Set of parts for Through The Darklands for Mezzo-Soprano and Ensemble (1996). Written for Figura Ensemble. Score available: WH31077

Elemental Chanting for Cello and Accordion (2009). This piece was written for Matti Rantanen and Marko Ylonen with support from the Madetoja Foundation governed by the Society of Finnish Composers. The first performance took place in the German Church of Helsinki April 16 2009.

Concerto No. 3 For Marimba 'Linzer' by Anders Koppel . This is the original 2002 version for Marimba and Symphony Orchestra.Premiered by Marting Grubinger Marimba and the Bruckner Orchestra Linz conducted by Ingo Ingensand 27th February 2003. Concerto No. 3 For Marimba 'Linzer' by Anders Koppel . This is the original 2002 version for Marimba and Symphony Orchestra.Premiered by Marting Grubinger Marimba and the Bruckner Orchestra Linz conducted by Ingo Ingensand 27th February 2003.

The Slow Spring is a short and unusual choral setting of the writing of Tom Kristensen impatiently yearning for the coming of Spring. Kristensen's evocative and stirring poetry translated to English by Martin Allwood are employed as both song and accompaniment as the choral group is split into two factions. An set of SATB soloists are set against an SSAA chorus to provide a compelling variety of textures and the plosive possibilities of the words themselves are fully explored with whispers held vowels and dramatic percussive consonants. The new 2018 Edition of J ohn Hoybye 's The Slow Spring from 1977. Dedicated to Thomas Morley in memory of his beautiful and optimistic madrigal Now is the Month of Maying The Slow Spring is a short and unusual choral setting of the writing of Tom Kristensen impatiently yearning for the coming of Spring. Kristensen's evocative and stirring poetry translated to English by Martin Allwood are employed as both song and accompaniment as the choral group is split into two factions. An set of SATB soloists are set against an SSAA chorus to provide a compelling variety of textures and the plosivepossibilities of the words themselves are fully explored with whispers held vowels and dramatic percussive consonants.

The first major piano work by consummate Scandinavian composers Carl Nielsen. This accurate critical edition of Symphonic Suite contains extensive notes on the method of revision and comments on the historical context of the work by Mina F. Miller. With it's heart rooted firmly in the Romantic era tradition it is dynamic and has an advanced harmonic approach which became characteristic of Nielsen's work. The first major piano work by consummate Scandinavian composers Carl Nielsen. This accurate critical edition of Symphonic Suite contains extensive notes on the method of revision and comments on the historical context of the work by Mina F. Miller. With it's heart rooted firmly in the Romantic era tradition it is dynamic and has an advanced harmonic approach which became characteristic of Nielsen's work.

Piano-Programme Note: The name Event Horizon was coined by the brilliant British physicist Stephen Hawking to describe the circumference of a so-called black hole the remains of a collapsed star with a gravity-pull so powerful so that not even light can escape from it. This 5-minute study for piano has - needles to say - nothing to do with black holes but the term event horizon fascinates med and strikes me as near-perfect description of virtually any stretch of organized sound evolving in time e.g. a musical composition with a strong linear focus. So - Event Horizon it is as seamless composition of high density evolving in three parts: swinging-ricocheting-sweeping amusical journey of speed from fast to furiously fast a study based on a high economical compositional material constantly renewing itself the hands running parallel separating meeting again. The discreetest use of pedaling is advised ... Poul Ruders May 2001 Programme Note: The name Event Horizon was coined by the brilliant British physicist Stephen Hawking to describe the circumference of a so-called 'black hole' the remains of a collapsed star with a gravity-pull so powerful so that not even light can escape from it. This 5-minute study for piano has - needles to say - nothing to do with black holes but the term 'event horizon' fascinates med and strikes me as near-perfect description of virtually any stretch of organized sound evolving in time e.g. a musical composition with a strong linear focus. So - 'Event Horizon' it is as seamless composition of high density evolving in three parts:swinging-ricocheting-sweeping a musical journey of speed from fast to furiously fast a study based on a high economical compositional material constantly renewing itself the hands running parallel separating meeting again. The discreetest use of pedaling is advised ... Poul Ruders May 2001

The Eye Of The Eagle- The Eye of the Eagle (ornens oje) - Suite for Narrator (ad lib.) and Orchestra by Soren Hyldgaard (1997). Music from the motion picture by Peter Flinth . SUITE FOR NARRATOR (AD LIB.) AND ORCHESTRA 010711

Dreihundertvier Sterne In Einem Kleinen Fenster by the Danish composer Bent Sørensen scored for solo Piano. Dreihundertvier Sterne In Einem Kleinen Fenster by the Danish composer Bent Sorensen scored for solo Piano.

Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders. Piano Solo and Orchestral Reduction. Dedicated Becky Starobin. Written for Vassily Primakov. Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Programme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonoroustreasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing for one of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'. However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes. The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening. The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored. The finale is a crazy rondo of sorts.

Rock Session by Hans Frydendall - 12 tunes for vocals C B and Eb instruments and rythm section. This book should be considered an attempt to help cover the lack of available ensemble material within therock music genre. As was the case with the three previous books in this series Salsa Session Samba Session and Blues Session the material is set up systematically to facilitate working with the songs. Rock Session by Hans Frydendall - 12 tunes for vocals C B and Eb instruments and rythm section. This book should be considered an attempt to help cover the lack of available ensemble material within therock music genre. As was the case with the three previous books in this series Salsa Session Samba Session and Blues Session the material is set up systematically to facilitate working with the songs.

Organ Solo-Spejlkabinet for Organ solo was composed by Pelle Gudmundsen-Holmgreen in 2002. Spejlkabinet for Organ solo was composed by Pelle Gudmundsen-Holmgreen in 2002.

Orchestration: fl.ob.2cl(bcl).bn.hn Three Pieces by Robert Schumann transcribed for Woodwind Sextet by Hans Abrahamsen (1998). Dedicated to Per Norgard. Parts available: WH31244A Contents I. [Sehr] Innig From DAVIDSBuNDLERTäNZE (Dances of the League of David) for piano. Opus 6 from 1837. Innig is No. 2 in the collection. II. Eusebius From CARNAVAL for Piano Opus 9 from 1834-1835. Eusebius is No. 5 of 20 numbered pieces in the collection. III. Melodie From ALBUM FuR DIE JUGEND (Album for the Young) for piano. Opus 68 from1848. Melodie is No. 1 in the collection.

This is the original version of Winternacht for 7 instruments composed by Hans Abrahamsen in 1976-78. Programme Note: Winternacht was written in 1976-78 and the title was taken from a poem by the Austrian poet Georg Trakl. The four movements which are all very precise and dreamingly poetic are almost classical in terms of clarity and discipline in orchestration and form: hence the dedication of the third movement to Igor Stravinsky. However the music has a strong impressionistic quality as well: four introverted still lives of the velvety dark iceness of a silvery winter night (one can veritably sense the fairy-tale-like sleigh ride in the two outer movements). The secondmovement is dedicated to the eccentric lithographer M.C. Escher and the first and last movements are both dedicated to Georg Trakl. As in the well-known orchestral work Stratifications we can enjoy Abrahamsen's fascination with having several events occur simultaneously: a thoughtful as well as playful multilayered quality mirrors the poetic and mysterious worlds of painting literature nature and most important of all: music. Poul Ruders This is the original version of Winternacht for 7 instruments composed by Hans Abrahamsen in 1976-78. Programme Note: Winternacht was written in 1976-78 and the title was taken from a poem by the Austrian poet Georg Trakl. The four movements which are all very precise and dreamingly poetic are almost classical in terms of clarity and discipline in orchestration and form: hence the dedication of the third movement to Igor Stravinsky. However the music has a strong impressionistic quality as well: four introverted still lives of the velvety dark iceness of a silvery winter night (one can veritably sense the fairy-tale-likesleigh ride in the two outer movements). The second movement is dedicated to the eccentric lithographer M.C. Escher and the first and last movements are both dedicated to Georg Trakl. As in the well-known orchestral work Stratifications we can enjoy Abrahamsen's fascination with having several events occur simultaneously: a thoughtful as well as playful multilayered quality mirrors the poetic and mysterious worlds of painting literature nature and most important of all: music. Poul Ruders

Bass Clarinet Part-The distinctive Bass Clarinet part for Per Nørgård's Mytisk Morgen . This is a challenging piece especially for choirs and uses ambiguous tonality and other dissonance as structural devices. This work for Mixed voice Chorus and Bass Clarinet was composed in 2000. The Vocal Score is also available KP01061. The distinctive Bass Clarinet part for Per Nørgård's Mytisk Morgen . This is a challenging piece especially for choirs and uses ambiguous tonality and other dissonance as structural devices. This work for Mixed voice Chorus and Bass Clarinet was composed in 2000. The Vocal Score is also available KP01061.

The parts can be rented: hire@ewh.dk Territorial Songs (2009) for Recorder solo and Orchestra by the Faroese composer Sunleif Rasmussen . Part for solo Recorder: WH32043C The parts can be rented: hire@ewh.dk

Gron Drommesang (2007) for Violin Viola and Cello Gron Drommesang (Dream Song In Green) is based on the composers choral song Du skal plante et trae from 1967 (You should plant a tree text by the Dane Piet Hein) one of the few melodies that came to the composer in a dream as indicated by the title. Dedicated to Trio Aristos.

A Tambourin is a lively dance with two beats. Originally from Provence is was often accompanied by a pipe and a tambourine. Melodic simplicity and poignant rhythm were characteristic features often imitating the hand striking the percussion instrument. They were most popular widespread across France and Europe in the 18th Century this dance often inspired the more sophisticated court composers especially in France. This volume consists of 14 Tambourines by some of the great composers including Philibert de Lavigne Christoph Willibald Gluck Georg Friedrich Handel and Jean-Marie Leclair all arranged for Guitar and Flute by Bent Larsen and Jan Sommer.A Tambourin is a lively dance with two beats. Originally from Provence is was often accompanied by a pipe and a tambourine. Melodic simplicity and poignant rhythm were characteristic features often imitating the hand striking the percussion instrument. They were most popular widespread across France and Europe in the 18th Century this dance often inspired the more sophisticated court composers especially in France. This volume consists of 14 Tambourines by some of the great composers including Philibert de Lavigne Christoph Willibald Gluck Georg Friedrich Handel and Jean-Marie Leclair all arranged for Guitar and Flute by Bent Larsen and Jan Sommer.

1983 For mixed choir SATBB Orig version 'Choral Hymn': WH32008 for SATB Per Norgard 's A Choral Hymn (On Frostbound Earth) from 1983 for Mixed Choir SATBB. Based on 'Choral Hymn' and a fragment of 'The Year'. Orig. version 'Choral Hymn': WH32008 for SATB Orig. DK version 'Korsalme': WH32007 Programme note When in 1975 I had finished composing my 3rd Symphony (begun in 1973) I wrote three simple melodies for two psalm texts by Ole Sarvig The Year and Choral Hymn. One of these was later included in the Danish Hymnbook under the title aret - Som aret gar (The Year). Thesethree Sarvig tunes were derived from the same material as the second movement of the symphony and could be harmonized together in several different tempo relationships at the same time - like fractals. This inspired me to write several choral and instrumental works in the following decade based on these melodies for instance Frost Psalm Winter Cantata Cycles Cantica and this A choral hymn (On frostbound earth) all coloured by the Nordic and mythic poem The year by Sarvig the beginning of which goes : The passing year will pass its deep So shall our mind reach winters sleep. And as the tree stands leafles bare Is winters realms: our minds aware. - Ole Sarvig (translated by Helen and Ole Sarvig) Per Norgard

Lunar Dreams-Written for solo cello. Rhizome - Sonata No. 4 In Two Suites - Suite 1: Lunar Dreams - for solo Cello. Dedicated to Jakob Kullberg. Manuscript copy.

2006for Overtone Singer and String QuartetEnsembleOvertone Singer (Chanter)(this part may be performed by the Viola Player from the String Quartetor by a Singer alone ad lib.)Violin 1Violin 2Viola(the Viola player also performing the Overtone singing part ad lib.)Violoncello Set of parts for Only The Wind (2006) for Overtone Singer and String Quartet by Soren Nils Eichberg . The Ovetone Singer part part may be performed by the Viola Player from the String Quartet or by a singer alone ad lib. Score: WH31535