Oriel service-Magnificat and Nunc Dimittis (Oriel Service) arranged for mixed voice choir and organ by Judith Bingham. Magnificat & Nunc Dimittis (Oriel Service) arranged for mixed voice choir and organ by Judith Bingham .

Traditional German Christmas carol-Jim Clements setting of O Tannenbaum for mixed voices. Based on a traditional folk song it became associated with the traditional Christmas tree by the early 20th century and is sung as a Christmas carol. Traditional German Christmas carol arranged by Jim Clements for SATB divisi.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

For solo Piano urtext edition by Roger Nichols.

Francis Pott's setting of Verbum caro factum est for mixed voice choir and organ.

33 Songs for Voice and Piano - Critical edition-Numbering more than 100 in total and composed across a 60-year period Gabriel Fauré’s songs form the single most influential contribution to the field of French art song. Despite their importance the songs have long been riddled with misprints andinconsistencies. This first complete critical edition is based on study of hundreds of manuscript and printed sources along with evidence and interpretative advice from artists who worked with Fauré. Above all it is a practical edition informed byextensive work with musicians in performances masterclasses and workshops. This second volume comprises the songs of Fauré’s creative maturity including popular favourites (Les Roses d’Ispahan Clair de lune) alongside some lesser-known gems together with his three vocal duets and the delightful four-voice Madrigal. Numbering more than 100 in total and composed across a 60-year period Gabriel Fauré's songs form the single most influential contribution to the field of French art song. Despite their importance the songs have long been riddled with misprints and inconsistencies. This first complete critical edition is based on study of hundreds of manuscript and printed sources along with evidence and interpretative advice from artists who worked with Fauré;. Above all it is a practical edition informed by extensive work with musicians in performances masterclasses and workshops. This second volume comprises the songs of Fauré's creative maturity including popular favourites (Les Roses d'Ispahan Clair de lune) alongside some lesser-known gems together with his three vocal duets and the delightful four-voice Madrigal.

Brahms' Zigeunerlieder were originally a 12 song set for SATB. Brahms arranged 8 for solo Voice and Piano here published together by Edition Peters. Both German and English sung text. Sung English translation by Mrs John P Morgan.

Introducing his new player-friendly edition of the Haydn Quartets Simon Rowland-Jones writes: 'There can be no such thing as a final perfect version; Haydn left too many questions open.' The new Peters Edition is founded upon this honest assessment. By heightening our awareness of the questions that remain 'open' this edition liberates the interpretative inspiration of performers as never before. As a result the new edition is likely to become indispensable for all who perform or study these masterpieces. Each volume includes: Full Score - included with the parts for the first time - invaluable for performancepreparation Fold-out Pages - as required in the separate parts eliminating all page-turns within movements Guidance for Performers - as well as giving historical background to the quartets the prefaces to each volume contain a treasure trove of information about all aspects of performance practice Critical Commentary - in the extensive Critical Commentary to each volume the most authoritative early sources for Haydn's quartets are carefully evaluated and full details of their variant readings given for comparison. Naturally the composer's autograph where extant assumes pre-eminence but alternative primary sources are also considered and secondary sources drawn upon where appropriate.

Beethoven's famous fifth symphony is a classic in the orchestral repertoire and is available here for Solo Piano. This arrangement by Otto Singer gives you the opportunity to play the famous melodies of this symphony starting from the very outset with the dramatic motif which is instantly recognisable. This version will provide an enjoyable challenge for the advancing pianist.

Percy Grainger's In Dahomey (Cakewalk Smasher) for Piano.

Five dance-inspired movements for SATB and Piano-Written for SATB choir and piano with optional audience participation Pas de deux is a work consisting of five movements by Paul Smith the co-founder of VOCES8 and author of The VOCES8 Method. The movements can be performed individually or as onecomplete work. Pas de deux is inspired by the dance duet found in ballet and the music takes the duet element of the dance to create a relationship between the performers and audience enabling interaction between them and giving the option forperformers and audience to make music together. Suitable for all ages this piece offers opportunities both to create and to perform informed by Paul Smith’s expertise in leading participatory music events with hundreds of thousands of people aroundthe world. Written for SATB choir and piano with optional audience participation Pas de deux is a work consisting of five movements by Paul Smith the co-founder of VOCES8 and author of The VOCES8 Method. The movements can be performed individually or as one complete work. Pas de deux is inspired by the dance duet found in ballet and the music takes the duet element of the dance to create a relationship between the performers and audience enabling interaction between them and giving the option for performers and audience to make music together. Suitable for all ages this piece offers opportunities both to create and to perform informed by Paul Smith’s expertise in leadingparticipatory music events with hundreds of thousands of people around the world. A five-movement work inspired by the dance pas de deux Incorporates a wide range of musical styles from contemporary classical to traditional Zulu Encourages a musical interaction between performer and audience Suitable for singers (and audiences) of all ages Incorporates well-known themes from the ballets of Tchaikovsky Paul Smith’s Pas de deux is part of the Edition Peters Choral Workshop Series.

More than the Score-Reverie from Scenes from Childhood includes the printed score a written masterclass from international concert pianist Daniel Grimwood in which he considers how to interpret the Romantic language of Schumann’s piano music a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage.Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in theEdition Peters more than the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage. Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more than the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. J. S. BACH Prelude and Fugue in C major from The Well-tempered Clavier includes the printedscore a written masterclass from international concert pianist Daniel Grimwood in which he considers how to approach the playing of baroque harpsichord music on the piano a biography of the composer and a short history of the music – all illustrated in full colour.

Introducing his new player-friendly edition of the Haydn Quartets Simon Rowland-Jones writes: 'There can be no such thing as a final perfect version; Haydn left too many questions open.' The new Peters Edition is founded upon this honest assessment. By heightening our awareness of the questions that remain 'open' this edition liberates the interpretative inspiration of performers as never before. As a result the new edition is likely to become indispensable for all who perform or study these masterpieces. Each volume includes: Full Score - included with the parts for the first time - invaluable for performance preparation Fold-out Pages - as required in the separate parts eliminating all page-turns within movements Guidance for Performers - as well as giving historical background to the quartets the prefaces to each volume contain a treasure trove of information about all aspects of performance practice Critical Commentary - in the extensive Critical Commentary to each volume the most authoritative early sources for Haydn's quartets are carefully evaluated and full details of their variant readings given for comparison. Naturally the composer's autograph where extant assumes pre-eminence but alternative primary sources are also considered and secondary sources drawn upon where appropriate.

James Burton's Tomorrow Shall Be My Dancing Day arranged for SATB a cappella.

SATB a cappella or SATB—Org(Pf) with optional Brass(2Trp— Hn/Trb—Trb)

Claude Debussy's Reverie for Piano.

Score and parts.

Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover. Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe. Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed. As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition. Complete with translations and guidance on pronunciation Niedermeyer Le Lac (Meditation poétique) Berlioz Absence Gounod Ô ma belle Rebelle Viardot Fleur desséchée Franck S'il est un charmant gazon Massé Consolation Lalo Ballade à la lune Saint-Saëns La sérénité Delibes Chanson espagnole Bizet

Soli Chor und Orchester.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.