Trio Breve - Tre Fragmenter - Efter en Drøm (2012) by Per Nørgård. For Violin Cello and Piano. Former known as: Efter Drøm / After Dream Trio Breve - Tre Fragmenter - Efter en Drom (2012) by Per Norgard. For Violin Cello and Piano. Former known as: Efter Drom / After Dream

To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title året The Year): Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an original idea of simultaneously displaced opposite motions cf. the poem) comes out as desired. Of the Nocturnes Nørgård writes: Summer's Sleep wascomposed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of the summer of life which is asleep - while the heaven seed waits for the summer wind (invisible to every mind). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep summer dream. The second nocturne Michael's Night takes its name from the author Ib Michael whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit starlit night. With the titles I have chosen I have stressed the mythic layer of the text the summer night not as a dream but as sensual reality. The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003 out of gratitude for over a quarter of a century of inspiring collaboration. To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title 'aret' The Year); Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an original idea of 'simultaneously displaced opposite motions' cf. the poem)comes out as desired. Of the Nocturnes Norgard writes: 'Summer's Sleep was composed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of 'the summer of life' which is asleep - while the 'heaven seed' waits for the summer wind ('invisible to every mind'). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep summer dream.

The Planets- The Planets is cast as a single unit consisting of seven movements varying greatly in character each of which describes a planet or a celestial body. The music for Sol is built out of the massive tutti-sound of the organ. The feeling is very much like the feeling of the sun shining down brightly onto you on a warm summer’s day.

Work for SATB Chorus. 'Winter Hymn'. Work for SATB Chorus. 'Winter Hymn'.

Je Ne Me Tirai Jamais. Jamais for Narrator Choir (12 Mixed Voices) and Ensemble was composed by Pelle Gudmundsen-Holmgreen in 1966. Text By Samuel Beckett. Je Ne Me Tirai Jamais. Jamais for Narrator Choir (12 Mixed Voices) and Ensemble was composed by Pelle Gudmundsen-Holmgreen in 1966. Text By Samuel Beckett.

Anders Koppel's Concerto Piccolo - Alternative Concert Version for for Accordion Solo & Piano(or Accordion Solo & Acc. 2). Anders Koppel's Concerto Piccolo - Alternative Concert Version for for Accordion Solo & Piano(or Accordion Solo & Acc. 2).

String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Hans Abrahamsens's second string quartet was commissioned by the Lerchenborg music-week of 1981 during which it was first performed by the Gaudeamus Quartet. In Hans Abrahamsen's second quartet it is the continuous alternation of soberness and drama that first catches the listner's ears: the lyrical/gestural tradition as we know it from Arnold Schoenberg and Alban Berg pitched - not against - but around the sober barbarism which is characteristic of rhytmic neo-classicism. Both the first and the last movement of th is quartet are emotional at many levels: sad - and still seething with life andalways unpredictable in their development it is night twilight and white-hot light. Sparkling diamonds set off by scarlett velvet. The two middle movements link the contrasts without cushioning: the second movement a gruelling stripped rhythmical drill followed by a hushed far-off dance in triple meter which shifts and hesitates all the time though. There is an ambience of the classics glimpsed through many veils. The second quartet is music which is fraught with danger in its ambiguous relation to tradition: the past emerges as a most relevant and living ghost. The Beauty and the Beast as musical drama. String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Hans Abrahamsens's second string quartet was commissioned by the Lerchenborg music-week of 1981 during which it was first performed by the Gaudeamus Quartet. In Hans Abrahamsen's second quartet it is the continuous alternation of soberness and drama that first catches the listner's ears: the lyrical/gestural tradition as we know it from Arnold Schoenberg and Alban Berg pitched - not against - but around the 'sober barbarism' which is characteristic of rhytmic neo-classicism. Both the first and the last movement of th is quartet are emotional at manylevels: sad - and still seething with life and always unpredictable in their development it is night twilight and white-hot light. Sparkling diamonds set off by scarlett velvet. The two middle movements link the contrasts without cushioning: the second movement a gruelling stripped rhythmical drill followed by a hushed far-off dance in triple meter which shifts and hesitates all the time though. There is an ambience of the classics glimpsed through many veils. The second quartet is music which is fraught with danger in its ambiguous relation to tradition: the past emerges as a most relevant and living ghost. The Beauty and the Beast as musical drama.

Krydstogt - 8 Bagateller For Klaver Op.32 was composed by Poul Rovsing Olsen in 1953-54. Krydstogt - 8 Bagateller For Klaver Op.32 was composed by Poul Rovsing Olsen in 1953-54.

Ubrudt Forar - Korsuite for blandet kor (SSATB) af Per Norgard til tekster af Piet Hein . Bestilt af og komponeret til Saul Zaks & Syddansk Universitets Kammerkor i 2009. Programnote Blandt multitalentet Piet Heins mange fremragende kreative indsatser har Grukteksterne nok opnaet den storste folkelige yndest. Nogle af disse korte fyndige tekster fx Lille Kat har opnaet status som - havde jeg naer sagt - leveregler eller visdomsord pa dansk - noget der naeppe er overgaet nogen anden dansk forfatter sidenH.C. Andersen. Disse spidsfindige og forfinede tekster med deres ofte overraskende pointer har dog ikke nogen tiltraekningskraft for undertegnede - som komponist. Piet Heins sproglige dragt er sa perfekt i ren prosagengivelse at enhver tilfojelse - fx i form af melodisk gevandt - ville forringe hvad der allerede er fuldkomment. I denne korcyklus er derimod de fire digte (eller fragmenter af digte) udvalgt ud fra teksternes naturnaere sanselighed som umiddelbart appellerer - i hvert fald hos mig - til melodisk nuancering og sangbar linieforing. Alle fire tekster er besyngelser af skabelse og vaekst - deraf titlen som er hentet fra den femte korsang Ubrudt Forar. En anden sang ligeledes med Piet Hein-tekst dromte jeg (bogstavelig talt) tilbage i 1960'erne. Den hedder Du skal plante et trae og rummer tre vers der her i cyklus'en blandt de tre nye sange indleder genkommer og til sidst afslutter sangkredsen. De seks sanges lige-ud-ad-landevejen raekkefolge: 1-2-3-4-5-6 folges op af den 'baglaens' folge: 5-4-3-2-1 saledes at antallet af satser udvides til 11. Men folgen af klanglige

String parts for Sibelius' Quintet In G Minor . String parts for Sibelius' Quintet In G Minor .

The full score of Ruders' first Symphony subtitled Himmelhoch jauchzend - zum Tode betrübt . Written for large orchestra. The full score of Ruders' first Symphony subtitled Himmelhoch jauchzend - zum Tode betrübt . Written for large orchestra.

Dr. Jekylls Advokat was expertly composed by Niels Marthinsen for full Orchestra. Dr. Jekylls Advokat - An Opera in 2 Acts by Niels Marthinsen (2012). Libretto by Eva Littauer inspired by Robert Louis Stevensons 'Dr. Jekyll og Mr. Hyde'.

With his musical influences beginning with Bartok and Stravinsky and after several years with Serialism Pelle Gudmundesen-Holmgreen's music developed to form a sound individual voice. His compositional style includes the use of radical reductions repetitions and simple or grotesque figures in polyrhythmic patterns often combined with a rash use of instrumental colour. Concord is an exciting work for large ensemble. With his musical influences beginning with Bartok and Stravinsky and after several years with Serialism Pelle Gudmundesen-Holmgreen's music developed to form a sound individual voice. His compositional style includes the use of radical reductions repetitions and simple or grotesque figures in polyrhythmic patterns often combined with a rash use of instrumental colour. Concord is an exciting work for large ensemble.

Work for Piano based on the 'Three Magdalena Songs' for Alto and Piano. Programme note Tre Magdalene strofer / Three Magdalena Stanzas (1991/1994) for piano solo. Paraphrase over '3 Magdalena Songs' to texts (in Danish) by Hanne Groes: I. PRIVATION II. DEPARTURE III. MEETING Rosalind Bevan was really the originator of this piece since she urged me to write a piano version of my Magdalena Songs (to Hanne Groes texts in Danish) which she so often had accompanied. Moved by Rosalind's interest in the two contrasting songs (Kaldedromme (Calling Dreams) Sent Mode (LateMeeting) I wrote this little suite of Magdalena Stanzas for the piano. As the titles suggest the arche-typical 'longing for fulfilment'-motive (or longing and fullfilment) is in focus. Less obvious is it that the two tunes supplement each other (as the famous 'Rubin vase-and-profiles'-complementarity manifest visually). But they do! Per Norgard

String Quartet No. 8 Ground was composed by Pelle Gudmundsen-Holmgreen in 1986 for the Kronos Quartet. String Quartet No. 8 'Ground' was composed by Pelle Gudmundsen-Holmgreen in 1986 for the Kronos Quartet.

Per Norgard's Trifoglio Op. 7 for Piano solo (1956).

Knudage Riisager 's Seks Børneviser for Voice and Piano. Knudage Riisager 's Seks Børneviser for Voice and Piano.

A setting of Psalm 56 vv 3-4 and 8-9 for upper voices a cappella. A setting of Psalm 56 vv 3-4 and 8-9 for upper voices a cappella.

Musikken Er Af... Kai Normann Andersen is a collection of 37 of the most famous songs by Kai Normann Andersen arranged for Piano and Voice. Musikken Er Af... Kai Normann Andersen is a collection of 37 of the most famous songs by Kai Normann Andersen arranged for Piano and Voice.

Ferdinands world' - Ferdinand is a boy like all boys no - thats nonsense! Every child is different. There are naughty funny crazy wild happy lazy and curious children and very quiet children who do not say much. Follow Ferdinands happy whereabouts in the author Ellen Heibergs colloquial text and catchy tunes on the CD at the back of the book recorded by a number of obvious singers and musicians. Jarl Egeberg has contributed to it all with beautiful pictures of Ferdinand and his friends. The CD is arranged and produced by Ivan Pedersen.