Version 2010- Heaven-Haven (Version 2010) for Voice and Ensemble by Peter Bruun . Text by Gerard Manley Hopkins. Instr.: vce.fl.cl.2perc.pf.vn.vc.db

Karsten Fundal 's Piano Concerto - Fliessende Bewegung Orchestration: Piano solo /4.3.4.ssx.3/2.3.2.0/2perc/2hp/cel/str Parts are for hire: hire@ewh.dk Karsten Fundal 's Piano Concerto - Fliessende Bewegung (1992/93). Orchestration: Piano solo /4.3.4.ssx.3/2.3.2.0/2perc/2hp/cel/str Parts are for hire: hire@ewh.dk

Tango Tzigane - Jealousy-Jacob Gade's classic arranged for piano duet (four hands) by conductor Esther Bobrova Lange.FROM THE PREFACEIt is a common misconception that ”Tango Jalousie” (Tango Tsigane) was written for the movie ”Don Q”. The piece was also played at the movie premiere in Paladsteatret on September 14th 1925 but there was no jealousy-based drama in the movie. Nonetheless the melody was well suited to the Zorro legend in a Mexican setting.But in the book “Jacob Gade – et eventyr i musik” (a fairytale in music) by Jørgen Gram Christensen one learns that in a 1956 interview Jacob Gade recounted the incident in 1925 which concerned him very much: “One day the magazines featured a dramaticdescription of a jealousy-based murder and the word “jealousy” stood for me as a title with which the music became more and more attached.”There are many different arrangements of “Tango Jalousie” but I have always found that there was a need for a piano four hands version of this wonderful piece. In the process of working out a piano four hands version I used the full orchestra score and made sure that the most essential orchestra parts were included. Also the melody parts and accompaniment are equally distributed between the primo and secondo parts.Esther Bobrova Langeconductor Tango Jalousie (Tango Tzigane - Jealousy) - Jacob Gade's classic arranged for Piano Duet (four hands) by conductor Esther Bobrova Lange. From the Preface: It is a common misconception that Tango Jalousie (Tango Tzigane) was written for the movie Don Q. The piece was also played at the movie premiere in Paladsteatret on September 14th 1925 but there was no jealousy-based drama in the movie. Nonetheless the melody was well suited to the Zorro legend in a Mexican setting. But in the book Jacob Gade - et eventyr i musik (a fairytale in music) by Jorgen GramChristensen one learns that in a 1956 interview Jacob Gade recounted the incident in 1925 which concerned him very much: One day the magazines featured a dramatic description of a jealousy-based murder and the word jealousy stood for me as a title with which the music became more and more attached.There are many different arrangements of Tango Jalousie but I have always found that there was a need for a piano four hands version of this wonderful piece. In the process of working out a piano four hands version I used the full orchestra score and made sure that the most essential orchestra parts were included. Also the melody parts and accompaniment are equally distributed between the primo and secondo parts. (Esther Bobrova Lange)

Spiralryg-Edited by Inge Marstal and Kaj Nørholm Sangbogen 3 is third in the famous Danish Songbook series. With 424 pages packed with a variety of Danish and international songs from old classics to contemporary hits there really is something for everyone! While each volume is unique they all share the desire to bring people closer together through music. Whether a soloist family school or community you are sure to find a use for Sangbogen 3 whatever the occasion! This Piano Voice and Guitar Songbook has figured melodies Guitar chords and Danish lyrics. It is spiral bound to lie flat on any surface. Edited by Inge Marstal and Kaj Norholm Sangbogen 3 is third in the famous Danish Songbook series. With 424 pages packed with a variety of Danish and international songs from old classics to contemporary hits there really is something for everyone! While each volume is unique they all share the desire to bring people closer together through music. Whether a soloist family school or community you are sure to find a use for Sangbogen 3 whatever the occasion! This Piano Voice and Guitar Songbook has figured melodies Guitar chords and Danish lyrics. It is spiral bound to lie flat on anysurface.

Parts for String Quartet No.4 by Hans Abrahamsen (2012). Commissioned by Westdeutscher Rundfunk and Wigmore Hall For the Arditti Quartet Parts for String Quartet No.4 by Hans Abrahamsen (2012). Commissioned by Westdeutscher Rundfunk and Wigmore Hall For the Arditti Quartet

Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic/melodic ritual which accelerates the music. In the third part the block structure is softened gradually different figurations and stylistic elements arise to live their own lives: distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cum Figuris.The piece has no literal content at all even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. More likely my piece will arouse associations as with all my music. It has to be heard in it’s own conditions in this case as a big body of music or perhaps as a great screen where the details of course are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984 commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble InterContemporain world premiered the work in April 1985 conducted by Peter Eötvös. The piece was also played at the ISCM-festival in Amsterdam by Netherland Radio Chamber Orchestra conducted by Ernest Bour. Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic/melodic ritual which accelerates the music. In the third part the block structure is softened gradually different figurations and stylistic elements arise to live their own lives: distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cumFiguris. The piece has no literal content at all even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. More likely my piece will arouse associations as with all my music. It has to be heard in it’s own conditions in this case as a big body of music or perhaps as a great screen where the details of course are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984 commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble Int

Terrains Vagues was commissioned by the BBC Symphony Orchestra. It was premiered on 1 April 2001 by the BBC Symphony Orchestra conducted by Sir Andrew Davis at the Barbican Hall London. The first Danish performance took place on 27 September 2001 Thomas Dausgaard conducting the Danish National Radio Symphony Orchestra at the Danish Radio Concert Hall in Copenhagen. The work is dedicated to Thomas Dausgaard. Terrains Vagues was commissioned by the BBC Symphony Orchestra. It was premiered on 1 April 2001 by the BBC Symphony Orchestra conducted by Sir Andrew Davis at the Barbican Hall London. The first Danish performance took place on 27 September 2001 Thomas Dausgaard conducting the Danish National Radio Symphony Orchestra at the Danish Radio Concert Hall in Copenhagen. The work is dedicated to Thomas Dausgaard.

Piano Score based on The Carl Nielsen Edition Series II Instrumental Music Vol.9 Part 1. Piano Score based on The Carl Nielsen Edition Series II Instrumental Music Vol.9 Part 1.

Bent Lorentzen: Værkliste Og Bibliografi Lars Ole Bonde is the extensive work list and biography of Danish composer Bent Lorentzen .

Horace Parlan Song Book This book is based on an idea by the Danish tenor saxophonist Jesper Thilo and has been made possible by a grant from The Ben Webster Foundation in Copenhagen Transcription: Olivier Antunes. Photos: Kirsten Malone Horace Parlan - Born in 1931 the American jazz pianist Horace Parlan developed his own unique piano style as a result of his affliction with polio which partially paralysed his right hand. From 1957 Parlan was in high demand among the great jazz musicians and bandleaders of New York such as Charles Mingus Stanley Turrentine Booker Ervin andRoland Kirk. During this time he was also busy recording under his own leadership. In 1972 he relocated to Denmark where he became very active on the Danish jazz scene as well as in other European countries. This led to an array of collaborations with such musicians as Archie Shepp Jesper Lundgaard Benny Carter Jimmy Roger Pedersen Idrees Sulieman Christina von Bulow Ed Thigpen NHoP Alex Riel Johnny Griffin Jackie McLean Mads Vinding and Red Holloway. In 2000 Parlan received the prestigious Ben Webster Award.

Work for Mixed Chorus. Text: Lars Lundkvist Adolf Wolfli Yunus Emre and Jorgen Gustava Brandt Work for Mixed Chorus. Text: Lars Lundkvist Adolf Wolfli Yunus Emre and Jorgen Gustava Brandt

Ballet for four Dancers. Ballet for four Dancers.

Sonate For Violin Og Klaver in English translates to Sonata For Violin and Piano . This piece was expertly composed by Vagn Holmboe in 1938. Vagn Holmboe was a Danish composer and teacher well known for his Neo-Classical style. Holmboe wrote around 370 works varying from symphonies concertos operas preludes and many other styles. Sonate For Violin Og Klaver ( Sonata No 1. For Violin and Piano) . This piece was expertly composed by Vagn Holmboe in 1935.

The Planets-The Planets is cast as a single unit consisting of seven movements varying greatly in character each of which describes a planet or a celestial body. Luna is a contrast to the sun. The sun is enormous strong and warm whereas the moon is weak thin cold and mysterious because it borrows its light from the sun. While ’Luna’ described the mysterious moon with cold thin sound colours The Planets is cast as a single unit consisting of seven movements varying greatly in character each of which describes a planet or a celestial body. Luna is a contrast to the sun. The sun is enormous strong and warm whereas the moon is weak thin cold and mysterious because it borrows its light from the sun. While ’Luna’ described the mysterious moon with cold thin sound colours

Full Score of Vagn Holmboe's Symphony No.11. Full Score of Vagn Holmboe's Symphony No.11.

Klamulàn for Violin solo was composed by Bent Sørensen in 1983. Klamulàn for Violin solo was composed by Bent Sorensen in 1983.

Full score set for chamber group of Per Nørgård's 1988 work L'Enfant L'Aube . Full score set for chamber group of Per Nørgård's 1988 work L'Enfant L'Aube .

Organisazione Populare Nr.4 Op. 352 was composed by Niels Viggo Bentzon . Organisazione Populare Nr.4 Op. 352 for Organ solo was composed by Niels Viggo Bentzon. Manuscript copy.

guitar-For guitar 1996 Edited by Thomas Krakowski For guitar 1996 Edited by Thomas Krakowski

Without Electronics-Fiasali Dreaming by Andy Pape is a piece for Mezzo-Soprano and Chamber Ensemble. Orig. version WITH electronics is available: KP01133 Programme Note: It is my intention that this piece should represent a dream sequence. The text is therefore non-intelligible in any semantic sense in the same way that most dreams are. It is also my ambition that the actual music is unintelligible (irrational) which is a very different matter alltogether. It could easíly be maintained that all music is irrational and therefore unintelligible. It is my hope that the text in connection with the four delays create a spacial musical unreality or distance which ceases at the very end of the piecewhere all delays and amplification stop and we again can wake up. Andy Pape Fiasali Dreaming by Andy Pape is a piece for Mezzo-Soprano and Chamber Ensemble. Orig. version WITH electronics is available: KP01133 Programme Note: It is my intention that this piece should represent a dream sequence. The text is therefore non-intelligible in any semantic sense in the same way that most dreams are. It is also my ambition that the actual music is unintelligible (irrational) which is a very different matter alltogether. It could easíly be maintained that all music is irrational and therefore unintelligible. It is my hope that the text inconnection with the four delays create a spacial musical unreality or distance which ceases at the very end of the piece where all delays and amplification stop and we again can 'wake up'. Andy Pape