Variations For Bass Trombone And Orchestra was composed in 1997 by the co-founder of rock band Savage Rose Anders Koppel . Variations For Bass Trombone And Orchestra was composed in 1997 by the co-founder of rock band Savage Rose Anders Koppel .

Rytme af Vagn Norgaard for blandet kor SATB klaver bas trommer og soloinstrument (ad lib.). Tekst af Halfdan Rasmussen.

Sunleif Rasmussen 's Mozaik/Miniature (1999) for Flute Clarinet Violin and Piano.

Set of parts for All In One for 3 String Quartets by Pelle Gudmundsen-Holmgreen composed in 2013(String Quartets No.12 13 and 14 played simultaneously). Commissioned by the Kronos Quartet. Set of parts for All In One - 3 String Quartets by Pelle Gudmundsen-Holmgreen composed in 2013 (String Quartets No.12 13 and 14 played simultaneously). Commissioned by the Kronos Quartet.

Britta Bystrom's La Fugitive for Brass Quintet (2004). Parts available: WH31165A Commissioned by Rikskonserter / Concerts Sweden.

Commissioned by the Sonnig Foundation Idylles D'Apocalypse is a spectacular work by Danish composer Ib Nørholm. It was composed in 1980 and this is the full score for Organ and Orchestra. It varies greatly in mood with the beginning and end of this piece representing moods of a peaceful character while the middle section depicts Lucifer's plunge into Hell. Commissioned by the Sonnig Foundation Idylles D'Apocalypse is a spectacular work by Danish composer Ib Nørholm. It was composed in 1980 and this is the full score for Organ and Orchestra. It varies greatly in mood with the beginning and end of this piece representing moods of a peaceful character while the middle section depicts Lucifer's plunge into Hell.

Doll Steps In Venice by the Danish composer Bent Sørensen . Doll Steps In Venice has been composed for solo Clarinet and Orchestra. Sørensen 's musical language is sadi to be undeniably of the present day both aesthetically and technically. The music does however appear to be pervaded with memories wisdom of experience and old dreams of the inevitability of transitoriness and parting. It is a flickering glittering world where things seem to disappear at the slightest touch. Doll Steps In Venice by the Danish composer Bent Sorensen . Scored for solo Clarinet and Orchestra. Sorensen 's musical language is said to be undeniably of the present day both aesthetically and technically. The music does however appear to be pervaded with memories wisdom of experience and old dreams of the inevitability of transitoriness and parting. It is a flickering glittering world where things seem to disappear at the slightest touch.

This short orchestral piece is a tone poem based on a passage from one of Hans Christian Andersen’s lesser known fairytales THE WIND TELLS ABOUT WALDEMAR DAAE AND HIS DAUGHTERS a mighty allegory about the transitoriness of Life about Vanity and Pride and the inevitable victory of Death (alias the wind) whose scything ravaging is sublimely depicted by Andersen in these few truly breathtaking lines: And Winter rushed Winter and Summer they rushed and they rush like I rush like the howling snow the flurrying apple blossom the scurrying foliage rush! rush! The people too!This short orchestral piece is a tone poem based on a passage from one of Hans Christian Andersen’s lesser known fairytales THE WIND TELLS ABOUT WALDEMAR DAAE AND HIS DAUGHTERS a mighty allegory about the transitoriness of Life about Vanity and Pride and the inevitable victory of Death (alias the wind) whose scything ravaging is sublimely depicted by Andersen in these few truly breathtaking lines: 'And Winter rushed Winter and Summer they rushed and they rush like I rush like the howling snow the flurrying apple blossom the scurrying foliage; rush! rush! The people too!'

Tundra - A Hommage To Jean Sibelius was commissioned by the Helsinki Philharmonics to celebrate the 125th anniversary of the birth of Jean Sibelius. The work was world premiered in Helsingfors 7th December 1990 and repeated the next day on Sibelius’ date of birth in his native town. Tundra - A Hommage To Jean Sibelius was commissioned by the Helsinki Philharmonics to celebrate the 125th anniversary of the birth of Jean Sibelius. The work was world premiered in Helsingfors 7th December 1990 and repeated the next day on Sibelius’ date of birth in his native town.

Niels Viggo Bentzon 's Micro-Trio Op. 573 (1993) for Percussion Cello and Tuba.

The electronics involved consist of 43 samples (some of which are recordings made bySamuel Stoll others taken from the internet) and pitch-shifts in the range +12/-12 (i.e.one octave up and one octave down). This all requires a close microphone andfootpedal e.g. Roland FC300 connected to computer. The left control pedal regulatesdownward pitch-shifts the right control pedal regulates upward pitch-shifts. Samples andMaxMSP-patch are available on request. Solhymne (2012) af Peter Bruun for tenor og harpe. Til tekster af Farao Akhenaton oversat af H.O. Lange bearbejdet af Peter Bruun.

Intonation/Détonation by Per Norgard - (A gold- and silver waltz with snaps of champagne) For Arne Nordheim on his 70 years birthday (20 June 2001). Composed at the request from the Norwegian Radio.

Trio Breve - Tre Fragmenter - Efter en Drøm (2012) by Per Nørgård. For Violin Cello and Piano. Former known as: Efter Drøm / After Dream Trio Breve - Tre Fragmenter - Efter en Drom (2012) by Per Norgard. For Violin Cello and Piano. Former known as: Efter Drom / After Dream

To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title året The Year): Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an original idea of simultaneously displaced opposite motions cf. the poem) comes out as desired. Of the Nocturnes Nørgård writes: Summer's Sleep wascomposed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of the summer of life which is asleep - while the heaven seed waits for the summer wind (invisible to every mind). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep summer dream. The second nocturne Michael's Night takes its name from the author Ib Michael whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit starlit night. With the titles I have chosen I have stressed the mythic layer of the text the summer night not as a dream but as sensual reality. The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003 out of gratitude for over a quarter of a century of inspiring collaboration. To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title 'aret' The Year); Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an original idea of 'simultaneously displaced opposite motions' cf. the poem)comes out as desired. Of the Nocturnes Norgard writes: 'Summer's Sleep was composed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of 'the summer of life' which is asleep - while the 'heaven seed' waits for the summer wind ('invisible to every mind'). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep summer dream.

The Planets- The Planets is cast as a single unit consisting of seven movements varying greatly in character each of which describes a planet or a celestial body. The music for Sol is built out of the massive tutti-sound of the organ. The feeling is very much like the feeling of the sun shining down brightly onto you on a warm summer’s day.

Work for SATB Chorus. 'Winter Hymn'. Work for SATB Chorus. 'Winter Hymn'.

Je Ne Me Tirai Jamais. Jamais for Narrator Choir (12 Mixed Voices) and Ensemble was composed by Pelle Gudmundsen-Holmgreen in 1966. Text By Samuel Beckett. Je Ne Me Tirai Jamais. Jamais for Narrator Choir (12 Mixed Voices) and Ensemble was composed by Pelle Gudmundsen-Holmgreen in 1966. Text By Samuel Beckett.

Anders Koppel's Concerto Piccolo - Alternative Concert Version for for Accordion Solo & Piano(or Accordion Solo & Acc. 2). Anders Koppel's Concerto Piccolo - Alternative Concert Version for for Accordion Solo & Piano(or Accordion Solo & Acc. 2).

String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Hans Abrahamsens's second string quartet was commissioned by the Lerchenborg music-week of 1981 during which it was first performed by the Gaudeamus Quartet. In Hans Abrahamsen's second quartet it is the continuous alternation of soberness and drama that first catches the listner's ears: the lyrical/gestural tradition as we know it from Arnold Schoenberg and Alban Berg pitched - not against - but around the sober barbarism which is characteristic of rhytmic neo-classicism. Both the first and the last movement of th is quartet are emotional at many levels: sad - and still seething with life andalways unpredictable in their development it is night twilight and white-hot light. Sparkling diamonds set off by scarlett velvet. The two middle movements link the contrasts without cushioning: the second movement a gruelling stripped rhythmical drill followed by a hushed far-off dance in triple meter which shifts and hesitates all the time though. There is an ambience of the classics glimpsed through many veils. The second quartet is music which is fraught with danger in its ambiguous relation to tradition: the past emerges as a most relevant and living ghost. The Beauty and the Beast as musical drama. String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Hans Abrahamsens's second string quartet was commissioned by the Lerchenborg music-week of 1981 during which it was first performed by the Gaudeamus Quartet. In Hans Abrahamsen's second quartet it is the continuous alternation of soberness and drama that first catches the listner's ears: the lyrical/gestural tradition as we know it from Arnold Schoenberg and Alban Berg pitched - not against - but around the 'sober barbarism' which is characteristic of rhytmic neo-classicism. Both the first and the last movement of th is quartet are emotional at manylevels: sad - and still seething with life and always unpredictable in their development it is night twilight and white-hot light. Sparkling diamonds set off by scarlett velvet. The two middle movements link the contrasts without cushioning: the second movement a gruelling stripped rhythmical drill followed by a hushed far-off dance in triple meter which shifts and hesitates all the time though. There is an ambience of the classics glimpsed through many veils. The second quartet is music which is fraught with danger in its ambiguous relation to tradition: the past emerges as a most relevant and living ghost. The Beauty and the Beast as musical drama.

Krydstogt - 8 Bagateller For Klaver Op.32 was composed by Poul Rovsing Olsen in 1953-54. Krydstogt - 8 Bagateller For Klaver Op.32 was composed by Poul Rovsing Olsen in 1953-54.