Ruders writes: There's a solid tradition in the history of Western music of turning the theme of Nicolo Paganini's 24th Caprice for soloviolin into a set of variations endemic to the time and style of each individual composer Liszt Brahms Rachmaninov and Lutoslawsky being the most prominent names. When asked by David Starobin to write a concerto for him I though well why not have a go at it? - bearing in mind that not only is Paganini the most celebrated violin-wizard of all times but he was also a more than accomplished guitarist. There are 22 variations in all numbers 1 to 16 all adhering strictly to the 16-bar pattern laid down by Paganini himself. From variation17 though the writing becomes more symphonic and the rigid 16-bar regime is being lossendes up a bit. However the last variation 'Finale Prestisimo' is a 6 x 16 bars white-knuckle ride in which the hitherto soloistic role of the guitar gives way to that of 'primus interpares' i.e. 'first among equals'. As with another set of variations of mine 'Concerto on Pieces' (based on a tune by Purcell) the nature and shape of the 'Pagannini-Variations' may be compared to a stroll through a hall of mirrors: the portrait - the theme is gradually being distorted out of all recognition - but it's still the same original walking by. Ruders writes: There's a solid tradition in the history of Western music of turning the theme of Nicolo Paganini's '24th Caprice' for soloviolin into a set of variations endemic to the time and style of each individual composer; Liszt Brahms Rachmaninov and Lutoslawsky being the most prominent names. When asked by David Starobin to write a concerto for him I though 'well why not have a go at it?' - bearing in mind that not only is Paganini the most celebrated violin-wizard of all times but he was also a more than accomplished guitarist. There are 22 variations in all numbers 1 to 16 all adhering strictly to the 16-bar pattern laid down by Paganini himself. From variation17 though the writing becomes more symphonic and the rigid 16-bar regime is being lossendes up a bit. However the last variation 'Finale Prestisimo' is a 6 x 16 bars 'white-knuckle ride' in which the hitherto soloistic role of the guitar gives way to that of 'primus interpares' i.e. 'first among equals'. As with another set of variations of mine 'Concerto on Pieces' (based on a tune by Purcell) the nature and shape of the 'Pagannini-Variations' may be compared to a stroll through a hall of mirrors: the 'portrait' - the theme is gradually being distorted out of all recognition - but it's still the same 'original' walking by.

Haeftet indeholder 10 kendte filmmelodier i becifrede klaverarrangementer og henvender sig til dem der har spillet klaver et stykke tid. Du far bl.a. To be or not to be Er du dus med himlens fugle Lad os flyve til en stjerne Den allersidste dans Lille Froken Himmelbla og Hvorfor er lykken sa lunefuld .

Stemmesaet til Gabriel Og Maria af John Hoybye . Juleoratorium for blandet kor (SATB) recitator soli flojte orgel klaver og bas (trommer/percussion ad lib.). Partitur: WH31081 Korpartitur: WH31081B Tekster af Britt G. Hallqvist.

Kantate Til Jul - Christmas Cantata for Soprano SATB Choir and Organ by Søren Birch (2008). Full score available: WH31565 Version for SOP/SSA/SATB/ORG: WH31076 Kantate Til Jul - Christmas Cantata for Soprano SATB Choir and Organ by Soren Birch (2008). Full score available: WH31565. Version for SOP/SSA/SATB/ORG: WH31076

String Quartet No. 13 'Mutual Ordering' was composed by Pelle Gudmundsen-Holmgreen in 2013.Commissioned by the Kronos Quartet. String Quartet No. 13 'Mutual Ordering' was composed by Pelle Gudmundsen-Holmgreen in 2013.Commissioned by the Kronos Quartet.

In Terra Pax Op.11 by Pelle Gudmundsen-Holmgreen scored for Clarinet Percussion and Piano. Composed in 1961. In Terra Pax Op.11 by Pelle Gudmundsen-Holmgreen scored for Clarinet Percussion and Piano. Composed in 1961.

Stygekvartet VI is a composition by Pelle Gudmundsen-Holmgreen for String Quartet. Set of parts for Strygekvartet VI /String Quartet No. 6 'Parting' (1983) by Pelle Gudmundsen-Holmgreen. Score: WH31581

Full Score-Full score for the opera Under Himlen (Under The Sky) by Bent Sørensen (2003) featuring a libretto by Peter Asmussen. Commissioned by the Royal Danish Theatre. Full score for the opera Under Himlen (Under The Sky) by Bent Sørensen (2003) featuring a libretto by Peter Asmussen. Commissioned by the Royal Danish Theatre.

A work for large orchestra written for the Danish National Symphony Orchestra with support from the Danish Arts Foundation. A work for large orchestra written for the Danish National Symphony Orchestra with support from the Danish Arts Foundation.

Set of parts for Scenarier - 7 Shortcuts For Blæserkvintet (Scenarios - 7 Shortcuts For Wind Quintet) by Svend Hvidtfelt Nielsen (2002). Set of parts for Scenarier - 7 Shortcuts For Blaeserkvintet (Scenarios - 7 Shortcuts For Wind Quintet) by Svend Hvidtfelt Nielsen (2002).

EEC Sats (EEC Movement) was composed by Hans Abrahamsen in 1972. Former known as Symphony in C EEC Sats (EEC Movement) was composed by Hans Abrahamsen in 1972. Former known as Symphony in C

Den Villeste - 9 Songs by Carl Nielsen arranged for Mixed Choir a capella by John Høybye .Performed by Tritonus and John Høybye. Content: Den Villeste Tit er jeg glad I aften Skal blomsterne da visne Hun har mig glemt Sænk kun dit hoved du blomst Hvor sødt i sommeraftenstunden Solnedgang Sig månen langsomt hæver Den Villeste - 9 Songs by Carl Nielsen arranged for Mixed Choir a capella by John Hoybye . Performed by Tritonus and John Hoybye. Content: Den Villeste Tit er jeg glad I aften Skal blomsterne da visne Hun har mig glemt Saenk kun dit hoved du blomst Hvor sodt i sommeraftenstunden Solnedgang Sig manen langsomt haever

Version 2010- Heaven-Haven (Version 2010) for Voice and Ensemble by Peter Bruun . Text by Gerard Manley Hopkins. Instr.: vce.fl.cl.2perc.pf.vn.vc.db

Karsten Fundal 's Piano Concerto - Fliessende Bewegung Orchestration: Piano solo /4.3.4.ssx.3/2.3.2.0/2perc/2hp/cel/str Parts are for hire: hire@ewh.dk Karsten Fundal 's Piano Concerto - Fliessende Bewegung (1992/93). Orchestration: Piano solo /4.3.4.ssx.3/2.3.2.0/2perc/2hp/cel/str Parts are for hire: hire@ewh.dk

Tango Tzigane - Jealousy-Jacob Gade's classic arranged for piano duet (four hands) by conductor Esther Bobrova Lange.FROM THE PREFACEIt is a common misconception that ”Tango Jalousie” (Tango Tsigane) was written for the movie ”Don Q”. The piece was also played at the movie premiere in Paladsteatret on September 14th 1925 but there was no jealousy-based drama in the movie. Nonetheless the melody was well suited to the Zorro legend in a Mexican setting.But in the book “Jacob Gade – et eventyr i musik” (a fairytale in music) by Jørgen Gram Christensen one learns that in a 1956 interview Jacob Gade recounted the incident in 1925 which concerned him very much: “One day the magazines featured a dramaticdescription of a jealousy-based murder and the word “jealousy” stood for me as a title with which the music became more and more attached.”There are many different arrangements of “Tango Jalousie” but I have always found that there was a need for a piano four hands version of this wonderful piece. In the process of working out a piano four hands version I used the full orchestra score and made sure that the most essential orchestra parts were included. Also the melody parts and accompaniment are equally distributed between the primo and secondo parts.Esther Bobrova Langeconductor Tango Jalousie (Tango Tzigane - Jealousy) - Jacob Gade's classic arranged for Piano Duet (four hands) by conductor Esther Bobrova Lange. From the Preface: It is a common misconception that Tango Jalousie (Tango Tzigane) was written for the movie Don Q. The piece was also played at the movie premiere in Paladsteatret on September 14th 1925 but there was no jealousy-based drama in the movie. Nonetheless the melody was well suited to the Zorro legend in a Mexican setting. But in the book Jacob Gade - et eventyr i musik (a fairytale in music) by Jorgen GramChristensen one learns that in a 1956 interview Jacob Gade recounted the incident in 1925 which concerned him very much: One day the magazines featured a dramatic description of a jealousy-based murder and the word jealousy stood for me as a title with which the music became more and more attached.There are many different arrangements of Tango Jalousie but I have always found that there was a need for a piano four hands version of this wonderful piece. In the process of working out a piano four hands version I used the full orchestra score and made sure that the most essential orchestra parts were included. Also the melody parts and accompaniment are equally distributed between the primo and secondo parts. (Esther Bobrova Lange)

Spiralryg-Edited by Inge Marstal and Kaj Nørholm Sangbogen 3 is third in the famous Danish Songbook series. With 424 pages packed with a variety of Danish and international songs from old classics to contemporary hits there really is something for everyone! While each volume is unique they all share the desire to bring people closer together through music. Whether a soloist family school or community you are sure to find a use for Sangbogen 3 whatever the occasion! This Piano Voice and Guitar Songbook has figured melodies Guitar chords and Danish lyrics. It is spiral bound to lie flat on any surface. Edited by Inge Marstal and Kaj Norholm Sangbogen 3 is third in the famous Danish Songbook series. With 424 pages packed with a variety of Danish and international songs from old classics to contemporary hits there really is something for everyone! While each volume is unique they all share the desire to bring people closer together through music. Whether a soloist family school or community you are sure to find a use for Sangbogen 3 whatever the occasion! This Piano Voice and Guitar Songbook has figured melodies Guitar chords and Danish lyrics. It is spiral bound to lie flat on anysurface.

Parts for String Quartet No.4 by Hans Abrahamsen (2012). Commissioned by Westdeutscher Rundfunk and Wigmore Hall For the Arditti Quartet Parts for String Quartet No.4 by Hans Abrahamsen (2012). Commissioned by Westdeutscher Rundfunk and Wigmore Hall For the Arditti Quartet

Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic/melodic ritual which accelerates the music. In the third part the block structure is softened gradually different figurations and stylistic elements arise to live their own lives: distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cum Figuris.The piece has no literal content at all even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. More likely my piece will arouse associations as with all my music. It has to be heard in it’s own conditions in this case as a big body of music or perhaps as a great screen where the details of course are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984 commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble InterContemporain world premiered the work in April 1985 conducted by Peter Eötvös. The piece was also played at the ISCM-festival in Amsterdam by Netherland Radio Chamber Orchestra conducted by Ernest Bour. Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic/melodic ritual which accelerates the music. In the third part the block structure is softened gradually different figurations and stylistic elements arise to live their own lives: distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cumFiguris. The piece has no literal content at all even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. More likely my piece will arouse associations as with all my music. It has to be heard in it’s own conditions in this case as a big body of music or perhaps as a great screen where the details of course are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984 commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble Int

Terrains Vagues was commissioned by the BBC Symphony Orchestra. It was premiered on 1 April 2001 by the BBC Symphony Orchestra conducted by Sir Andrew Davis at the Barbican Hall London. The first Danish performance took place on 27 September 2001 Thomas Dausgaard conducting the Danish National Radio Symphony Orchestra at the Danish Radio Concert Hall in Copenhagen. The work is dedicated to Thomas Dausgaard. Terrains Vagues was commissioned by the BBC Symphony Orchestra. It was premiered on 1 April 2001 by the BBC Symphony Orchestra conducted by Sir Andrew Davis at the Barbican Hall London. The first Danish performance took place on 27 September 2001 Thomas Dausgaard conducting the Danish National Radio Symphony Orchestra at the Danish Radio Concert Hall in Copenhagen. The work is dedicated to Thomas Dausgaard.

Piano Score based on The Carl Nielsen Edition Series II Instrumental Music Vol.9 Part 1. Piano Score based on The Carl Nielsen Edition Series II Instrumental Music Vol.9 Part 1.