For Solo Bass SSATB Chorus Strings and Organ. For Solo Bass SSATB Chorus Strings and Organ.

Work for Soprano and Ensemble. Work for Soprano Solo and Ensemble.

Rock Crystal for 2 Sopranos Baritone and Orchestra + Soundfiles by Henrik Hellstenius with text by Adalbert Stifter. This piece is a version of Love Songs II written for the stage performance: Theatre of the Ear: About The Nature commissioned by The Norwegian Opera. Rock Crystal will have its premiere at the Ultima Festival in Oslo Septembre 2015. Rock Crystal for 2 Sopranos Baritone and Orchestra + Soundfiles by Henrik Hellstenius with text by Adalbert Stifter. This piece is a version of Love Songs II written for the stage performance: 'Theatre of the Ear: About The Nature' commissioned by The Norwegian Opera. Premiered at the Ultima Festival in Oslo September 2015.

Ballet-This is the complete Ballet piano reduction which was composed in 1940. This is the complete Ballet piano reduction which was composed in 1940.

Arranged for piano by Carl Tausig.

For SSA Choir (Upper Voices) and Organ Accompaniment. For SSA Choir (Upper Voices) and Organ Accompaniment.

The Bells of Vestervig was originally commissioned for Carillon and Organ. It was first performed by Peter Langberg and Ivar Mæland in connection with there-inauguration of the Organ in Vestervig Church in Denmark February 27th 2011. The version for Carillon solo is based upon the original piece and was performed bythe Carillonist Peter Langberg August 9th 2014 from the tower of Our Saviour's Church Copenhagen. Each movement may be used independently liturgically or in concert. The Bells of Vestervig is also published for Organ solo by Edition Wilhelm Hansen: WH31496. The Bells of Vestervig was originally commissioned for Carillon and Organ. It was first performed by Peter Langberg and Ivar Mæland in connection with there-inauguration of the Organ in Vestervig Church in Denmark February 27th 2011. The version for Carillon solo is based upon the original piece and was performed bythe Carillonist Peter Langberg August 9th 2014 from the tower of Our Saviour's Church Copenhagen. Each movement may be used independently liturgically or in concert. The Bells of Vestervig is also published for Organ solo by Edition Wilhelm Hansen: WH31496.

Segelnde Stadt for Orchestra was composed by Britta Byström in 2014. Segelnde Stadt for Orchestra was composed by Britta Byström in 2014.

for Violin Piano and String Orchestra-This is the Solo Violin part for Double Concerto for Violin Piano and String Orchestra by Hans Abrahamsen . This is the Solo Violin part for Double Concerto for Violin Piano and String Orchestra by Hans Abrahamsen . Full score: WH31276

Though the first published version of this piece appeared in 1886 it was not until Maurice Ravel created an Orchestral version of Pictures From An Exhibition in 1922 that the world awoke to the magnificence of the work. Originally created to honour a deceased artist friend of Mussorgsky’s by creating musical impressions of his art works at an exhibition the work also represents the composer’s version of Russian national music a cause to which Mussorgsky was dedicated.The music includes translations of the composer’s own comments on each movement in descriptions of the pictures. The Promenade is now frequently used as a processional at weddings.

Ole Schmidt is best known throughtout the world as a conductor but he is also a highly talented and productive composer who has worked in nearly every idiom and genre. This piece is typical of his expressive qualities and demonstrates that while his music is often eclectic sometimes experimental he forms a basis in the Neoclassical tradition. It is his leaning toward driving rhythm and jazz-inspired harmony that makes his music compelling and attractive to listen to.Ole Schmidt is best known throughtout the world as a conductor but he is also a highly talented and productive composer who has worked in nearly every idiom and genre. This piece is typical of his expressive qualities and demonstrates that while his music is often eclectic sometimes experimental he forms a basis in the Neoclassical tradition. It is his leaning toward driving rhythm and jazz-inspired harmony that makes his music compelling and attractive to listen to.

Set of parts for Rued Langgaard 's String Quartet No. 2 dating from 1931. BVN 145 Set of parts for Rued Langgaard 's String Quartet No. 2 dating from 1931. BVN 145

For Male Voice Choir (TTBB). For Male Voice Choir (TTBB).

A rare sampling of European secular choral music from the 1500's. These works represent the English French Flemish German and Spanish tradition. A rare sampling of European secular choral music from the 1500's. These works represent the English French Flemish German and Spanish tradition.

The Vocal score for Britta Byström 's Gállabártnit - A Stage Work in 8 Scenes for Soli Choir Dancers and Ensemble. Libretto in Sami by Rawdna Carita Eira. Initiated by Soundstreams: Music commissioned by Music i Syd with support from Swedish Arts Council. Llibretto created with support from Norwegian Sametinget Kulturrådet TONO and Tekstforfatterfondet Parts are available on hire: hire@ewh.dk Britta Bystrom 's Gallabartnit - A Stage Work in 8 Scenes for Soli Choir Dancers and Ensemble. Libretto in Sami by Rawdna Carita Eira. Initiated by Soundstreams; Music commissioned by Music i Syd with support from Swedish Arts Council. Llibretto created with support from Norwegian Sametinget Kulturradet TONO and Tekstforfatterfondet. Full score: WH32727 Parts are available on hire: hire@ewh.dk

For Piano Solo. For Piano Solo.

Edited by Edwin Fischer

Paganini Variations - Piano Concerto No.3 (The original guitar-part arranged for piano and pianist Anne-Marie McDermott by the composer 2014).Programme note:In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on Nicolo Paganini´s famous 24th Caprice for violin solo a workwhich itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behindit being hauled through the wringer by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with thattune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t endthere and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested why not transcribe the solo part for piano?. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like wereit the one-and-only the real thing if you like.The orchestral score remains exactly the same in both cases. Both versions the two Paganini Variations are comparable to a set of twins not quite identical but almost. And both each others´s equal.Poul Ruders Paganini Variations - Piano Concerto No.3 by Poul Ruders . The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014. Piano solo part: WH32201C Parts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganinis famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it bei

Hvidbjerg-Drapa. Instrumentation: Mixed choir SSAATTBB 3.2.2.2/4.3.3.1/timp/2 perc/org/str. BVN343 Hvidbjerg-Drapa. Instrumentation: Mixed choir SSAATTBB 3.2.2.2/4.3.3.1/timp/2 perc/org/str. BVN343

Work for Trumpet Trombone and Orchestra. Work for Trumpet Trombone and Orchestra.