For Violin and Marimba. Premiered by Duo Contrastes 3rd November 2011 at Opera de Paris Bastille. For Violin and Marimba. Premiered by Duo Contrastes 3rd November 2011 at Opera de Paris Bastille.

Duo for Flute And Violin by Anders Nordentoft (1975).

Asger Pedersens underfundige spidsfindige og tankevækkende sange elskes af børn og voksne over hele landet. Som storleverandør til DR’s børneudsendelser heriblandt ”Ingrid og Lillebror” og ikke mindst julekalenderne ”Vinterbyøster” og ”Jullerup Færgeby” har Asger Pedersen ramt flere generationer af danske fjernsynskiggere.Men sangene har også fået deres eget liv og Asger Pedersens musikalske billeder af hverdagens oplevelser er ligeledes blevet folkeeje. ”Blæsten kan man ikke få at se” ”Sneglen den bor i et sneglehus” ”Edderkoppens vise” og ”Juleaftensdag” er klassikere og i nærværende bog finder du i alt 37 sange som alle fortjener at blive sunget og lyttettil.De becifrede klaverarrangementer gør det muligt for de fleste at være med og Bolette Marie Madsens dejlige illustrationer gør oplevelsen endnu større. Asger Pedersens underfundige spidsfindige og tankevækkende sange elskes af børn og voksne over hele landet. Som storleverandør til DR’s børneudsendelser heriblandt ”Ingrid og Lillebror” og ikke mindst julekalenderne ”Vinterbyøster” og ”Jullerup Færgeby” har Asger Pedersen ramt flere generationer af danske fjernsynskiggere.Men sangene har også fået deres eget liv og Asger Pedersens musikalske billeder af hverdagens oplevelser er ligeledes blevet folkeeje. ”Blæsten kan man ikke få at se” ”Sneglen den bor i et sneglehus” ”Edderkoppens vise” og ”Juleaftensdag” er klassikere og i nærværende bog finder du i alt 37 sange som alle fortjener at blive sunget og lyttettil.De becifrede klaverarrangementer gør det muligt for de fleste at være med og Bolette Marie Madsens dejlige illustrationer gør oplevelsen endnu større.

INDLEDNINGDette materiale til opsyngning og stemmedannelse henvender sig til korledere der føler et behov for at fåsystematiseret deres arbejde med korets klang gennem funktionsrettede øvelser.Heftet er delt op i en række afsnit der hver for sig behandler et specifikt emne.Før hvert afsnit er der en kort gennemgang af emnet og det forudsættes at korlederen selv har så meget kendskabtil stemmefunktionerne at han/hun er i stand til at demonstrere øvelserne for koret.Til sammensætning af et opvarmningsprogram kan man til alment brug tage nogle få øvelser fra hvert afsnit såman kommer alle funktionerne igennem; eller man kan udvælge øvelser fra bestemte afsnit for attilgodese dekrav som dagens koropgave stiller.Nogle af øvelserne har klaverakkompagnement med anvisning til transposition. Alle øvelserne bør transponeres.Når ikke alle øvelserne har akk. skyldes det at man bør synge både med og uden klaver under opsyngningen.løvrigt kan man frit udelade akk. eller sætte akk. til andre øvelser hvis man har lyst.Bagest i heftet findes modeller for kromatisk stigende og faldende modulation.April1992Ingelise Suppli - Søren BirchIndhold:A. Holdning og afspændingB. Indånding udånding og støtteC. Svælgåbning og ansatsD. Resonans (svælg- mund- og næsehuleresonans)E. ArtikulationF. Udbygning af omfangG. Flerstemmige intonationsøvelser INDLEDNINGDette materiale til opsyngning og stemmedannelse henvender sig til korledere der føler et behov for at fåsystematiseret deres arbejde med korets klang gennem funktionsrettede øvelser.Heftet er delt op i en række afsnit der hver for sig behandler et specifikt emne.Før hvert afsnit er der en kort gennemgang af emnet og det forudsættes at korlederen selv har så meget kendskabtil stemmefunktionerne at han/hun er i stand til at demonstrere øvelserne for koret.Til sammensætning af et opvarmningsprogram kan man til alment brug tage nogle få øvelser fra hvert afsnit såman kommer alle funktionerne igennem; eller man kan udvælge øvelser fra bestemte afsnit for attilgodese dekrav som dagens koropgave stiller.Nogle af øvelserne har klaverakkompagnement med anvisning til transposition. Alle øvelserne bør transponeres.Når ikke alle øvelserne har akk. skyldes det at man bør synge både med og uden klaver under opsyngningen.løvrigt kan man frit udelade akk. eller sætte akk. til andre øvelser hvis man har lyst.Bagest i heftet findes modeller for kromatisk stigende og faldende modulation.April1992Ingelise Suppli - Søren BirchIndhold:A. Holdning og afspændingB. Indånding udånding og støtteC. Svælgåbning og ansatsD. Resonans (svælg- mund- og næsehuleresonans)E. ArtikulationF. Udbygning af omfangG. Flerstemmige intonationsøvelser

Player's Score-3 Sange Til Tekster Af Politiken for Alto and Chamber Group was composed by Pelle Gudmundsen-Holmgreen in 1966. 3 Sange Til Tekster Af Politiken for Alto and Chamber Group was composed by Pelle Gudmundsen-Holmgreen in 1966.

Printed to Order Carl Nielsen's Fantasy Pieces Op.2 arranged for Flute and Piano accompaniment. Edited by James Galway and Toke Lund Christiansen.

Parts for String Quartet No. 8 Ground by Pelle Gudmundsen-Holmgreen (1986). Parts for String Quartet No. 8 'Ground' by Pelle Gudmundsen-Holmgreen (1986).

Danmarks Have for Soprano Solo Choir SATB and Concert Band was composed by Anders Koppel in 2012 for the celebration of Her Majesty Queen Margrethe II of Denmark's 40th anniversary.Commissioned by Wonderful Copenhagen. Danmarks Have for Soprano Solo Choir SATB and Concert Band was composed by Anders Koppel in 2012 for the celebration of Her Majesty Queen Margrethe II of Denmark's 40th anniversary. Commissioned by Wonderful Copenhagen.

For two Percussion soloists and ten instruments. Commissioned by and dedicated to Safri Duo. A Concerto in three movements based on Preludes by J.S. Bach for Percussion Duo and Orchestra. Reduced version 2010 by Steve Ferre approved by the composer for Percussion Duo (unchanged) and ten instruments (5 woodwind 5 strings) 1 Flute dbl. Piccolo and Alto Flute in G 1 Oboe dbl. Cor Anglaid in FY 1 Clarinet in Bb dbl. Bass Clarinet in Bb 1 Bassoon 1 Horn in F 1 Violin 1 1 Violin 2 1 Viola 1 Cello 1 Double Bass The score is written in C Per Norgard 's Bach to the Future (reduced version) for two Percussion soloists and ten instruments (2010). Commissioned by and dedicated to Safri Duo. A Concerto in three movements based on Preludes by J.S. Bach for Percussion Duo and Orchestra. Reduced version 2010 by Steve Ferre approved by the composer for Percussion Duo (unchanged) and ten instruments (5 woodwind 5 strings) 1 Flute dbl. Piccolo and Alto Flute in G 1 Oboe dbl. Cor Anglaid in FY 1 Clarinet in Bb dbl. Bass Clarinet in Bb 1 Bassoon 1 Horn in F 1 Violin 1 1 Violin 2 1 Viola 1 Cello 1 DoubleBass The score is written in C Original version for Percussion Duo and Orchestra: KP00615

Concerto No. 4 For Marimba And Orchestra - 'Zum Gedächtnis des Vergänglichen' was composed by Anders Koppel for Wiener Mozartjahr in 2006. Concerto No. 4 For Marimba And Orchestra - 'Zum Gedächtnis des Vergänglichen' was composed by Anders Koppel for Wiener Mozartjahr in 2006.

Quartet was composed by Jørgen Jersild in 1934 for Violin Viola Clarinet and Bassoon. Jørgen Jersild was a Danish music educator and composer. Jersild worked as a professor of ear training at The Royal Danish Academy Of Music in Copenhagen. Quartet was composed by Jorgen Jersild in 1934 for Violin Viola Clarinet and Bassoon. Jorgen Jersild was a Danish music educator and composer. Jersild worked as a professor of ear training at The Royal Danish Academy Of Music in Copenhagen.

Hans Abrahamsen 's Flowersongs (2012 version) for Flute Oboe and Clarinet. Score. 'I wrote Flowersongs for three Flutes in the spring of 1973 when I was 20 years old. Looking back now 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time this is still a very important piece for me. In Flowersongs along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of thenew simplicity minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German for example 'Winternacht' (1976/78) 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German it must be Blumenlieder and to me it now sounds suddenly very different more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection as I incorrectly wrote the title as one word but perhaps it is also a kind of naivety which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute Oboe and Clarinet.' - Hans Abrahamsen Hans Abrahamsen 's Flowersongs (2012 version) for Flute Oboe and Clarinet. 'I wrote Flowersongs for three Flutes in the spring of 1973 when I was 20 years old. Looking back now 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time this is still a very important piece for me. In Flowersongs along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra I feel that I was on my way to finding my own voice in the middle of the music of the great Central Europeanmodernist tradition from the 50s and the reaction from the 60s of the new simplicity minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s and the work is trying to find the power inherent i

Concerto For Viola And Orchestra by Anders Koppel . This work was commissioned by South Jutland Symphony Orchestra and was first performed February 10th 2011. Concerto For Viola And Orchestra by Anders Koppel . This work was commissioned by South Jutland Symphony Orchestra and was first performed February 10th 2011.

1999-For mezzo clarinet harp percussion and cello. Text by William Heinesen Sunleif Rasmussen's Arktis (1999) for Mezzo-Soprano Clarinet Harp Percussion and Cello. Text by William Heinesen. Parts are available: WH31383A Manuscript copy.

The Sally Gardens (Irish trad.) expertly arranged for Mixed Choir SATB by Vagn Norgaard. Text by W.B. Yeats.

Per Nørgård's Unfolding for Piano Solo. Composed for Katrine Gislinge 2012. Per Norgard's Unfolding for Piano Solo. Composed for Katrine Gislinge 2012. Manuscript copy.

Tre Folkesange by the Danish composer Peter Bruun version for Voice and Ensemble. This piece incorporates text by Ursula Andkjær Olsen. Tre Folkesange by the Danish composer Peter Bruun version for Voice and Ensemble. This piece incorporates text by Ursula Andkjaer Olsen. Version for Voice and Piano: WH31513

Scenarier - 7 Shortcuts For Blæserkvintet (Scenarios - 7 Shortcuts For Wind Quintet) was composed by Svend Hvidtfelt Nielsen in 2002. Set of parts available: KP01268 Scenarier - 7 Shortcuts For Blaeserkvintet (Scenarios - 7 Shortcuts For Wind Quintet) was composed by Svend Hvidtfelt Nielsen in 2002. Set of parts available: KP01268

Karsten Fundal 's Entropia for Large Orchestra Soprano and Baritone soli Large Choir and Chamber Choir (SATB) and prerecorded sound (1997-2001). Commissioned by the Danish National Symphony Orchestra and Choir / DR. Parts are available on hire: hire@ewh.dk About Entropia : This orchestral work is chiefly an attempt to make a musical investigation into the complex question of the nature of time. The viewpoint taken on a philosophical level is chiefly inspired by the brilliant thinker and philosopher of time J.F. Fraser. The main conclusion of his investigation of the subject is in very short that the onlyadequate view to take of time as a phenomenon with all the knowledge that we have today is that time must be seen as a conflict or at least an interference between many different temporal levels (...) Karsten Fundal

Organisazione Populare Nr.3 Op. 351 was composed by Niels Viggo Bentzon . Organisazione Populare Nr.3 Op. 351 for Organ solo was composed by Niels Viggo Bentzon. Manuscript copy