Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written for the celebration of the 500th anniversary of the Reformation in 2017 commissioned by The Danish Society of Organists and Cantors. From the preface: The three movements of the work are musical images or situations with the middle one Toccata as its axis. The latter is intended as an image of the dispute between Luther and the ecclesiastical authorities which is the origin of the Reformation. Two of Luther's Reformation Hymns are more or less palpably present in the music. The other two movements can be regarded as 'before' and 'after'. The first Exordíum is a 'fluid' situation but also a preparation which gradually accumulates a suspense pointing towards the discharge of energy of the Toccata. The third movement Hymn represents a serene situation where a wealth of hymnal fragments grows out of an underlying structure repeated several times (technically speaking a passacaglia). There are also elements however which are derived from the previous movements. Niels Rosing-Schow (2016) Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written for the celebration of the 500th anniversary of the Reformation in 2017 commissioned by The Danish Society of Organists and Cantors. From the preface: The three movements of the work are musical images or situations with the middle one Toccata as its axis. The latter is intended as an image of the dispute between Luther and the ecclesiastical authorities which is the origin of the Reformation. Two of Luther's Reformation Hymns are more or less palpably present in the music. Theother two movements can be regarded as 'before' and 'after'. The first Exordíum is a 'fluid' situation but also a preparation which gradually accumulates a suspense pointing towards the discharge of energy of the Toccata. The third movement Hymn represents a serene situation where a wealth of hymnal fragments grows out of an underlying structure repeated several times (technically speaking a passacaglia). There are also elements however which are derived from the previous movements. Niels Rosing-Schow (2016)

POD-Louise Alenius' When Silence Came (2015) for Soprano Countertenor 2 Violins Viola Cello and Double Bass. Lyrics by the composer. Parts: WH32758A / Vocal score: WH32758C Louise Alenius' When Silence Came (2015) for Soprano Countertenor 2 Violins Viola Cello and Double Bass. Lyrics by the composer. Parts: WH32758A / Vocal score: WH32758C

A Posthuman Guide To The Orchestra - for Siri and Orchestra (2017). Commissioned by the the Oslo Philharmonic Orchestr a. First Performance: Oslo 03.05.2018 conducted by Eivind Aadland. A Posthuman Guide To The Orchestra - for Siri and Orchestra (2017). Commissioned by the the Oslo Philharmonic Orchestr a. First Performance: Oslo 03.05.2018 conducted by Eivind Aadland.

Forarssang Af Operaen Susanne (1950) by Knudåge Riisager. Text by Mogens Lorentzen. Forarssang Af Operaen Susanne (1950) by Knudage Riisager. Text by Mogens Lorentzen.

Eivind Buene 's Sea Change for String Trio and Ensemble (2016). Commissioned by the Bergen Festival for London Sinfonietta with Guro Kleven Hagen Eivind Holtsmark Ringstad and Kian Soltani. First performance: Bergen 02.06.17 conducted by Pierre-André Valade. Parts are available on hire: hire@ewh.dk

Søren Nils Eichberg 's Toccata for two Violins. Score and parts. This piece was composed in 2001. Soren Nils Eichberg 's Toccata for two Violins (2001).

For Piano Trio Composed 2017 Love In The Afternoon was composed by Britta Bystrom - for the Kungsbacka Piano Trio on their 20th Birthday in 2017.

Carolina Moon by Benny Davis and Joe Burke with lyrics and Piano music.

Sommerstemning. BVN205 Sommerstemning. BVN205

Vagn Norgaard's 9 Sange Til Tekster Af Piet Hein for Voice and Piano.

Version For String Quartet And String Orchestra (Score)-Endorphin - Concerto Grosso - Version for String Quartet and String Orchestra by Søren Nils Eichberg (2011/2016). Originally written for String Quartet and Chamber Orchestra. Endorphin - Concerto Grosso - Version for String Quartet and String Orchestra by Soren Nils Eichberg ( 2011/2016). Originally written for String Quartet and Chamber Orchestra.

Work for Piano. Work for Piano.

A Well Of Living Water for Equal Voices SSA Violin and Viola by Peter Bruun (2017). Written for Anette and Helge Slaatto & Aarhus Girls Choir. Text from the Old Testament. A Well Of Living Water for Equal Voices SSA Violin and Viola by Peter Bruun (2017). Written for Anette and Helge Slaatto & Aarhus Girls Choir. Text from the Old Testament.

The English translation of Gudmundsen-Holmgreen's Konstateringer (Statements) . The English translation of Gudmundsen-Holmgreen's Konstateringer (Statements) .

Set of parts for Vagn Holmboe 's String Quartet No.9 ('9.Quartetto') / Strygekvartet Nr.9 Op.92 (1966). Score available: WH28992

Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Jazz Chords on Piano (WH32971) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano . There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing but admittedly there are of course many other ways to play or other techniques to use. In Jazz Chords on Piano - 2 I have chosen to focus on four typical techniques: Part 1 - Playing Arpeggio in left hand Part 2 - 4-stacked chords in a piano movement Part 3 - Left-hand chords Part 4 -Overlying triads when accompanying To illustrate the various techniques I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable. (Tormod Vinsand) Tormod Vinsand (born 1958) has a Master's Degree in Musicology from University of Copenhagen. Since 1988 Tormod has been a jazz piano lecturer at The Rhythmic Music Conservatory Copenhagen The Institute of Musicology at University of Copenhagen and the Royal Danish Academy of Music Copenhagen. The material you fi nd in this book has been used at the above three educational institutions and is primarily targeted to music students that do not have the piano as their primary instrument at these schools. But others may also benefi t from this book provided you have an elementary theoretical background in music. Since 2013 Tormod has also been Music School Manager at the Rødovre School of Music. Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Jazz Chords on Piano (WH32971) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano . There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing but admittedly there are of course many other ways to play or other techniques to use. In Jazz Chords on Piano - 2 I have chosen to focus on four typical techniques: Part 1 - Playing Arpeggioin left hand Part 2 - 4-stacked chords in a piano movement Part 3 - Left-hand chords Part 4 - Overlying triads when accompanying To illustrate the various techniques I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable. (Tormod Vinsand) Tormod Vinsand (born 1958) has a Master's Degree in Musicology from University of Copenhagen. Since 1988 Tormod has been a jazz piano lecturer at The Rhythmic Music Conservatory Copenhagen The Institute of Musicology at University of Copenhagen and the Royal Danish Academy of Music Copenhagen. The material you

Louise Alenius's Laura for Piano quartet.

For Descant Recorder and Harpsichord-Niels Viggo Bentzon (1919-2000): Composer and much more. His musical career began with learning to play the piano and the organ. By the time Niels Viggo Bentzon took his degree as an organist in 1942 he had already written 19 works most of which were for the piano. Bentzon left a most diverse output of more than 600 opus numbers. Niels Viggo Bentzon (1919-2000): Composer and much more. His musical career began with learning to play the piano and the organ. By the time Niels Viggo Bentzon took his degree as an organist in 1942 he had already written 19 works most of which were for the piano. Bentzon left a most diverse output of more than 600 opus numbers.

Violin/Piano reduction of work for Violin and Orchestra. Violin/Piano reduction of work for Violin and Orchestra.

Work for Orchestra dating from 1970. Per Norgard's Symphony No. 2 In One Movement - work for Orchestra dating from 1970. Programme Note: After the first performance of my chamber orchestra work VOYAGE INTO THE GOLDEN SCREEN (1969) I was very preoccupied with voyaging on' in the infinity series I had brought to fruition in the second movement of the work: instead of about 1000 notes of the series I wanted to use about 4000 in order to create the potential for further exploration of the many layers and interval combinations of the infinity series. Instead of the pristine progression of the notes and its orchestration inVoyage' I now wanted to intervene: to create melodies lead up to climaxes darken enlighten etc. but all with respect for the continuous flow and the preservation of the special timeless objectivity characteristic of the infinity series. One can perhaps experience the many recurrences of motifs in tempo layers from fast to very slow as a successor to the fractal computer graphics of the eighties. At any rate this Symphony no. 2 in one movement' (which was the result) became the precursor of the other works of the seventies including my 50-minute long chorally integrated Third Symphony (from 1973-75) which is also based on the infinity series but in addition has incorporated the upper and lower harmonic series and rhythms with Golden' duration proportions. The Second Symphony lasts about 25 minutes and was given its first performance on13th April 1970 by the Aarhus City Orchestra conducted by Per Dreier. Per Norgard August 1992