German vocal score Froken Julie / Fräulein Julie by Antonio Bibalo (1975) - Chamber version. An opera in 3 acts and a prologue from August Strindberg 's drama Miss Julie. Commissioned by Den Jyske Opera. Parts are available on hire: hire@ewh.dk Full orch. version: WH31328

Parts for String Quartet No. 3 5 Small Studies by Danish composer Pelle Gudmundsen-Holmgreen . Parts for String Quartet No. 3 'Five Small Studies' Op. 7 by Danish composer Pelle Gudmundsen-Holmgreen. Score: WH31579

Karsten Fundal 's For A While - Double Concerto . Part for solo Flute. Karsten Fundal 's For A While - Double Concerto . Part for solo Flute. Full score: WH31225

Music to the little ones - This book appeals to anyone who wants to give the young ones a musical good start in life: parents grandparents childminders nursery and kindergarten teachers music teachers and other adults. The musical interaction can range from small spontaneous improvised melodies and bedtime songs till more consciously musical stimulation and focused professional music lessons. Regardless of what level and in what context the musical interaction takes place most will need ideas and inspiration - and perhaps refreshment of the repertoire oneself sang as a child. In addition to singing with the child at home it can be nice and fun to sing play andmake music with others - in large or small groups. The music's impact on the child's social development is well known and well documented. The main musical upbringing of the new little baby takes place at home. 'Music to the little ones' - This book appeals to anyone who wants to give the young ones a musical good start in life: parents grandparents childminders nursery and kindergarten teachers music teachers and other adults. The musical interaction can range from small spontaneous improvised melodies and bedtime songs till more consciously musical stimulation and focused professional music lessons. Regardless of what level and in what context the musical interaction takes place most will need ideas and inspiration - and perhaps refreshment of the repertoire oneself sang as a child. In addition to singing with the child at home it can be nice and fun to sing play andmake music with others - in large or small groups. The music's impact on the child's social development is well known and well documented. The main musical upbringing of the new little baby takes place at home.

Written for SATB choir cello harp and keyboard. Written for SATB choir cello harp and keyboard.

Harp Solo-Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Nørgård (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word 'Maria' is also associated - in sound - with the Latin word for the sea mare and she thus become the Star of the Sea Maris Stella. In my 3rd Symphony the Maria motif is used in a hymn section in the second and last part of the work. The choral song Flos ut rosa floruit was composed directly in the context of the symphony and themelody had a 'stamina' that carried it over into many later vocal and choral compositions for instance the Concerto for Harp No. 2 - through thorns (2003) and the present Consolazione for harp solo both works dedicated to Tine Rehling. Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Norgard (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word Maria is also associated - in sound - with the Latin word for the sea mare and she thus become the Star of the Sea Maris Stella. In my 3rd Symphony the Maria motif is used in a hymn section in the second and last part of the work. Thechoral song Flos ut rosa floruit was composed directly in the context of the symphony and the melody had a stamina that carried it over into many later vocal and choral compositions for instance the Concerto for Harp No. 2 - through thorns (2003) and the present Consolazione for harp solo both works dedicated to Tine Rehling.

Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra) the latter of which the soloist in a simple accompanying role but after a turning point in the middle of the movement the soloist assumes adominating role. In the final movement a balance is finally achieved with the soloist at last being on equal terms with the orchestra. Per Nørgård Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra) the latter of which the soloist in a simple accompanyingrole but after a turning point in the middle of the movement the soloist assumes a dominating role. In the final movement a balance is finally achieved with the soloist at last being on equal terms with the orchestra. Per Nørgård

Tributes - Album For Strings (1994-95) by Per Norgard . Parts are available on hire: hire@ewh.dk I: FOUR OBSERVATIONS - FROM AN INFINTE RAPPORT - hommage a Bartok (1995) II: OUT OF THIS WORLD - hommage a Lutoslawski (1994) III: VOYAGE INTO THE BROKEN SCREEN - hommage a Sibelius (1995). Programme note TRIBUTES - album for strings (1994-95) includes three hommages which might also be performed separately.The shared point of departure was the hommage to three major composers of the 20th century - Bartok Lutoslawski and Sibelius. In FOUR OBSERVATIONS the hommage is to Bartok (on the occasion of the 50th anniversary of his death 1995). Hungarian Radio asked me to write a piece in his honor but apart from the very last unison string figure which is - I think - very Bartokian the work in no way intends to evoke even less to imitate the musical style of the great Hungarian master. This would be an act of impudence against a composer who was such an exceptionally integrated personality and who has himself shown (in 'Mikrokosmos') the worthy way to pay a personal tribute to highly respected colleagues: In 'Hommage a J.S.B.' and 'Hommage à R. Sch.' Bela Bartok composes in his own manner but lets the music reflect some qualities of the said composers as perceived in Bartok's mind. In a similar way my 'Observations from an infinite Rapport' reflects as well the timeless proportions of the 'golden section' - which seem to have inspired Bartok so much - in his great respect for perceptive structural patterns. 'OUT OF THIS WORLD' was composed at the request of a group of Lutoslawski's friends as a symbol of parting to a great composer and a noble man. The title quotes a poem by Yunus Emre the Turkish 14th century poet. The opening line of the poem 'Biz dunyadan' reads as follows in English translation: 'We are on the way out of this world we

Trio Op.42 was composed by Andy Pape in 1989-91. Scored for Violin Piano and Percussion. Trio Op.42 was composed by Andy Pape in 1989-91. Scored for Violin Piano and Percussion.

Festouverture is a Festival Ouverture by Anders Koppel composed for Aalborg Symphony Orchestra in 2009/10. Festouverture is a Festival Overture by Anders Koppel composed for Aalborg Symphony Orchestra in 2009/10.

Set of parts for String Quartet No.2 'Quartetto Facile' by Pelle Gudmundsen-Holmgreen (1959). Manuscript copy. Set of parts for String Quartet No.2 'Quartetto Facile' by Pelle Gudmundsen-Holmgreen (1959). Manuscript copy.

Sigrid's Cantata was composed by Bent Sørensen in 2011. First performance at Ojai Festival June 2012 by Leif Ove Andsnes. Sigrid's Cantata was composed by Bent Sorensen in 2011. First performance at Ojai Music Festival June 2012 by Leif Ove Andsnes.

Jörgen Jersild's Concerto For Harp And Orchestra is available here for Harp and Piano accompaniment. Jörgen Jersild's Concerto For Harp And Orchestra is available here for Harp and Piano accompaniment.

Orchestration: 3.3.2.2/4.2.0.0/timp.perc/hp/str Duration: 12 min. Parts are for hire: hire@ewh.dkTitles: Finnish: Kuoleman Puutarha Danish: Dødens Park French: Jardin De La Mort English: The garden Of Death Orchestration: 3.3.2.2/4.2.0.0/timp.perc/hp/str Duration: 12 min. Parts are for hire: hire@ewh.dkTitles: Finnish: Kuoleman Puutarha Danish: Dødens Park French: Jardin De La Mort English: The garden Of Death

Krahmer's Variations Brillantes was originally written for the Csakan an instrument similar to the Recorder. In this edition the original notation has been retained. Scored here for Recorder and Piano (or Harpsichord) accompaniment. Krahmer's Variations Brillantes was originally written for the Csakan an instrument similar to the Recorder. In this edition the original notation has been retained. Scored here for Recorder and Piano (or Harpsichord) accompaniment.

Piano reduction and solo flute part for Concerto For Flute And Orchestra Op.126 by Vagn Holmboe. Full score: WH29417B Parts are for hire: hire@ewh.dk Piano reduction and solo flute part for Concerto For Flute And Orchestra Op.126 by Vagn Holmboe. Full score: WH29417B Parts are for hire: hire@ewh.dk

For ensemble Zoom (Alto Saxophone Percussion and Piano). Written with support by the Danish National Art Council. For ensemble Zoom (Alto Saxophone Percussion and Piano). Written with support by the Danish National Art Council.

Cello Concerto No. 1-Poul Ruders Polydrama (Manyfold Event) for cello and orchestra is the last part of a drama trilogy otherwise consisting of Dramaphonia for piano and 11 instruments and Monodrama for percussion and 32 instruments. In this abstract drama the individual listener is left entirely to his own associations. The composer has compared polydrama with the gradual defoliation of a big tree: the vigorously growing organism is attacked by a swarm of locusts until finally nothing remains but bare branches in a landscape of long shadows a solitary singing bird remains however like a streak of hope in an increasingly dark and pessimistic universe.Poul Ruders Polydrama (Manyfold Event) for cello and orchestra is the last part of a drama trilogy otherwise consisting of Dramaphonia' for piano and 11 instruments and Monodrama for percussion and 32 instruments. In this abstract drama the individual listener is left entirely to his own associations. The composer has compared polydrama with the gradual defoliation of a big tree: the vigorously growing organism is attacked by a swarm of locusts until finally nothing remains but bare branches in a landscape of long shadows; a solitary singing bird remains however like a streak of hope in an increasingly dark and pessimistic universe.

Per Norgard 's En Lys Time / A Light Hour (2009) for a variable Percussion Ensemble (min. 10 players). In A Light Hour everything - rhythms and motifs - is based on Norgards special infinity series . Parts available: WH30964A Programme note A Light Hour is for any number of percussion musicians' (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open as long as percussion is used within the three types specified in the score: skin metal and wood. Each musician uses two soundsources with two different sounds one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments - vibraphone xylophone marimba gamelan glockenspiel steel drums crotales and the like. The work integrates and combines a number of rhythms that Norgard has used in percussion works since the 1970s for example in Early Spring Dance (for choir and percussion) and percussion works like I Ching Easy Beats Whirls Zigzag Nemo Dynamo and Echo Zone I-II-III. Special tone-feasts (the composer's term) - followed by a rest - are an recognizable melodic feature of the work.: the first minute end with a short tone-feast (and a rest) the first four minutes end with a tone-feast lasting a minute (and a rest) the first quarter of an hour ends with a tone-feast of four minutes (and a rest) - and the work ends with a tone-feast lasting quarter of an hour (and a rest when the work is over ...). The first 15 minutes have a bright light character throughout and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percussion-based Afro-Cuban whereas the third quarter of A Light Hour moves in the

String Trio for Violin Viola and Violoncello was composed by Anders Koppel in 2003.