A piece for two percussionists composed and dedicated to Safri Duo who premiered it at the Numus Festival in May 1991. The basic idea of the piece lies in the continuous re-verberation effects between the two musicians. A piece for two percussionists composed and dedicated to Safri Duo who premiered it at the Numus Festival in May 1991. The basic idea of the piece lies in the continuous re-verberation effects between the two musicians.

Illuminations - Capriccio For Flute And Orchestra was composed by Erik Norby in 1977. Programme Note: The title should rightly be pronounced in French (same spelling) as the piece was composed for and is dedicated to French flute virtuoso Jean-Pierre Rampal who premiered ILLUMINATIONS in connection withhimreceiving the Danish Sonnings Musikpris in 1978. The title reflects my endeavour to create different illuminative effects in sound for which the flute is an excellent medium with its apparent ability to transform light phenomena into musical shapes. Tue music in ILLUMINATIONS sometimes sounds like glitteringreflections sometimes like a roaring bonfire. The absence of ordinary flutes in the orchestra further enables the soloist to shine above a darker orchestral background. Several motives and shapes are illuminated along the way and the music progresses in kaleidoscopic pattems of prismatic refractions. Erik Norby

CD (soundfiles) for Self Portrait In Bright Light (2010) for Narrator Clarinet String Quartet and Soundfiles (spoken texts only). All texts by Henrik Hellstenius. Score available: WH31256

Just Outside for Soprano and String Quartet (2012) by Soren Nils Eichberg. Text by the composer. Dedicated to Lore Lixenberg and the Brodsky Quartet. Instr. parts: WH31644A

Composed in 1989 Anders Brodsgaard 's Dream Fragment for solo Violin was composed in 1989. Commissioned by Nordisk Konservatorierad . Programnote: DREAM FRAGMENT er skrevet i 1989 pa bestilling af Nordisk Konservatorierad og indgik i en workshop pa det Jyske Musikkonservatorium hvor de strygerstuderende indstuderede vaerker skrevet af nordiske komponister. Desvaerre blev DREAM FRAGMENT erklaeret for uspilleligt i forste omgang indtil en ung solistklasse-studerende Johannes Soe Hansen fik fingre i det. DREAM FRAGMENT begynder pa de hojest mulige flageolet-toner bevaeger sig gradvist ned i 'normalt' violintone-omrade og forsvinder hen mod slutningen igen op i det hojeste flageolet-leje. 'Hovedtemaet' i stykket er en brudt akkord - spillet med violinetude-bueforing i Paganini-stil - som optraeder bade som flageolet-akkord som fortissimo-akkord som pizzicato-akkord som en melodisk bevaegelse etc. Stykket blev det forste i en raekke - mere eller mindre uspillelige - stykker for violin og cello hvor jeg udnytter strygeinstrumenternes naturlige flageoletter - dvs de overtoner der fremkommer nar man berorer strengen ganske let pa nogle bestemte punkter. En teknik der kraever meget stor praecision og teknisk kunnen af den udovende. Anders Brodsgaard

Sunleif Rasmussen's Three Dances for Saxophone Quartet (2010). Parts are available: WH31375A

Full score for Orchestra. Commissioned by Sveriges Radio Berwaldhallen. Orchestration Flute Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 Clarinet Piccolo in Eb Clarinet 1 in Bb Clarinet 2 in Bb Bassoon 1 Bassoon 2 Horn 1 in F Horn 2 in F Horn 3 in F Horn 4 in F Tromba Piccolo in A Tromba 1 in C Tromba 2 in C Trombone 1 Trombone 2 Trombone 3 Percussion 1 (Vibraphone/Campanelli) Percussion 2 (Campanelli/Triangolo/Cowbells in Bb Eb and F) Percussion 3 (Campane/Piatto Cinese Glass Chimes) Archi Britta Bystrom's Der Vogel Der Nacht for Orchestra (2010). Commissioned by Sveriges Radio Berwaldhallen. Parts are available on hire: hire@ewh.dk

Parts for Piano Quintet by Anders Koppel . Parts for Piano Quintet (2011) by Anders Koppel .

EnsembleFluteClarinet in BBaritone Saxophone in E(alternatively Bass Cl. in B or Bassoon)Percussion (one player):(Snare Dr. Crash Cymb. Bass Dr. 4 Tomtoms Vibraphone)PianoViolin 1Violin 2ViolaVioloncelloThe score is notated in transposition Soren Nils Eichberg's Night Machine for nine instruments (2006). Parts are for hire: hire@ewh.dk Ensemble: Flute Clarinet in B Baritone Saxophone in E(alternatively Bass Cl. in B or Bassoon) Percussion Piano 2 Violin Viola Violoncello.

Concertino For 2 Guitars And Chamber Ensemble was composed by Anders Koppel in 2003. Concertino For 2 Guitars And Chamber Ensemble was composed by Anders Koppel in 2003.

Vagn Holmboe's Sonata from Opus 145 for Recorder and Harpischord. Vagn Holmboe's Sonata from Opus 145 for Recorder and Harpischord.

Carl Nielsen's Festpræludium / Festival Prelude (1900) for Piano has been expertly arranged for Orchestra by Hans Abrahamsen (2000). Commissioned by the Danish Radio and dedicated to the Danish National Symphony Orchestra for their 75th Anniversary in 2001. Carl Nielsen's Festpræludium / Festival Prelude (1900) for Piano has been expertly arranged for Orchestra by Hans Abrahamsen (2000). Commissioned by the Danish Radio and dedicated to the Danish National Symphony Orchestra for their 75th Anniversary in 2001.

Laererhaefte-LærerhæfteEn lille julemusical for de mindste klasser - med hjælp fra fem voksne eller store børn. LærerhæfteEn lille julemusical for de mindste klasser - med hjælp fra fem voksne eller store børn.

For string quartet1969 Set of parts for Ole Buck's Hyperion for String Quartet (1969). Score: WH31550

A collection of challenging and specialised studies exploring the variety of sounds and techniques of the Cello. Each study is full of unique character perfectly suited to the concert hall as well as private rehearsal. Some represent virtuosic technical displays whereas others are more lyrical and challenge the performer's interpretive skills. A collection of challenging and specialised studies exploring the variety of sounds and techniques of the Cello. Each study is full of unique character perfectly suited to the concert hall as well as private rehearsal. Some represent virtuosic technical displays whereas others are more lyrical and challenge the performer's interpretive skills.

Rasmussen's Genklang is written for Grand Piano (four-hands) Prepared Piano Mistuned Piano and Celesta. This edition is the performance score. Rasmussen's Genklang is written for Grand Piano (four-hands) Prepared Piano Mistuned Piano and Celesta. This edition is the performance score.

Concerto For Cello And Orchestra was composed by Erik Højsgaard in 1975 (rev.1976-78). Concerto For Cello And Orchestra was composed by Erik Højsgaard in 1975 (rev.1976-78).

Tekst: Johannesevangeliet 12 35-36 Til Haderslev Domkirkes Ungdomskor Lysets Born for lige stemmer (SSA) a cappella af Soren Birch. Tekst: Johannesevangeliet 12 35-36. Til Haderslev Domkirkes Ungdomskor.

The composer writes: The piece is in three movements: the first movement present three different types of music juxtaposed meeting in the end in a chaotic brutal sound. The second movement is the longest consisting of an expressive opening and a gradual build-up of an exstatic motoric motion until a climax the opening then comes back and the music dies away. The third movement is a very short pianissimo echo. The primary focus of the piece is the element of sound. Polyphony is absent and the instruments are always packed together playing in a very narrow register merging into a dense monophonic or occasionally heterophonic sound. The harmony is based on dronesand the tonality is G# modulating only once (in the climax of the second movement) and all the motivic material is derived from a kind of G#-Phrygian scale. All in all this gives associations to the sound-world of oriental ethnic music. The composer writes: The piece is in three movements: the first movement present three different types of music juxtaposed meeting in the end in a chaotic brutal sound. The second movement is the longest consisting of an expressive opening and a gradual build-up of an exstatic motoric motion until a climax; the opening then comes back and the music dies away. The third movement is a very short pianissimo echo. The primary focus of the piece is the element of sound. Polyphony is absent and the instruments are always 'packed together' playing in a very narrow register merging into a dense monophonic or occasionally heterophonic sound. The harmony is based on dronesand the tonality is G# modulating only once (in the climax of the second movement) and all the motivic material is derived from a kind of G#-Phrygian scale. All in all this gives associations to the sound-world of oriental ethnic music.

Concerto For Violoncello And Orchestra was composed by Anders Koppel in 2009. Concerto For Violoncello And Orchestra was composed by Anders Koppel in 2009.