Starting Christmas by playing - Spil Julen Ind contains 21 traditional Christmas songs with music and lyrics. Suitable for those who haven't played that long. 'Starting Christmas by playing' - Spil Julen Ind contains 21 traditional Christmas songs with music and lyrics. Suitable for those who haven't played that long.

Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark. Programme note: My Piano Trio Phantasmagoria is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards &ndash The fourth movement &ndash third movement - and I finally got to the beginning of the piece. It all begins with the violin &ndash solo &ndash heavily muted but aggressive and gradually the cello and the piano enter as shadows of the violin. The first movementends in a dark shadow of an aria from my opera Under the Sky . All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. Shadow play was the first title on my mind but a shadow play can be more physical &ndash the shadow can come alive &ndash alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. Phantasmagoria was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen) Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sorensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark. Programme note: My Piano Trio Phantasmagoria is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards - The fourth movement - third movement - and I finally got to the beginning of the piece. It all begins with the violin - solo - heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera Under the Sky. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. Shadow play was the first title on my mind but a shadow play can be more physical - the shadow can come alive - alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. Phantasmagoria was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sorensen)

Mattinata - Tongues Of Light (1992) for Organ solo. Edited by Jens E. Christensen.

Niels Marthinsen's Great Fireworks In China for Ensemble (2010). 3. movement of 2. Symphony - 'Snapshot Symphony' arranged for Ensemble. Parts are available on hire: hire@ewh.dk

String Quartet No. 12 'Each In Each' was composed by Pelle Gudmundsen-Holmgreen in 2013.Commissioned by the Kronos Quartet. String Quartet No. 12 'Each In Each' was composed by Pelle Gudmundsen-Holmgreen in 2013. Commissioned by the Kronos Quartet.

Work for SATB Chorus or SA Chorus and Percussion ad lib.

Parts = WH31171A Preface / Programme Note When looking for an interpretation on the internet of Edgar Allan Poe´s DREAMLAND it turns out that there are as many interpretations as there are interpreters. Some believe it is the mad hallucinations of a drug addict (could be Poe himself) others see it as Poe´s equivalent of Dante´s INFERNO – a tale from the Underworld. One thing is certain though. DREAMLAND is a ”fantasy” the vision of a dreamvoyager arriving at and staying in a mythical location beyond and between space and time a place of strange majesty and surreal spectacles such as: “Mountains toppling evermore into seas without a shore”. At the same time it is a“peaceful soothing region” – a mystical ”wonderland” not unlike the fabled Eldorado whichis mentioned in the poem. Poe biographer Arthur Hobson Quinn called it “one of Poe´s finest creations” with each phrase contributing to one effect: a human traveler wandering betweenlife and death. DREAMLAND first appeared in print in America in the June 1844 issue of Graham´s Magazine and was subsequently published in a June 1845 edition of The Broadway Journal. Poul Ruders July 2010 Dreamland (2010) for Soprano Clarinet and String Quartet. Text by Edgar Allan Poe 1844. Parts: WH31171A Preface / Programme Note When looking for an interpretation on the internet of Edgar Allan Poes DREAMLAND it turns out that there are as many interpretations as there are interpreters. Some believe it is the mad hallucinations of a drug addict (could be Poe himself) others see it as Poes equivalent of Dantes INFERNO - a tale from the Underworld. One thing is certain though. DREAMLAND is a fantasy the vision of a dreamvoyager arriving at andstaying in a mythical location beyond and between space and time a place of strange majesty and surreal spectacles such as: Mountains toppling evermore into seas without a shore. At the same time it is a peaceful soothing region - a mystical wonderland not unlike the fabled Eldorado whichis mentioned in the poem. Poe biographer Arthur Hobson Quinn called it one of Poes finest creations with each phrase contributing to one effect: a human traveler wandering betweenlife and death. DREAMLAND first appeared in print in America in the June 1844 issue of Grahams Magazine and was subsequently published in a June 1845 edition of The Broadway Journal. Poul Ruders July 2010

Opgavehæfte for 3.-6. klasse i forbindelse med gennemgang af Det store orkester (WH30350) Exercise book for students following Bodil Heiser 's Det Store Orkester storybook style teaching method (WH30350). In Danish only. Opgavehæfte for 3.-6. klasse i forbindelse med gennemgang af 'Det store orkester' (WH30350) Exercise book for students following Bodil Heiser 's Det Store Orkester storybook style teaching method (WH30350). In Danish only.

Breathings by Henrik Hellstenius for Chamber Orhestra. Written to the 20th Anniversary of BIT20 ensemble in 2009.

Gylfaginning (2009) -The creation and destruction of the world of the Norse gods. For Choir SATB with amplification.

For Violin Percussion and Organ Accompaniment. For Violin Percussion and Organ Accompaniment.

Tristan Und Die Konigin (1979) by Bent Lorentzen - Version for Soprano & Tape. Aria from the opera 'Eine wundersame Liebesgeschichte'. Text by Leinert/Lorentzen.

4 'Neue' Motetten Und Ein Kanonischer Spass arranged for Soli and Choir SATB a cappella by Bo Holten. 4 'Neue' Motetten Und Ein Kanonischer Spass arranged for Soli and Choir SATB a cappella by Bo Holten.

Korudgave-Til denne korudgave findes partitur med klaversats becifringer og rytmepartitur samt vejledning og forslagtil udførelse af de enkelte sangeOmslagstegning og vignetter: Frederik Gislinge Til denne korudgave findes partitur med klaversats becifringer og rytmepartitur samt vejledning og forslagtil udførelse af de enkelte sangeOmslagstegning og vignetter: Frederik Gislinge

Set of parts for Afskrift (1971) by Karl Aage Rasmussen. Scored for Flute Violin Viola Cello and Piano. Dedicated to the Poul Birkelund Quintet. Set of parts for Afskrift (1971) by Karl Aage Rasmussen. Scored for Flute Violin Viola Cello and Piano. Dedicated to the Poul Birkelund Quintet.

for Actor (Narrator)and Brass QuintetText in Swedish by August StrindbergAdaptation by Magnus Florin Set of parts for Inferno (2011) for Actor (Narrator) and Brass Quintet. Text in Swedish by August Strindberg. Adaptation by Magnus Florin.

Countermove I-II-III for Organ Solo was composed by Danish composer Pelle Gudmundsen-Holmgreen in 1999. Countermove I-II-III for Organ Solo was composed by Danish composer Pelle Gudmundsen-Holmgreen in 1999.

Jouni Kaipainen's Var Det Edith? Op. 95 (2011) for Soprano String Quintet and Piano. Texts in Swedish by Edith Södergran. Composed for the soprano Helena Juntunen. Jouni Kaipainen's Var Det Edith? Op. 95 (2011) for Soprano String Quintet and Piano. Texts in Swedish by Edith Sodergran. Composed for the soprano Helena Juntunen.

Bent Sørensen 's 2002 piece Skygger Af Stilhed for Cello and Piano Bent Sørensen 's 2002 piece Skygger Af Stilhed for Cello and Piano.

Vocal/Chorus Score for Michael Bojesen's Te Deum (2010). For Mixed Voices SATB Children's Chorus Soprano solo and Wind Quintet. Score: WH31141 Parts: WH31141A Piano score: WH31141B Children's chorus: WH31141D