This work was commissioned by the Hanover Girls' Choir in 2014 a year marking not only the centenary of the Great War (1914-1918) but also the 300th anniversary of the Hanoverian Succession to the throne of England upon the death of Queen Anne in 1714. While the latter circumstance prompted a desire for a work reflecting upon friendship and unity faint but abiding resonances of the former suggested that the theme might be viewed in more universal terms especially since the music was commissioned with a view to collaborative harmony between distinguished German and English performers. It was with this in mind that Charles Bennett provided his libretto which goingyet further afield listens to the still small voice of peace and humanity as it insistently reaches us from the oppressed of any time and place.

Urtext Neuasugabe- Elias Op. 70 composed by Felix Bartholdy Mendelssohn in 1846 is arranged for solo parts choir (SATB) and orchestra. Duration is 180 minutes. Includes Piano accompaniment.

Commissioned by Jo McNally for the 2016 AMIS European Middle School Honor Boys Choir Festival at Frankfurt International School. Noster Nostri explores the idea of the past and the present as seen from a male perspective — that of son brother father. It looks back through history adopting a melodic and harmonic style that could have been written over a century ago. Commissioned by Jo McNally for the 2016 AMIS European Middle School Honor Boys' Choir Festival at Frankfurt International School. Noster Nostri explores the idea of the past and the present as seen from a male perspective — that of son brother father. It looks back through history adopting a melodic and harmonic style that could have been written over a century ago.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

Kyrie After Byrd by Roxanna Panufnik for SSATBB a cappella.

God in Triumph arranged for ATB Choir with Organ by Ben Parry. God in Triumph arranged for ATB Choir with Organ by Ben Parry.

Stella Caeli arranged for unaccompanied SATB Choir by Marco Galvani. Marco Galvani's Stella Caeli for SATB.

Half Moon Rising offers a broad range of choirs an informed introduction to performing Chinese choral music. The collection includes: a representative and contrasting selection of works from the past century - folksong arrangements pieces mixing traditional Chinese and Western Romantic styles and contemporary settings of ancient poetry; a broad range of styles and dialects illustrating the region’s rich diversity all presented with the transliterated original text; poetic English translations below the staves and introductions containing information on the composers/arrangers performance notes and literal English translations

Sämtliche Lieder (hohe Stimme und Klavier)-This is the first ever complete critical edition of Duparc´s songs. Edited by Roger Nichols the elegantly presented music is supported by a fully comprehensive Critical Commentary which illuminates as never before the compositional stages of thesebeautiful songs. Roger Nichols´ international reputation as a leading authority on French music makes this edition essential for all singers who perform study or teach these melodies. This is the first ever complete critical edition of Duparc's songs. Edited by Roger Nichols the elegantly presented music is supported by a fully comprehensive Critical Commentary which illuminates as never before the compositional stages of these beautiful songs. Roger Nichols' international reputation as a leading authority on French music makes this edition essential for all singers who perform study or teach these melodies. Contains: Chanson triste; Soupir; Romance de Mignon; Serenade; Le galop; Au pays ou se fait la guerre; L'invitation au voyage; La vague et la cloche; La fuite; Elegie; Extase; Le manoir de Rosemonde; Serenade florentine;Phyidyle; Lamento; Testament; La vie anterieure

POD Firm Sale Only- Duration: 5 - 6 minutes This work was commissioned as the final voluntary in the 2005 Christmas Service of Nine Lessons and Carols from King's College Cambridge. It was broadcast live on Christmas Eve 2005 on BBC Radio Three and again in a repeat transmission on Christmas Day performed by the Senior Organ Scholar Tom Winpenny to whom it is dedicated.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

More than the Score-Nocturne No. 5 includes the printed score a written masterclass from international concert pianist Daniel Grimwood in which he considers how to approach this classic from the Irish composer who invented the nocturne a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage.Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Petersmore than the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage. Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more than the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. J. S. BACH Prelude and Fugue in C major from The Well-tempered Clavier includes the printedscore a written masterclass from international concert pianist Daniel Grimwood in which he considers how to approach the playing of baroque harpsichord music on the piano a biography of the composer and a short history of the music – all illustrated in full colour.

Described by Ola Gjeilo as perhaps his most personal piece Contrition sets a line of English text from George Herbert's poem Perseverance and excerpts from Psalm 101 in Latin. Contrition is here performed by the Central Washington University Chamber Choir:

Twenty-four Piano Inventions by Ross Lee Finney with foreword by the composer.

Born in 1977 in Latvia Eriks Ešenvalds is an original and sought-after voice of the Baltic music tradition. Commissioners have included the Latvian Radio Choir and State Choir ‘Latvija’ the Britten Sinfonia Trinity College Choir Cambridge Temple University (USA) the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra. His work is recorded on a number of CDs. Eriks Ešenvalds is a former Fellow Commoner in Creative Arts at Trinity College University of Cambridge.Born in 1977 in Latvia Eriks Esenvalds is an original and sought-after voice of the Baltic music tradition. Commissioners have included the Latvian Radio Choir and State Choir ‘Latvija’ the Britten Sinfonia Trinity College Choir Cambridge Temple University (USA) the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra. His work is recorded on a number of CDs. Eriks Esenvalds is a former Fellow Commoner in Creative Arts at Trinity College University of Cambridge.

The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Fauré’s seventeen settings of the poetry of Paul Verlaine mark the biggest single stylistic leap of his compositional career and arguably one of the high points of the entire art song repertoire. The present edition contains the threeindividual settings Claire de lune Spleen and Prison together with the op. 58 “Venetian” songs and the magnificient cycle La Bonne Chanson.With its focus both practical and scholarly this new Complete Edition of songs aims to encourage creative confident and wellinformed performance. Founded on study of hundreds of manuscripts and printed sources it has been tested internationally in masterclasses workshops seminars concerts and recordings. In this it takes a lead from the composer whoprepared his own editions on the basis fo performing experience. The edition also assimilates interpretative insights from musicians who worked with Fauré as well as from his documented performing preferences. Gabriel Fauré 's seventeen settings of the poetry of Paul Verlaine mark the biggest single stylistic leap of his compositional career and arguably one of the high points of the entire art song repertoire. The present edition contains the three individual settings Claire de lune Spleen and Prison together with the Op. 58 Venetian Songs and the magnificient cycle La Bonne Chanson . With its focus both practical and scholarly this new Complete Edition of songs aims to encourage creative confident and well informed performance. Founded on study of hundreds of manuscripts and printedsources it has been tested internationally in masterclasses workshops seminars concerts and recordings. In this it takes a lead from the composer who prepared his own editions on the basis fo performing experience. The edition also assimilates interpretative insights from musicians who worked with Fauré as well as from his documented performing preferences.

The Kunst der Fuge is a cycle of fourteen fugues and four canon. In this edition for organ by Edition Peters. It is to be demonstrated what phrased by the first Bach-biographer Johann Nikolaus Forkel „was möglicher Weise über ein Fugenthema gemacht werden könne. Die Variationen welche sämmtlich vollständige Fugen über einerley Thema sind werden hier Contrapuncte genannt“. To clarify the contrapuntally structure of the work Bach scored every voice (all occurringfugues doule-fugues play-fugues and more are four-handed at most) on individual staves meaning scores. Doing this he follows old traditions scoring polyphonic key-music which reached its prime-age in the17th century. The final sequence by Bach is controversialto this day. The fragments not only cause manifold speculations but is key to meticulous music-historcal and critical analysis of the sources.

Original English Text- Vocal Score of George Fiderich Handel's Messiah HWV 56 for Soli Chorus and Orchestra. Edition for Voices and Piano reduction edited by Donald Burrows.

14 Songs on American Poetry for Voice and Piano by Ned Rorem.