Unterrichtserfahrung auch in diese Ausgabe einflieBen lassen. Bei der Einrichtung der Violinstimme wurde besonderes Augenmerk auf praktikables Umblättern gelegt.