Korsange Til Kirkeare er en samling korsaster til melodier i Den Danske Koralbog af Niels Moller & Mogens Woldike .

Årstiderne 1 af Linda Lehun & Anne Lassen . Sangbogen som i tekster tegninger og sange beskriver årets gang de danske hellig- og mærkedage og historierne bag dem. Der fortælles også om gamle og nye traditioner i forbindelse med dem. Alle sangene er med danske tekster. Melodi med becifring. Årstiderne 1 af Linda Lehun & Anne Lassen . Sangbogen som i tekster tegninger og sange beskriver årets gang de danske hellig- og mærkedage og historierne bag dem. Der fortælles også om gamle og nye traditioner i forbindelse med dem. Alle sangene er med danske tekster. Melodi med becifring.

New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders’ Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture which in the composer’s own words words propels forth from one particular inspiration: the New York profile as seen from Liberty Island one icy cold January day with it’s open clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits foundin present pieces. For instance are present here compositorical ideas and melodic loans from 'Capriccio Pian’e Forte' 2nd String Quartet(1979) 'Four Compositions' (1980) and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders’ use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups a serial technique in other words. In spite of the rigidly fixed material Ruders somehow manages to chisel out a personal expression by way of emphasising contrasting elements already existing within the material itself. The spiky repetitive sections form a counterpart to a more human violin-solo. This dialectical tension is - as hinted by the title - a symphonic abstraction of a fascinating metropolis the most beautiful and the ugliest. The subtitle: a symphonic skyline reflects the musical erection of the Manhattan profile which under the clear sky materializes into the most powerful and compelling man-made sculpture on earth. Thus 'Manhattan Abstraction' is a homage to as well as a vision of this giant contraption of concrete glass and chrome. New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders’ Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture which in the composer’s own words words propels forth from one particular inspiration: the New York profile as seen from Liberty Island one icy cold January day with it’s open clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits foundin present pieces. For instance are present here compositorical ideas and melodic loans from 'Capriccio Pian’e Forte' 2nd String Quartet(1979) 'Four Compositions' (1980) and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders’ use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups; a serial technique in o

Sonata For Piano 1949-50 Sonate For Klaver / Sonata For Piano - in four movements (1949-50) by Per Norgard..

In three movements for saxophone quartet. Composed in 1992 Quartet No.1 Op.44 - in three movements for Saxophone Quartet by Andy Pape (1992). Commissioned by and dedicated to the New Danish Saxophone Quartet. Parts are available: WH31737A

1. ”The Native Land of Light” (for mixed chorus SATB) 2. ”Come lift me up” (for mixed chorus SATB -) -) the second movement may be performed by a children’s chorus or by the female voices (SSA) from a mixed chorus Programme Note From my very first aquaintance with these Andersen poems I was deeply moved by the simple almost naive yet evocative imagery with which Andersen realized his visions images like: “The Melody of the Heart” “The Poem of Beauty” “A Spiritual Hindustan” “Fly Death over the Sea of Time fly to Eternal Summer”. Along with this “childishness” Hans Christian Andersen’s poetry encompasses enormous – almost Willim Blake-ish – cosmic visions in theinterpolations between e.g. “reaching the Heaven” as opposed to “you’ll find it in a Rosebud” or the juxtaposition of “Everyday Life” and “Eternal Poetry” - which become one. Thus the music came to life in my immediate encounter with these words which almost sang themselves into my Musical Furnace – if you will. Per Nørgård To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to music by Per Norgard for SATB choir and SSA choir. 1. Lysets faerdreland / The Native Land of Light (for mixed chorus SATB) 2. Loft mig kun bort / Come lift me up (for mixed chorus SSA*) *) the second movement may be performed by a children's chorus or by the female voices (SSA) from a mixed chorus Programme note From my very first aquaintance with these Andersen poems I was deeply moved by the simple almost naive yet evocative imagery with which Andersenrealized his visions images like: The Melody of the Heart The Poem of Beauty A Spiritual Hindustan Fly Death over the Sea of Time fly to Eternal Summer. Along with this childishness Hans Christian Andersen's poetry encompasses enormous - almost Willim Blake-ish - cosmic visions in the interpolations between e.g. reaching the Heaven as opposed to you'll find it in a Rosebud or the juxtaposition of Everyday Life and Eternal Poetry - which become one. Thus the music came to life in my immediate encounter with these words which almost sang themselves into my Musical Furnace - if you will. Per Norgard

Light Overture - A Symphonic Entertainment was composed by Poul Ruders in 2006. Commissioned by the Alabama Symphony Orchestra and Music Director and Principal Conductor Justin Brown for Alabama Power Company's 100 Year Anniversary Concert. Light Overture subtitled A Symphonic Entertainment is a short piece for symphony orchestra lasting approximately eight minutes. Light Overture is focusing on two interpretations of the word light: light as in the absence of darkness and light as in easily comprehensible in other words a piece with few or no metaphysical connotations. It is just a piece setting a festive mood as is often thecase with this sort of short concert opener . However the journey through Light Overture is not entirely happy-go-lucky. Once in a while slightly darker colours are introduced for the sake of variety and contrast. And formally the composition is quite strict: an outright Prelude and Fugue the former sliding seamlessly into the latter. The Fugue juggles not only its own tune but also picks up stuff from the Prelude. Poul Ruders May 2006 Light Overture - A Symphonic Entertainment was composed by Poul Ruders in 2006. Commissioned by the Alabama Symphony Orchestra and Music Director and Principal Conductor Justin Brown for Alabama Power Company's 100 Year Anniversary Concert. Light Overture subtitled A Symphonic Entertainment is a short piece for symphony orchestra lasting approximately eight minutes. Light Overture is focusing on two interpretations of the word light: light as in the absence of darkness and light as in easily comprehensible; in other words a piece with few or no metaphysicalconnotations. It is just a piece setting a festive mood as is often the case with this sort of short concert opener. However the journey through Light Overture is not entirely happy-go-lucky. Once in a while slightly darker colours are introduced for the sake of variety and contrast. And formally the composition is quite strict: an outright Prelude and Fugue the former sliding seamlessly into the latter. The Fugue juggles not only its own tune but also picks up stuff from the Prelude. Poul Ruders May 2006

C.E.F. Weyses Julen Har Bragt Velsignet Bud arrangeret for blandet kor SATB af Rasmus Thaarup. Tekst af B.S. Ingemann. Saertryk fra WH31098

Nordischer Sommer - The Summer Of The NorthNo.1 Abendstück - Evening Piece.No.2 Am Bach - On The Brook.No.3 Tanzstück - Dancing Piece.No.4 Kleine Ballade - Little Ballade.No.5 Hocbzeitsmarsch - Wedding March. Nordischer Sommer - The Summer Of The North Op.39 No.1-5 for Piano solo by Selim Palmgren. Edited and revised by Julia A. Burt No.1 Abendstuck - Evening Piece. No.2 Am Bach - On The Brook. No.3 Tanzstuck - Dancing Piece. No.4 Kleine Ballade - Little Ballade. No.5 Hocbzeitsmarsch - Wedding March.

Exit (Utgang) for Cello Harpsichord and Organ by Norwegian composer Asbjorn Schaathun (1979/rev. 1982). Parts are available: WH31295A

Samlet og redigeret af Christian Stentoft . Klaverarrangementer af Eyvind Lender. 35 af Stentofts kendteste sange er samlet i dette haefte krydret med fotos og historier fra samtidens og eftertidens revykunstnere. Uundvaerlig for enhver der saetter pris pa klassikere som Den lille lysegronne sang I den mellemste koje Kys hinanden Sad'n var det ikke i halvfemserne Dit hjerte er i fare Andresen og Henne om hjornet.

For SATB-soli 6-part choir trombone and percussion Parts: WH31387A Choral score: WH31387C Score: WH31387 Regin Der Schmied for SATB-soli 6-part Choir Trombone and Percussion (2007) by Faroese composer Sunleif Rasmussen. Score: WH31387 Parts: WH31387A Chrous score: WH31387C

Parts for Hans Abrahamsen's String Quartet No.3 (2008). Parts for Hans Abrahamsen's String Quartet No.3 (2008).

Four Pieces Op. 78 for Violin (or Cello) & Piano by Jean Sibelius. Contents: Impromptu Romance Religioso Rigaudon

Version for Accordion with Piano Reduction of Orchestral Parts.

Work for 2 Part Choir with Organ Accompaniment. Danish text which has been taken from Psalm 8:1-5 John 1:14 and Joel 3:1 for each piece respectively.

Diafora Op. 118 for String Orchestra (1973-74).

Opera-RUDERS TYCHO SC (Opera) Poul Ruders ' opera Tycho in 3 Acts was premiered May 15 1987 by Aarhus Symphony Orchestra and Kaare Hansen (conductor) at Helsingor Theater in Aarhus Denmark. Libretto in Danish by Henrik Bjelke. Full score: WH31457 Synopsis: In 1597 the famous Danish astronomer and astrologist the nobleman Tycho Brahe flees his castle cum observatory Uraniburg on one of the small islands off the Danish coast. The newly coronated King Christian the Fourth has a grudge against Tycho who in 1572 discovered a new star Stella Nova by using his naked eye only; the telescopewasn't invented yet. This discovery gained Tycho tremendous fame among his contemporaries within the European scientific circles. The now weakened and embittered old man moves together with his wife Christina whom he raped when she was an adolescent and Jeppe the Dwarf his fool-servant whose life Tycho once saved to the plague-infested city of Prague. There at the Benatky Castle Tycho encounters the main reason for his departure from Denmark: the young German mathematician Johannes Kepler the only scientist among his contemporaries Tycho acknowledges - Tycho is in severe need of intelligent challenge. Which he gets and with a disastrous result for himself. The encouraging encounter with Kepler turns into Tycho's scientific and earthly death verdict. Slowly Tycho realizes that his own conception of the Earth as the indisputable axes of the Universe is shattered by Kepler s theory about Earth encircling the stationary Sun. The ancient picture of the Universe collapses Tycho feels deceived by Kepler who leaves the castle shaken by Tycho's wrath. But they meet again and reunite in a Romanza a Due at Tycho's death bed. The opera hovers above immense sadness and extreme ridicule - the cast is most peculiar indeed - so in many ways 'TYCHO' may be described at the best as a 'Tragic Operetta'

Programnote Cast: Johann Friedrich Struensee: Bass Baritone King Christian VII: Tenor Queen Caroline Mathilde: Mezzo Soprano Ove Høegh-Guldberg: Bass Queen Dowager Juliane Marie: Soprano Count Shack Carl Rantzau: Bass King Frederik V: Tenor Enevoldt Brandt: Tenor Bootee-Cathrine: Soprano Synopsis: The Opera is based on the Swedish writer P. O. Enquist's bestselling historical novel The Visit of the Royal Physician. In 1765 the young German doctor Johann Friedrich Struensee arrives at the Danish Court in Copenhagen as newly appointed Royal Physician for the mentally unstable King Christian the VII. Close to the power and the young Queen Caroline Mathilde Struensee dreamsof making a better world for everyone. As time goes by he usurps still more power and tries to reform Denmark according to the ideas of the Enlightenment. Struensee engages in a fatal romantic relation to Caroline Mathilde and his bold grasp of power ends bloody. Livlaegens Besog (The Visit of the Royal Physician) - an Opera in 2 Acts by Bo Holten (2007-08). Libretto: Per Olov Enquist Dramaturg: Eva Sommestad Holten Vocal score available: WH30885 Cast: Johann Friedrich Struensee: Bass Baritone King Christian VII: Tenor Queen Caroline Mathilde: Mezzo Soprano Ove Hoegh-Guldberg: Bass Queen Dowager Juliane Marie: Soprano Count Shack Carl Rantzau: Bass King Frederik V: Tenor Enevoldt Brandt: Tenor Bootee-Cathrine: Soprano Synopsis: The Opera isbased on the Swedish writer P. O. Enquist's bestselling historical novel The Visit of the Royal Physician . In 1765 the young German doctor Johann Friedrich Struensee arrives at the Danish Court in Copenhagen as newly appointed Royal Physician for the mentally unstable King Christian the VII. Close to the power and the young Queen Caroline Mathilde Struensee dreams of making a better world for everyone. As time goes by he usurps still more power and tries to reform Denmark according to the ideas of the Enlightenment. Struensee engages in a fatal romantic relation to Caroline Mathilde and his bold grasp of power ends bloody.

Tutor- Arranging for voices.