Programme Note WHIRLS´ WORLD (1970) for wind quintet. “Whirl´s World” was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves first note number 1 of thethree-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård Programme Note WHIRLS´ WORLD (1970) for wind quintet. “Whirl´s World” was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård

Beatus Parvo Op. 117 (1973) by Vagn Holmboe - scored for chorus SATB and Orchestra. Text: Bible - Psalm 32. Chorus score: WH29292 Vocal score: KP01850

This is the Solo Part and Piano Reduction for Concerto No. 4 For Marimba And Orchestra by Anders Koppel . This is the Solo Part and Piano Reduction for Concerto No. 4 For Marimba And Orchestra by Anders Koppel .

Concerto For Trombone Op. 21 by Kim Borg .

Familiens julesangbog er meget mere end en sangbog! Foruden 60 af de mest kendte og elskede danske julesange -salmer og sanglege får du i tilgift Juleevangeliet Johan Krohns uopslidelige juleklassiker Peters Jul og H.C. Andersens Grantræet som kan samle både store og små omkring stemningsfuld oplæsning. Desuden har vi samlet en håndfuld opskrifter på sikre julebagehits ligesom også julemiddagen og julefrokosten kan komme på plads ved hjælp af bogens nemme - men velsmagende - opskrifter. Sidst men ikke mindst finder du skabeloner til julepynten så I selv kan flette julehjerter og lave kræmmerhuse. Med Familiens julesangbog i reolen er julen sikret på alle fronter.Det eneste vi ikke kan love - men som vi naturligvis håber på - er hvid jul! Familiens julesangbog er meget mere end en sangbog! Foruden 60 af de mest kendte og elskede danske julesange -salmer og sanglege får du i tilgift Juleevangeliet Johan Krohns uopslidelige juleklassiker Peters Jul og H.C. Andersens Grantræet som kan samle både store og små omkring stemningsfuld oplæsning. Desuden har vi samlet en håndfuld opskrifter på sikre julebagehits ligesom også julemiddagen og julefrokosten kan komme på plads ved hjælp af bogens nemme - men velsmagende - opskrifter. Sidst men ikke mindst finder du skabeloner til julepynten så I selv kan flette julehjerter og lave kræmmerhuse. Med Familiens julesangbog i reolen er julen sikret på alle fronter.Det eneste vi ikke kan love - men som vi naturligvis håber på - er hvid jul!

Vocal score (only SSAA) for John Frandsen's Requiem . Requiem for Soloists (SATB) Chorus (SATB) Girl's Chorus (SSAA) and Orchestra (2010) by John Frandsen. Latin Texts and texts by Simon Grotrian. 'In memory of the victims from the Utoya massacre 22 July 2011' Commissioned by The Danish National Symphony Orchestra / DR Full score: WH31253

Work for Clarinet Cello and Piano composed in 1991. Work for Clarinet Cello and Piano composed in 1991.

Organ Solo-Arkaisk Procession for Organ solo was composed by Pelle Gudmundsen-Holmgreen in 2000. Based on four Danish medieval folk songs. Arkaisk Procession for Organ solo was composed by Pelle Gudmundsen-Holmgreen in 2000. Based on four Danish medieval folk songs.

Reconstructed and edited by Henrik Glahn and Soren Sorensen. Reconstructed and edited by Henrik Glahn and Soren Sorensen.

Work for Tenor and Orchestra setting the text of Ezra Pound. Work for Tenor and Orchestra setting the text of Ezra Pound.

Sonatine Nr.2 Op.23 by Danish composer and ethnomusicologist Poul Rovsing Olsen . Sonatine Nr.2 Op.23 by Danish composer and ethnomusicologist Poul Rovsing Olsen.

Engang Skall Du Vara En Av Dem by Per Norgard. Text by Pär Lagerkvist.

String Parts available: WH40135 String Parts available: WH40135

Bjarne Martin 's arrangement of Chrysillis for SAB. Set to the melody of Voigtländer this piece incorporates text by Thomas Kingo. Bjarne Martin 's arrangement of Chrysillis for SAB. Set to the melody of Voigtländer this piece incorporates text by Thomas Kingo.

Full score for this work for Guitar and Small Ensemble. Ruders writes: The word has its origin in ancient Greek: Psalmoidia i.e. ‘singing to the harp’ and we find the word again in Psalter derived from Psallein ‘playing the strings with the fingers’. 'Psalmodies' written for and dedicated to David Starobin has no specific religious content or aim; the collection of eleven pieces forms a concert-suite displaying a wide range of emotions; from the jubilant to the dismal the guitar playing the natural leading part ‘inside’ a chorus of woodwinds and strings. The title and each movement mirrors the variety of moods from the secular feast of A Fanfare for All to the sacredintroversion of A Prayer with Halo. 'Psalmodies' opens with a guitar-solo and closes down with one: the rejoicing Entrance for One and the hushed melancholy Exit for One thus exemplifying the emotional compass which I in an essay on my first symphony; ‘Himmelhoch Jauchsend-zum Tode betrübt’ entitle: Of Joy and Grief. Of Worship and Oblivion. Full score for this work for Guitar and Small Ensemble. Ruders writes: The word has its origin in ancient Greek: Psalmoidia i.e. ‘singing to the harp’ and we find the word again in Psalter derived from Psallein ‘playing the strings with the fingers’. 'Psalmodies' written for and dedicated to David Starobin has no specific religious content or aim; the collection of eleven pieces forms a concert-suite displaying a wide range of emotions; from the jubilant to the dismal the guitar playing the natural leading part ‘inside’ a chorus of woodwinds and strings. The title and each movement mirrors the variety of moods from the secular feast of A Fanfare for All to the sacredintroversion of A Prayer with Halo. 'Psalmodies' opens with a guitar-solo and closes down with one: the rejoicing Entrance for One and the hushed melancholy Exit for One thus exemplifying the emotional compass which I in an essay on my first symphony; ‘Himmelhoch Jauchsend-zum Tode betrübt’ entitle: Of Joy and Grief. Of Worship and Oblivion.

Concerto For Double Bass And Orchestra was composed by Anders Koppel in 2000. The work exists in 3 versions: 1)for Double Bass and String Quartet 2)for Double Bass and Piano 3)for Double Bass and Orchestra (the present edition). Concerto For Double Bass And Orchestra was composed by Anders Koppel in 2000. The work exists in 3 versions: 1)for Double Bass and String Quartet 2)for Double Bass and Piano 3)for Double Bass and Orchestra (the present edition).

Sebastians Bornesangbog - 32 af Sebastians allermest spraelske sjove underfundige og eftertaenksomme bornesange knyttet sammen af Jorgen Stamps herlige illustrationer. Indeholder bl.a. sangene Hodja fra Pjort Nana Nattergalen pa sin gren Nar lyset bryder frem og sange fra musicalerne Pippi og Ronja Roverdatter. Becifret melodilinie og tekster til alle sangene.

Parts for Poul Ruders ' Prologue To Dido And Aenas by Henry Purcell (2011). Text by Nahum Tate . Score: WH31460 Vocal score: WH31460C

Liber Canticorum Va-The text for the choral work 'Hominis dies' is partly form the book of psalms partly from Isaiah in the Latin translation of the Bible. The words are relevant today - they are about the fate of humanity - our fear of war and destruction violence and polution. The choral work is divided in three parts all of them introduced with a Halleluja. A Halleluja is most often a praise but that is not the case in this work where the suppressed and oppressed manking with this work express desperation and sorrow but also hope. The text for the choral work 'Hominis dies' is partly form the book of psalms partly from Isaiah in the Latin translation of the Bible. The words are relevant today - they are about the fate of humanity - our fear of war and destruction violence and polution. The choral work is divided in three parts all of them introduced with a Halleluja. A Halleluja is most often a praise but that is not the case in this work where the suppressed and oppressed manking with this work express desperation and sorrow but also hope.

For five equal voices a cappella. Lyrics and music: Trad. Arranged by Michael Bojesen .