Version for accompanied SATB Choir-A choral work inspired by the photograph of the same name taken from lunar orbit in 1968 considering the positive and negative sides of the human race's mastery and control of the world. The work was commissioned by the UK choir Ex Cathedra for its 40th anniversary which fell in the same year (1969) as the 40th anniversary of the Moon landing. It was written for 40-part choir on the model of Thomas Tallis's famous Spem in alium. A choral work inspired by the photograph of the same name taken from lunar orbit in 1968 considering the positive and negative sides of the human race's mastery and control of the world. The work was commissioned by the UK choir Ex Cathedra for its 40th anniversary which fell in the same year (1969) as the 40th anniversary of the Moon landing. It was written for 40-part choir on the model of Thomas Tallis's famous Spem in alium.

Four Romantic Madrigals is a new edition of selected madrigals composed by John Stainer (1840–1901). Jeremy Dibble of Durham University brings Stainer’s expressive and enticing part-songs to a wider audience by presenting them in modern notation. This collection contains: 1. ‘Disappointment’ – a six-part madrigal which sets the popular ‘Pastoral Ballad IV’ of the eighteenth-century poet William Shenstone 2. ‘Dry your sweet cheek’ – an emotionally turbulent setting of Herrick’s ‘Comfort to a lady upon the death of herhusband’ from Hesperides (1648) 3. ‘The Castle by the Sea’ – a rich and complex setting of Henry Wadsworth Longfellow’s prose romance Hyperion for two five-part choirs(SSATB SSATB) 4. ‘Like as a ship’ – an ambitious and harmonically colourful setting of sonnet XXXIV from Edmund Spenser’s sonnet cycle Amoretti (1595) This edition coincides with the release of the CD English Romantic Madrigals (Hyperion CDA68140) an exciting new recording of works by Stainer Sir Hubert Parry Elgar and other composers of nineteenth-century English part-songs performed by Rupert Gough and the Royal Holloway Choir. Four Romantic Madrigals is a new edition of selected madrigals (for unaccompanied SATB choir) composed by John Stainer (1840–1901). Jeremy Dibble of Durham University brings Stainer’s expressive and enticing part-songs to a wider audience by presenting them in modern notation. This edition coincides with the release of the CD English Romantic Madrigals (Hyperion CDA68140) an exciting new recording of works by Stainer Sir Hubert Parry Elgar and other composers of nineteenth-century English part-songs performed by Rupert Gough and the Royal Holloway Choir.

Seasons arranged for Upper Voice Choir with Organ by Toby Hession. Seasons arranged for Upper Voice Choir with Organ by Toby Hession.

Language Through Music brings to life the process of developing and nurturing knowledge and understanding of the English language using interesting involving songs and actions. These songs will support preschool curriculum and National Curriculum in school and make singing and language learning fun. Easy to use for both musicians and non-musicians Language Through Music is printed with simplified piano parts and guitar chord symbols and each song is demonstrated on the CD (which also includes an accompaniment for Children's Choir).

This title provides a wonderful collection of Sonatinas for Piano Solo in 2 Volumes. Includes works such as Kuhlau: Sonatina C Op. 20 Clementi: Sonatinas in C Op. 36 Haydn Sonata in C Hob. XVI:35 J. S. Bach: Prelude in C BWV 846 Beethoven: Rondo in C Op. 51 No. 1 Andante from Symphony Op. 21 Weber: Variations on 'Vien quà Dorina bella' Op.7 and many more.

Judith Bingham's La Boiteuse for SATB and Organ

Tempest Rhapsody arranged for SSATBB and piano by Daniel Elder. Tempest Rhapsody arranged for SSATBB and piano by Daniel Elder.

While Pachelbel has been most admired as a composer of organ works and Lutheran church music his Canon in D has long been one of his most celebrated compositions. It combines two time-honored compositional devices. The first of these is of course the canon a procedure whereby a melody in one part is strictly imitated by one or more other parts; a round (such as for example Frère Jacques) is a type of canon. The second device involves a short bass line (refeered to as a ground bass) that is repeated constandly over which the composer writes continuous variations. In its original form the work consists of an initial statement of an eight note ground bass followed by27 variations in strict canonic style for three violins above that bass. In addition to these four essential parts an appropriate harmonic background would have been improvised on harpsichord lute or organ. In the present arrangement Pachelbel's note values have been doubled for greater ease of reading and the work's canonic structure has been somewhat modified in order to make it more readily playable by violinists and pianists at an intermediate level. Since dynamics bowing indications articulations and slurs were not customarily provided by composer of the Baroque era the arranger and the editor have added them here as well as a metronome indication and a few cadential trills. Obviously these editorial additions should be regarded only as suggestions.

English translation by Reverend Lyndon Van Der Pump. Vocal score with Piano accompaniment.

Gioachino Rossini 's Duetto Buffo Di Due Gatti (The Cats Duet) for two High Voices and Piano.

Blow Blow Thou Winter Wind by Douglas Andrews arranged for tenor and baritone voices and piano. Blow Blow Thou Winter Wind by Douglas Andrews arranged for tenor and baritone voices and piano.

John Cage's Sonatas And Interludes for Prepared Piano

Alexander Scriabin's 12 Studies Op. 8 for Piano.

Reiner Bredemeyer's Streichquarett (1968).

Bach's Double Concerto In D Minor BWV 1043 for 2 Violins with Strings and Continuo is arranged here for Violins with Piano.

A Coventry Carol by Douglas Andrews arranged for SATB a capella. Douglas Andrews (composer arranger clinician) received his B.S. in Music Education from Mansfield (Pa.) University Masters of Music in composition from Pennsylvania State University and an Ed.S in Higher Education Administration from the University of Florida. Doug has worked at South Florida Community College since 1982 when he assumed the position of Instructor of Music. For the next 22 years he split his time between teaching and administrative duties. In January of 2004 he was named Dean of Cultural Programs. He began writing for the SFCC Vocal Jazz Ensemble a group he formed in 1995. Hecontinues to write for a wide variety and settings recently having had works published by Shawnee Press Hal Leonard and others.

Vocal score for Beethoven's Mass In D 'Missa Solemnis' Op.123 composed for SATB with Piano accompaniment.

For SATB chorus and six solo voices a cappella.

Two of Telemann's finest Sonatas from his Essercizii Musici for Treble Recorder and Basso continuo. Editor Waldemar Woehl also realized the figured bass. The 1st and 2nd movements of Sonata in D Minor TWV 41 are included in the ABRSM Flute Grade 6 Syllabus.

Bach's Suite No.2 In B Minor BWV 1067 is one of the four surviving orchestral suites or Ouvertures - that is dance suites in the French style - as he would have named them. The second suite for Flute Strings and Basso Continuo is a beautiful work comprising 8 short movements and is arranged here for Flute with Piano Accompaniment by Erich List and Johannes Weyrauch. This Urtext edition provides you with an accurate realisation of the composer's original intentions (for the Flute part that is) and thoroughly detailed editorial markings and suggestions. Just when you thought this edition provides you with enough it alsocomes with an accompanying CD which contains a recording of the orchestral part giving the flautist the opportunity the play with a proper orchestral accompaniment. Therefore you have the choice of practicing and performing this suite with either a piano or recorded orchestral accompaniment.